Fields of Gold

Goblins Glen, Deadman’s Lane, Rotmoor Shaw and Drunken Bottom are some of the place names that surround beautiful Nuffield. A place rich in character and Chilterns history, and where we were to ‘Meet the Makers’ during the Chilterns Walking Festival.

I have written throughout this blog of the joy of discovering new places, weird place names, coming upon a vista opening up through the foliage, unexpected flavours and meeting new people happy to share their stories. In equal measure, the joy of of discovering yet more links that join together and add layers to the wonderful tapestry that is the story of A Year in the Chilterns. 

Meeting the Makers

Chilterns Walking Festival
Towards Stoke Row

Goblins Glen, Deadman’s Lane, Rotmoor Shaw and Drunken Bottom are some of the place names that surround beautiful Nuffield, a small South Oxfordshire village, just over 4 miles east of the picturesque market town of Wallingford. A place rich in character and Chilterns history where we were to ‘Meet the Makers’ during the fifth Chilterns Walking Festival. We set off from Holy Trinity Church Nuffield on a circular walk to visit two business owners; master blacksmith David Gregory and cabinet maker Gordon Kent. Our guide once again, my good friend Annette, who had by good fortune, spent many happy years living nearby, with a field of sheep and shepherds hut in which to play.

Beechwood in the spring
Striking beech, a symbol of the Chilterns

The weather couldn’t have been better: jackets discarded, the coolness of a late spring that will soon give way to summer heat, but for the moment, the landscape is lush, full and fresh. The bluebells have left the stage, their place taken by path-hugging cow parsley, nettles, beech and oak boughs laden, blocking out the sunlight, keeping the path cool. In places, crunchy underfoot with last years beechnuts that the squirrels had overlooked. The smell of wild garlic absent from this woodland, but the bird song more than makes up for it. We cross a section of a Grims Ditch, some impressive saw pits, evidence of earlier activity from those who harvested the wood to make furniture, amongst other items.

Shaken, not stirred

What Annette doesn’t know about this special place, frankly isn’t worth knowing; details of who owns what, who makes the best cheese, the friendliest pubs and why it’s important to have the services of four-wheel drive in winter. Annette spoke about the 2,300 acre Nettlebed Estate, consisting of woodland, farmland and common land stretching between Nuffield and Greys Court to the south. The Estate is owned and managed by descendents of Robert Fleming, a Scottish banker who bought the Estate in 1903. Fleming’s grandson was the renowned travel writer Peter Fleming whose younger brother was the celebrated spy novelist Ian Fleming, author of the James Bond books as well as the children’s classic, Chitty Chitty Bang Bang – with another Chilterns connection at Turville in the Hambleden Valley. 

The family still manage the Estate, the rich milk from their organic herd used for the delicious Nettlebed Creamery cheeses that we sampled en route. Something Annette does well; sharing all manner of locally brewed, baked or bottled treats to sustain the walkers!

Fields of Gold: the view from Heycroft Shaw

The pasture around English Farm is ablaze with buttercups, which always makes a pretty picture. There is not much plant variation however, so butterflies in these fields will be limited.

English Longhorn cattle
There has been pasture and farming at English Farm since the 12th century, and the longhorn cattle graze the organic pasture.

“Blacksmiths are good problem solvers”

Prior to the industrial revolution, a village smithy was a staple of every town. Now, a rarity, a visit is a treat!  “A problem is never too great that can’t be beaten out with a hammer” claims David Gregory, master blacksmith at Cobalt Blacksmiths at English Farm. 

English Farm near the village of Nuffield
English Farm, Nuffield

“Blacksmiths are good problem solvers” he adds, “as we have the right tools.” David, Billy and Tom are working on amongst other commissions, a new stair rail for the Ashmolean museum, and a set of new gates for the Waddesdon Estate Treasury, a portal into what must undoubtably be a treasure trove.

A chorus of anvils
The anvil chorus

David talks with great passion about the organic nature of his craft, of the fluidity of the metal, the skill needed to work with the materials to shape it as the commissions require; tools, weapons, decorative and functional pieces that I imagine will enhance the place they will be used. That’s the magic of this ancient craft, transforming nondescript organic materials into things of beauty. 

Beside the forge
The Master David, and his apprentices Billy and Tom.

Resin and vinegar

We continued our walk through the spring countryside to meet with Gordon Kent and his team of expert cabinet makers at tucked-away Homer Farm. Furniture-making is a Chilterns tradition with the popular Windsor chairs exported all over the world and Gordon Kent is continues to make beautiful furniture. Just as David and his team, Gordon’s read their materials, they speak with such knowledge and a passion borne of years of hard work and synergy with their craft. Resins, steel wool and vinegar combine to make a fine wood stainer for the beautiful pieces crafted in ‘catspaw’ oak, walnut, cherry, maple and ash in their workshop. Their attention to detail evident in the pieces they showed us in the workshop.

The team of cabinet makers
Ben, Gordon and Nick.

We giggled about the naked walkers, seen passing through the farm in the winter months, to avoid contact with the stringing nettles I imagine! 

Two walkers in a field of buttercups

The greatest pleasures are so often the re-discovery and interaction with what and who is around us. We had ventured out to make connections, meet new friends, enjoy new flavours and are thankful for where we live and how it makes us feel. Helped in large doses by the tea and delicious scones baked by Gordon’t mum. Thank you very much, we’ll be back! 

Goblins Glen, Deadman’s Lane, Rotmoor Shaw, Drunken Bottom, Homer Green and English Farm – new place names in my Chilterns lexicon.

Further Information

The Chilterns Walking Festival takes place in the spring and autumn at locations across the Chilterns. Find your walk here.

The Meet the Makers’ walks have one purpose; to share the experience of visiting some of our skilled craftspeople, who work in studios and locations that are often inaccessible to visitors, yet are keen to establish links to help us promote the Arts and Crafts produced in our region. 

Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland. Once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and wood gathers from surrounding hamlets picking only what had fallen to the ground. Read about an earlier ‘Meet the Makers’ festival walk.

Lord Nuffield was buried at Holy Trinity Parish Church in the village, a plain, modest grave, much like the great name himself. Read his story here. 

If you were asked to name the places that Ian Fleming is most closely associated, you might put Goldeneye, Fleming’s home in Jamaica where he wrote all the Bond books, on the top of your list. You might include his post-war office at Mitre Court, or you might include Nettlebed, neighbour to Nuffield. Take a tour around Ian Fleming’s Oxfordshire 

Described on TripAdvisor as ‘fresh as paint’ I was interested to see the nearby restored Maharajah’s Well in Stoke Row and discover why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.

West Wycombe Park

It took a visit to West Wycombe Park to be of reminded why the Chilterns is such a distinctive, compelling place to be.

It took a visit to West Wycombe Park to be reminded why the Chilterns is such a distinctive, compelling place to be.

When I started writing this blog, I was uncertain how I would maintain momentum, focused as I am, on one region. Would I struggle to find enough to write about, or would my inspiration dwindle?

Three miles west of High Wycombe, tucked away in the Wye valley, is a unique 18th century Italian-inspired Chilterns landscape, built to impress and entertain. Beside which is clustered a tiny village of the most lovely cottages creeping up the hill towards the biggest show-off structure in the region; an 18th century mausoleum to perhaps one of the most notorious and eccentric men in English history.

A loveliness of ladybirds

I have not lost my enthusiasm, is because each time I head out, despite sometimes being unsure of the nature of what I will encounter (whether Leo is allowed in too), or perhaps the write up was simply overblown hype! Without exception, I’m always delighted with what I find, discovering ever-more strands and layers to the wonderful, if slightly bonkers Chilterns story. I also pick up lots of incidental information…a loveliness of ladybirds for instance…who knew?

The collective noun for ladybirds is a loveless of ladybirds.
A loveliness of ladybirds basking on the flint wall of the Temple of Winds

A dash of history

Sir Francis Dashwood, (1658 – 1724) was a successful London merchant who made his fortune trading in the East Indies. He used his great wealth to buy the manor of West Wycombe.

Sir Francis Dashwood, 2nd Baronet embarked on a series of Grand Tours and liked the villas of the Italian renaissance so much, wanted to emulate and transform his fathers more modest Buckinghamshire Manor House. Work began in about 1735, but the great design project took so long, that over the 40 years, Palladianism had been replaced by Neoclassicism. This has left some quirks to the house, that I can explore when it opens to visitors in the summer months.

West Wycombe Park is a popular location for filming
West Wycombe House is architecturally inspired by the villas of the Veneto

A more natural landscape

Sir Francis transformed the formal garden into a playground of Italian-inspired temples, water features and follies, arranged around an ornamental lake, with broad avenues with far-reaching views down the valley or across to the Dashwood Mausoleum. There are plenty of places to read a book, admire the views, watch the swans, or to daydream.

The Temple of the Winds, inspirited by the classical Tower of the Winds in Athens

Similar in style to Stowe, the Capability Brown-designed National Trust landscape garden in Buckingham, this Humphrey Repton-inspired space will also transform through the seasons. The structures sit well with the landscape, complimenting, rather than competing, or imposing.

A feature in this, one of the finest surviving 18th century landscape gardens.
One of the many bridges over the ornamental lake

Kitty’s Lodge

There are two symmetrical lodge houses at the north-east corner of the park that mark the entrance to the old drive up to the house. Kitty’s lodge is named after Kitty Fisher, a famous courtesan who was possibly the first celebrity ‘famous for not being famous’. Named too, in that popular nursery rhyme, and quite probably, lady friend of Sir Francis, 2nd Baronet.

“Lucy Locket lost her pocket,
Kitty Fisher found it;
But ne’er a penny was there in’t
Except the binding round it.”

The Temple of Venus stands on a small mound and takes the form of a rotunda enclosing a copy of the Venus de Milo. The parlour is a grotto beneath the mound, entered through an oval opening flanked by curving screen walls. Specifically designed to represent ‘the opening through which we all enter into this world’. It was intended as the central focal point of the park when viewed from the house.

The notorious Temple of Venus stands on a small mound and takes the form of a rotunda enclosing a copy of the Venus de Milo.
The notorious Temple of Venus

Saved by the Crash

West Wycombe village was sold by the Dashwood family to raise funds following the Wall Street Crash of 1929. It was bought in its entirety by the Royal Society for the Encouragement of Arts, Manufactures and Commerce (better known as the Royal Society of Arts), as part of the Society’s “Campaign for the Preservation of Ancient Cottages”. In 1934, the Society handed the property over to the National Trust, which is why so many original 16th – 18th century facings still exist. It’s worth walking, and if you take the cars away, not much has changed.

Not looking anything like its 555-or so years, Church Loft was primarily a meeting house and lodgings for pilgrims on their way between Oxford and London.
Church Loft, West Wycombe village

Increasingly I am given greater access to properties, places and people across our region. Made possible by many individuals who I have acknowledged. I would like to thank the National Trust for supporting my work and giving me access to so much of the great swathes of land and historic properties across the Chilterns that they manage. Their support will enable me to share even more of these wonderful stories. 

Speaking of wonderful stories, there are plenty more colourful Chilterns characters where this one came from!

Further Information

The fire had been provided by a portable BBQ, that lay discarded with accompanying beer bottles under a tree, just behind the mausoleum. I am sure Sir Francis Dashwood, creator of all I could see, would have approved of the party, but not the litter! The West Wycombe story continues with this earlier feature: Hellfire on a Hill.

We like to celebrate our quirky residents, past and present.

West Wycombe Park is generally open from Sunday through to Thursdays between 2-6pm from April and October. West Wycombe House is open for a few months over the summer. Best to check the National Trust website. Dogs are not allowed into the Park, but are welcome on the hillside opposite.

There are no refreshments in the park, but along the high street are several pubs, a coffee shop and village store to support. The Hellfire Caves attraction is further up the hill above the village.

Why should you visit our quintessential, uncrowded, rolling shades of green English countryside, with its impressive selection of museums, villages, pubs and restaurants? That question may well have all the answers you need. Find your Chilterns.

Spring flowers in the garden at West Wycombe Park
The daffodils add a splash of early colour

A is for Amersham

All around are signs of past lives; graves in the shape of wool sacks, an 18th water pump (although ale was preferable), window openings at unhelpful heights and a red lion above a lintel where a pub used to be.

Amersham is a modern Chilterns market town once again under pressure from the onward march of progress and development. 

Renowned for its Christian martyrs burned for their beliefs, successful black lace industry and perhaps on a more frivolous note, a perfumery, this is a town of two halves: the modern town on the hill and its medieval twin in the valley below.

Metroland

The Misbourne Valley in the central Chilterns is a delight. Dotted with woodlands, pretty villages and market towns, this once quiet corner of the Roman Empire is now a busy Metroland corridor, linking London highways with Chilterns byways. A mere 25 minutes from London on the Met line, Amersham offers train-to-trail countryside escapes, and space to breath. 

Metroland poster
Served by the Metropolitan Railway, Metroland was the name given to the suburban areas that were built to the north-west of London.

Once the centre for black lace production, 16th century craftswomen specialised in fine silk veils and wide flounces of black lace that were used to decorate white dresses. In fact the industry continued late into the 19th century because almost everyone, from kings to babies at one time, wore lace on their clothing! Another industry synonymous with the town was the Goya perfume factory, that supplied large qualities of fragrances and perfumes to women after the Second World War. I wonder what the town smelt like?

“In the shallow of depression at a spot 100 yards left of this monument, seven Protestants were burned to death at the stake. They died for principles of religious liberty and for the right to worship God according to their consciences.”

Amersham Martyrs memorial
The Amersham Martyrs were called Lollards, who demanded to read the bible in English.

In the face of protest

There are two parts to this pretty town; medieval Amersham with its unusually spacious high street, and the new town and railway station. This came about because the town fathers didn’t want a railway mucking up their medieval streets in the 1890’s, and insisted it be routed 20 minutes away up the hill. And now, 130 years later, the town is once again facing pressure and change from another huge railway project; this time from HS2, that will thunder right through this peaceful valley, changing it in ways we don’t yet know. I have written about it in another article called Evolving Landscapes.

the village of Little Missenden
Little Missenden

On the poor side of the street

Go with a guide! You simply turn up at the museum to join a tour at 2.30pm on a Sunday. As I waited, numbers grew to include a couple from London on a weekend break, the leader of the Amersham Band and a couple who were mysteriously ‘just passing through’. My companions on this town tour with Euan, volunteer guide and purveyor of intriguing Amersham insights and stories. 

Pen and quills
Dear HS2…

We began our tour in the museum garden, filled with herbs and plants our medieval ancestors would be familiar with, to help them get through life without a GP, or symptoms to Google. Being on the poor side of the high street, this garden would have been considered small. The houses to the other side of the high street in comparison, still have substantial plots. This garden is bordered on one side by typical knapped Chilterns flint and brick almshouses, and a discreet long-drop privy overhanging the river Misbourne.

Amersham Museum garden
The view from the museum garden

The museum itself is situated within a 15th century structure that has over the centuries, undergone many changes. It charts the towns story through the voices of past residents who lived and worked in the many industries and local trades, the great and the not-so, including those mentioned above. Thanks to a substantial restoration project, the beautiful medieval and Tudor floors and wobbly beams (made from green oak) are revealed. If I’d have had more time, I’d be trying on all those Tudor dresses!

A missing stream

A typical Chilterns chalk stream, the Misbourne (missing stream), meanders through the centre of town, behind houses, through a meadow and under a lot of bridges. The current low water level attests to the temperament of this stream, following as it does, the variations in the annual rainfall. It is still known to flood however, with memories fresh after the last sandbag event, despite the river being confined to a narrow channel.

The River Misbourne flows gently through the town

Open plan living

You may be familiar with the Kings Arms hotel, a former posting inn, made famous by the 1994 British romantic comedy ‘Four Weddings and a Funeral’. It served as the place to change horses on the London to Oxford route, and perhaps give the weary travellers some respite after 25 bumpy miles from London, with quite possibly another 30 miles onwards to Oxford to endure. It looks quaint and olde-worlde, but the majority of the facade is in fact ‘Brewery Tudor’ added by the local brewery about 100 years ago to cover up an unsightly earlier facade. It seems there was a lot of this about with false frontages been added by successive owners to modernise their old fashioned structures. So common was the practice it’s difficult to know where medieval stops and Georgian begins.

Brewery Tudor

It is the equivalent today of stripping out the kitchen to make way for ‘open plan’ living. 

There are several notable examples of grand houses built with a former industry in mind, but now repurposed for other lives. Many of them have tell-tale features and locations, and the guess-work is fun.

The houses of the most important people in town: the coopers house, and to the right, the brewery managers house.

Past lives

The Market Hall, a Grade II listed building that was built in 1682 by Sir William Drake as a gift for the town, is not hard to miss. Commanding the most prominent spot on the high street, it was intended for the upper floor to be used for meetings for traders’ guilds, and the ground floor as a market and lock-up for miscreants.

Commit no nuisance
The coldest room in the coldest corner of the market awaited those who fell foul of the law.

All around are signs of past lives; graves in the shape of wool sacks, despite this never being a wool town, St Mary’s resplendent in excavated flints from the new railway, an 18th water pump (although ale was preferable), window openings at varying unhelpful heights in the building that was the water mill, a red lion above a lintel, where a pub used to be, the maltings, a stable for the brewery dray horses and a parapet blocking out light to the servants’ rooms following some fashionable structural updates.

Grave stones
Wool sacks as gravestones in the local church

There is great hope in Amersham for facing down disruption and continued changes to their way of life. A thoroughly modern town doing things their way, which bodes well for residents and businesses to thrive and continue to be an example of how towns adapt, yet still retain their historical roots and proud Chilterns heritage.

Houses off the high street
Through the back gate and over the Misbourne

Further Information

This article doesn’t do the town justice; visit and enjoy the independent shops, restaurants and pubs along the high street with not a chain store in sight. But do start with a browse around the exhibits at the wonderful Amersham Museum, join a town or martyrs walking tour available on Sunday afternoons from April to September.

Amersham has a number of Alms Houses that add to the great variety across the Chilterns. Not least of all the Drake Houses on the high street, originally built to house six local widows.

You will find the martyrs memorial either along a footpath leading from St. Mary’s Church, or from an overgrown footpath from Station Road.

You can explore the Misbourne Valley and the village of Little Missenden.

Discover more about Amersham, the surrounding countryside and other Chilterns market towns, take a look at VisitChilterns.co.uk

The castle that time forgot

Seen mostly from Chilterns commuter trains, I expect Berkhamsted castle is one of those landmarks that is no longer noticed. It has disappeared into the landscape.

My straw pole revealed a distant lack of awareness when asked when was the last time they visited Berkhamsted castle?

“Not for ages”
“Is that the one near the station..?”
“I can’t remember”
“Where is it?”

Berkhamsted motte
Winter shadows

Situated alongside the Grand Union Canal and railway in the busy market town of Berkhamsted in the northern Chilterns, the castle and its features seem only to remerge from the surrounding landscape if you look long and hard. The mound is covered in pretty flowers, harmless lumps and landscape bumps, the scene so benign. In spite of much now lost, damaged or repurposed, you can make out the elevated motte and keep, and if the badgers haven’t ripped up the turf looking for juicy earthworms, you could imagine the many wooden buildings inside a protective curtain of outer wall, or bailey, offering protection to the occupants. Earthworks and a moat surround the site including an extensive embankment upon which the West Midlands railway London to Birmingham service thunders, this place a microcosm of English history;

Anglo-Saxon backwater
Norman Invasion
Oppression
Royal entitlement
Civil war
Invasion
Royal prison
Decline
Vandalism
Near destruction
Declared ancient monument
Forlorn visitor attraction

Ring of Steel

William the Conqueror received the submission of the English at Berkhamsted Castle after the Battle of Hastings in 1066 and it was his half-brother, Robert of Mortain, who built a timber castle here around 1070. Built in the classic Norman motte-and-bailey style, with defensive conical mound and oval bailey below, the castle formed part of the Conquerors ‘ring of steel’ around the capital (along with Wallingford and Windsor Castles to the west, and the White Tower to the east), controlling trading routes and successfully subjugating the locals.

Berkhamsted motte and bailey
The Motte and Bailey

The castle saw action in the Middle Ages, invasion by the French, civil war and in more settled times, the site of a royal residence. But the castle slid in a slow decline of unsuitability for royal use, and by default became unfashionable. Stone was taken from the castle and reused to build many houses and buildings in the nearby town.

The fortunes of Berkhamsted are closely linked to its castle; whose fortunes waxed and waned, and when it waned and fell into disuse in the 15th century, the town had to find a new way to survive this change in its fortunes, but they had to bide their time until the arrival of the inland waterways and railway in the 19th century.

Berkhamsted station
The original Berkhampstead (sic) railway station as seen in 1838

Now a scheduled ancient monument, protected by law, the castle had a lucky escape. Victorian railway designers sought to build the London to Birmingham Railway directly through the site but was saved by local opposition. The Act of Parliament that authorised the construction of the railway also protected the castle, making it the first such property to be protected by law. We have not always been so proactive in protecting our heritage however, as landowners believed they had the absolute right to destroy their properties, and the notion the state could stop someone doing whatever they wanted to their own property was seen as ridiculous at the time. That Britain’s heritage was worth preserving was a belief held by weirdos, but thankfully for us, after witnessing decades of mindless destruction MP’s and heritage pioneers became determined to act.

I can’t help thinking of the new HS2 rail infrastructure project that will tear its way through ancient woodland and Chilterns countryside in the near future.

Irritating Tourists!

Incredible to even consider now the destruction of our heritage in the name of progress, or in the case of spite, from the infamous Reverend Francis Gastrell, owner of New Place, William Shakespeare’s final home in Stratford-upon-Avon. He bought the house in 1753 but “quickly got irritated with tourists wanting to see it”, says architectural historian Gavin Stamp. Gastrell was already in the town’s bad books after chopping down a mulberry tree planted by Shakespeare. But he hadn’t finished there: in an extraordinary fit of spite, he demolished the house in 1759. It was never rebuilt and only the foundations remain. Suffice to say he was kicked out of town!

Ariel view of Berkhamsted castle
Arial view of the site taken in the 1940’s. Image supplied by Britain from Above archive.

Rediscovering our Chilterns castles

Seen mostly from the commuter trains, I expect this castle is one of those landmarks that is no longer noticed. I think we need to rediscover our Chilterns’s castles, visit them, watch as they reflect the changing seasons; through the windows of your train or car. Take a picnic, take your family, take your dog and enjoy the space and possibilities on offer.

Berkhamsted castle reflections
Reflections in the moat

Further information

The site is managed by English Heritage and is free to explore. For further information

To explore other Chilterns castles, including Someries in Luton, take a look at these pages. Suggestions needed for additional material here too.

Why should you visit the quintessential, uncrowded, rolling green English countryside of the Chilterns, with its impressive selection of pubs and restaurants? That question may well have all the answers you need. Find your Chilterns here

How a wild boy without a birth name, who was found in a German forest, was adopted by a English king and came to live in the #Chilterns, is an astonishing story.

The monastery and monks are long gone, buildings destroyed, treasures looted and the monks banished during the 16th century Dissolution of Monasteries on the orders of King Henry Vlll; read about the flourishing trade at nearby Ashridge.

Evolving Landscapes

No previous Instagram nor Facebook posts have raised as many comments recently following a post that included the countryside around Little Missenden. The comments referred to the impending High Speed 2 (HS2) rail project will rip through this pretty Chilterns valley.

Evolving landscapes 

We tend to look at a landscape and imagine how things were, or to enjoy the temporary transformation through the year (the focus of this blog); less so perhaps on how things might be. The Chilterns are a living, evolving landscape, shaped by its people, industries and natural resources. After all, nothing stands still, or is set is aspic.

It is a moment for me to recognise the importance of capturing some of this huge change. 

HS2 is something I have ignored.

This vast, expensive and disruptive engineering project is the brainchild of our government who think that spending upwards of £56b is worth the minutes shaved off the London to Birmingham rail journey is well worth it. Perhaps that should be the national priority, but it is above my pay grade to know for sure. There has been much written, much revised and many cross words exchanged however, but for me, HS2 is something I have ignored, until I walked in the Misbourne valley and appreciated the scale of what is about to happen.

The route through the Chilterns

I have included a web link below, but to briefly summarise the route through the Chilterns; from London Euston, the route will enter a tunnel until West Ruislip, where trains emerge to run on the surface. From here the line crosses the Colne Valley on a major viaduct, and passes through a 9.8-mile (15.8 km) tunnel under the Chiltern Hills to emerge near South Heath, north-west of Amersham. The route will run roughly parallel to the existing A413 (through the Misbourne Valley), passing to the west of Wendover in what HS2 call a ‘green cut-and-cover tunnel’. After passing west of Aylesbury, the route will run north westwards through North Buckinghamshire and Oxfordshire, South Northamptonshire and Warwickshire and into the West Midlands.

Misbourne Valley 

The River Misbourne rises above the lovely market town of Great Missenden and flows south east for 17 miles (27km) through the village of Little Missenden, onto Amersham and the Chalfonts to Denham, where it meets the River Colne. 

This valley and its river are no stranger to controversy and has suffered damage to its natural and built resources; most recently the natural chalk stream was rescued by a successful campaign to stop the abstraction of valuable drinking water and further down the valley, Shardeloes mansion, ancestral home of the Tyrwhitt-Drake family was saved from demolition by the formidable Amersham Society. 

I was drawn to the valley when I read a piece about rare medieval wall paintings uncovered by accident (aren’t all the best things?), in 1931 that had been hidden behind lime wash and plaster and are now restored inside this wonderful 1,000 year-old church. Still a valuable community hub inside a building designed, built and tinkered with by the Romans, Saxons, Normans and Tudors. I expect the Victorians had a hand in there too.

My walk took me from the parish church, through the village, up the hill to Mop End and down through the woods to Shardeloes, just outside Amersham and back to Little Missenden along the South Bucks Way. Details and maps are below.

Views back towards Little Missenden
A break in the boundary

Fighter-pilot blackbirds, skilfully navigated the twists and high speed turns

It was a beautiful still January morning, relatively quiet, with only bird chatter in the hedgerows for company. Leo and I crossed the field behind the village and joined the leaf-strewn sunken path, with helpful winter breaks along a familiar tree-lined boundary to enjoy far-reaching views back across the valley towards Great Missenden. Our guides, a couple of fighter-pilot blackbirds, skilfully navigating the twists and high speed turns upwards along the path. We passed an enormous pile of gently smoking, freshly dumped manure, ready to spread across these busy fields. There are a few isolated cottages with their lovely gardens, views and one sporting a tennis court! Not too many ‘gerroff my land” signs tacked to the trees either, which is always reassuring.

Our way downhill towards Amersham is cleared by the squirrels, their grey tails catching the sunlight as they race across the woodland floor, over logs, along a decaying fence and up the nearest tree, as fast as their little legs will take them. The vista then opens up and you can appreciate the sense of space and place as the landscape turns from natural, to managed and designed.

Shardeloes equine centre
Horses are king in this meadow

Enter landscape designer, Humphry Repton who was commissioned to lay out the grounds in the classical English landscape fashion, in the lee of the hill upon which the Shardeloes mansion stands, damming the River Misbourne to form a pretty lake.

Shardeloes is the ancestral home to the Tyrwhitt-Drake family until the Second World War, when the house was requisitioned as a maternity hospital for pregnant women from London
Shardeloes is a sprawling 18th century country house, the current structure replacing an earlier building

Shardeloes was the ancestral home to the Tyrwhitt-Drake family until the Second World War, when the house was requisitioned as a maternity hospital for pregnant women from London, saw some 3,000 children born there. Amazing! Following the War the house seemed destined to become one of the thousands of country houses being demolished, until the formidable Amersham Society, assisted by the Council for the Protection of Rural England fought a prolonged battle to save the house. Subsequently purchased in the early 1970’s by a local property developer who converted the house and outbuildings into a complex of private flats, with nearby equine centre and cricket club.

One of the two Shardeloes gatehouses
Shardeloes gatehouse

Expectations

I am reminded of another great regional railway project that saw Victorian railway designers, who sought to build the London to Birmingham Railway directly through the Norman Berkhamsted castle, but was saved by strong local opposition. The Act of Parliament that authorised the construction of the railway also protected the castle, making it the first such property to be protected by law.

There is an expectation that the HS2 archaeology will be rich and varied; grasping at straws perhaps, but I am hoping there will be access and tours available so we can see for ourselves what is happening. From the conversations I have had, both professionally and in my personal capacity, the locals are now resigned to the railway, and will make every effort to minimise disruption to their businesses and lives.

What is the Misbourne Valley going to look and sound like in the next decades? I will be back to find out as I will seek to harness and record the passions that these projects evoke with many more Instagram, Facebook and blog posts that encourage discussions and comments. You are welcome to comment below.

Further information

This website has interesting plans and maps so you can see where the route is and where the tunnels are – not too technical either.

There are three lovely walks to be enjoyed along the Misbourne valley, information can be downloaded here.

“The best church I have ever seen (and I’ve seen a few!)” enthuses A Simms, from Paris who visited the lovely church of St John the Baptist Little Missenden. Their website and visitor interpretation are excellent, the wall paintings astonishing and is well worth your support. I believe they serve a mean cream tea in the summer!

Explore the neighbouring market town of Amersham, with its enviable history of black lace, perfume and beer.

Read about another fine Chilterns Doom painting that was saved by the Chilterns summer rain.

The local market towns of Great Missenden and Amersham are worth a visit, not least of all to see the Roald Dahl Museum and Story Centre and the Amersham museum.

George Alexander Gratton

This tale is full of contradiction, cruelty and the absurd; of a young ‘fanciful child of nature’ bought by a showman to exhibit to the public until his death and lavish funeral in a shared vault in a church in Marlow.

Two weathered headstones bolted together in the All Saints Church cemetery in Marlow, are poignant evidence of a tragic tale of a mysterious so-called ‘Spotted Boy’ sold to be put on show for the paying public to gawp at. 

Intrigued to hear of the “Beautiful Spotted Boy of Marlow”, I arranged to meet Mike Hyde, volunteer and chair of the Marlow Museum. This is the place to go for all things Marlow, and their current Travellers’ Tales exhibition includes the fascinating stories of four historical people with local connections; Kate Marsden, explorer, writer and nursing heroine, Sir Robert Hart, British diplomat and official in the Qing Chinese government, King Zog, exiled King of Albania and George Alexander Gratton, aka “the spotted boy”. It is the last on this list that I am writing about, the others are no less interesting, but for very different reasons.

The spiritual home of rowing, Marlow is a well-heeled market town straddling the River Thames, east of Henley-upon-Thames and west of Cookham in the central Chilterns. Once a centre for lace making and timber, renowned these days for the many excellent restaurants and places to while away a few hours along the graceful Georgian high street, it is perhaps the combination of All Saints church spire and the William Tierney Clark-designed bridge that Marlow is most remembered. Modelled on similar designs to both the Hammersmith Bridge in London and the Széchenyi Chain Bridge spanning the Danube, this is its statement feature.

Marlow is a town that keeps its stories close

This is the tragic story of a young boy born on July 24th 1808 on a sugarcane plantation on the island of St Vincent and the Grenadines, where it was customary for slaves to be given the family name of their owner or overseer: in this case, Mr Gratton was the overseer and the plantation owner was a Mr Alexander. King George lll was on the throne, so it’s my guess that would account for the boy’s first name. According to an 1819 edition of the Literary Journal, as a baby, George was shown in the capital Kingstown “at the price a dollar each person” before he was sent to Bristol. At the tender age of 15 months. Facts are hard to verify as it’s not known if he was accompanied by his parents, the circumstances of his sale and passage abroad the ship ‘Friends of Emma’ to England, and who in fact benefited from the 1,000 guineas that John Richardson, showman, paid for the boy. Richardson, formerly a farm labourer from Marlow, had left town to make his fortune running fairs and sideshows, typically earning as much as £1,200 in just three days. 

George Alexander coloured aquatint after Daniel Orme 1809. Subtitled: “An Extraordinary Spotted Boy” this engraving was often sold as a souvenir. Credit: Marlow Museum

The reason the toddler was of interest to the showman? George suffered from a condition known today as Vitiligo. This a long-term skin condition is characterised by patches of the skin losing their pigment and becoming white. It is more noticeable in people of colour.  

Three murders and a ghost

One such fair is described so vividly by Charles Dickens in his ‘Sketches by Boz’ published in 1836: ‘Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.

This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes. The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. ”

Bartholomew Fair, Smithfield London.  Credit: Marlow Museum 

Richardson bought the boy to add to this travelling horror show, where he was advertised as ‘a fanciful child of nature, formed in her most playful mood’. He was exhibited during the intervals of plays and other entertainments, sometimes for upwards of 12 hours a day. Venues included the famous Bartholomew’s Fair in Smithfield, London.  

Contradiction and the absurd

Two weathered headstones bolted together in the cemetery of All Saints Church in Marlow are poignant evidence of a tragic tale of a young boy purchased for 1,000 guineas to be put on show.

This tale is full of contradiction, cruelty and the absurd as it is said that the childless Richardson formed a bond with the boy, he even had him baptised George Alexander Gratton and brought to Marlow where he lived as his son. Around five years of age, on February 3rd 1813, his brief life came to an end, with all manner of speculation to the cause of death. Richardson was alleged to have kept the body for fear it would be stolen, until he could be interred in a brick vault in the cemetery at All Saints with a funeral it is said, full of pomp and circumstance. Before Richardson died in 1837, he requested he be buried in the same vault, with the two back-to-back headstones bolted together.

Mike Hyde shared this verse from the now weathered epitaph: 

“Should this plain simple tomb attract thine eye

Stranger, as thoughtfully thou passest by,

Know that there lies beneath this humble stone

A child of colour, haply not thine own, 

His parents, born of Afric’s sunburnt race,

Tho’ white and black where blended in his face, 

To Britain brought, which made his parents free, 

And showed the world great nature’s prodigy.”

Upon entering the impressive church, filled with winter sunshine, the experience was marred by a loud mobile conversation on an iPhone from a visitor doing a sweep of the church. Had to tick this sight off the bucket list, and was oblivious to the oil painting that Richardson had donated to the church. Over time, it fell into a state of disrepair and was restored about 10 years ago. It now hangs near a small display at the back of the church. Above the toilet door. Unnoticed.

George Gratton, painted by the artist Coventry that still hangs in All Saints Church. 

I think it only right we show George the dignity he deserves and identify him by his given name, not his ‘circus name.’ We don’t after all know his birth name, nor who his parents where. We know very little about him. It is a difficult tale to digest and tell here, not least of all with the grotesque and offensive 19th century attitudes and some insensitive use of contemporary language.  I am of course viewing this sorry tale through the prism of 2018 enlightenment and my experience as a mother; I can’t help but not feel the tremendous sadness and subsequent loss at their parting – did she know what happened to her son? His agony at not being with his parents. So far from home, paraded around town with Richardson, put on display for upwards of 12 hours at a time, what life was this for any child to have to endure? Perhaps his early passing was a blessing and a relief for him to find some peace. 

Sadly, there is no indication of where these graves are. I wondered if we, the community, can begin to afford George the dignity in his memory, that he did not have during his brief, tragic life and place flowers on his grave, as is still done for another of the Chilterns prodigal son’s – on Peter the Wild Boy’s grave in Northchurch, near Berkhamsted.

Somewhere amongst these headstones is the grave

How wonderful then that the Marlow Museum has included George’s forgotten story in the Travellers’ Tales exhibition, I recommend you visit and find out more. They are also working with the Saint Vincent & The Grenadines 2nd Generation (SV2G) on a Heritage Lottery-funded project that seeks to uncover connections between Marlow and High Wycombe to deliver a new programme of Vincentian heritage events to commemorate the tragic life of this young boy, believed to be one of the earliest (if not the first) recored Vincentian’s in Britain. I am looking forward to finding out more about these links and the communities that have made their home in the Chilterns.

Further information

Travellers’ Tales with Marlow connections is on at the Marlow Museum. Find out more about All Saints Church and perhaps if you visit, ask where the grave is, as I couldn’t find it.

Read the wonderful story of Peter the Wild Boy part one and part two

Explore the naturally outstanding Chilterns and the market town of Marlow or take a walking tour of the historic town centre.

Discover more Chilterns Churches, ideas for winter wanderings and for the spring, the unique and bonkers Swan Upping ceremony that is best enjoyed from the riverside at Marlow.

Coffee, Crafts, Cake and Chilterns beechwood

Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and wood gathers from surrounding hamlets picking only what had fallen to the ground.

Getting to Jane’s studio meant being rained on by beechnuts as we walked through the quiet autumnal woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and the wood gathers from surrounding hamlets picking up only what had fallen to the ground. 

The Hambleden Valley is a glorious space. It’s typical Chilterns countryside that has made it a favourite of TV and film directors, this beautiful valley synonymous with Chitty Chitty Bang Bang and the Vicar of Dibley – but I am showing my age, as it has also appeared in the Band of Brothers and more recently, Killing Eve.

Cobstone Windmill, better known as the Chitty Chitty Bang Bang windmill commands the valley and surrounding landscape

Crafty siblings

I was off to meet crafty siblings, John and Alice Nuttgens at their Idlecombe studio’s, just outside Turville along the delightful Holloway Lane – delightful only as long as you don’t have to reverse to make way for oncoming farm traffic! And then we were on to visit ceramicist Jane White, who lives and works near Christmas Common.

I had joined the ‘meet the makers’ walk, thanks to my friends and colleagues at the Chilterns Conservation Board who organise the new twice-yearly Chilterns walking festival. It is no surprise these walks have proved so popular as they are a lovely way to immerse yourself in the beautiful and bountiful Chilterns countryside. Each outing comes with a walk leader who is packing not only insights and country lore that only a local can know, but sometimes with homemade cake too! 

Down winding country lanes, only five miles north of Henley-upon-Thames, the tiny village of Turville is busy during the weekend. Busy with walkers and cyclists exploring the many trails and tracks that climb in and out of the Hambleden Valley. In contrast, weekdays are a good time to visit as it’s reasonably quiet, and it was down such a quiet lane I was to find Idlecombe Farm. Set back from the lane with low-slung sheds adorned with flowers, farming implements, chickens and enormous vegetables out front and back is where John Nuttgens  ceramist and his sister Alice Nuttgens master saddle maker and fitter were to be found.

..creative threads

John’s studio 

John puts it succinctly when he says that the creative thread that binds the many talented Chilterns craftspeople together, is the distinctive landscape in which they work and is from where they draw their inspiration; undulating countryside, chalk streams, fauna, flora, flint and the many hilltop-crowned beech woods. This can be seen in the pieces he makes that are adorned with local flowers or mirror the autumnal colours all about us.

John has been working clay since the 1970’s and came to settle in Idlecombe, in 2013 at which time he also established his studio and showroom alongside his sister Alice. Alice is a rarity; deftly using her hand-made tools, she is one of only 150-or-so saddle makers left in England. This is a craft I had never seen before and it was quickly clear why it takes seven years of training to make harnesses, bridles, belts, saddles and even bell mufflers for St Mary’s church in Turville.

Beechwood Rain

Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and the wood gathers from surrounding hamlets picking only what had fallen to the ground. Our path followed an old sheep trail once in use to move the animals to nearby Watlington and even further afield, to London. The last of the blackberries still tasted good and noticeable piles of track-side feathers meant I wasn’t the only one enjoying the woodland bounty! 

A classic Holloway

Jane and her sheepdog Binny (who was having the day off work), welcomed us to her pretty studio that once served as the old dairy, on an isolated farm deep in the Chilterns countryside. The dairy is typical Chilterns vernacular of red brick and flint, this is the location I dream of escaping to!

The Old Dairy Studio
The Old Dairy

Jane uses a technique to create her ceramics that I was also unfamiliar with; pit firing using organic materials including coffee grinds and seaweed combined with the transformative power of fire, that renders the clay into a myriad of different patterns and colours. Each piece unique. Jane explained that she is constantly striving to create forms that mirror the simplicity and balance evident all around us in the natural world, in the Chilterns. 

On the path back, we have a conversation about how much organic lamb from the adjoining fields has been sold to Tesco. A lot it seems, which creates its own tensions for local business. Local producers can face all manner of obstacles getting their goods to market; lack of awareness, too often struggling with poor connectivity and technology, marketing, capacity, profile, competition and volume producers from other locations. But I am confident that there is a bright future for skilled Chilterns craftspeople who are creating new, unique goods that are grounded and shaped by something very special. Something that cannot be bought from far-off factories. Something they find in the naturally outstanding Chilterns landscape. So please support them when you can, their details are below. 

Thank you Annette and Laura for  fortifying us with homemade cookies and apple juice

Further Information 

There are many glorious places  to visit nearby including the National Trust’s Nuffield Place and the Wormsley Estate and Getty Library.

Discover too, the Gentle Giants on Chiltern Ridges, sample the Tastes of the Chess Valley and watercress Tools of the Trade. 

10 perfect pub walks in the uncrowded alternative to the Cotswolds or  this 9.5 mile circular walk starting from the village of Hambleden, takes you past four local pubs. 

The Autumn walking festival has now finished, thank you to all those who took part, but save the date for the Spring festival – Saturday 18th May – Sunday 2nd June 2019.

Artists’ websites include

John Nuttgens Ceramics

Alice Nuttgens Saddlers 

Jane White Ceramics 

Chilterns Trees

This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see. 

It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.

The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.

This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.

If you have any favourites, please let me know where they are and why I need to see them for myself.

In no particular order, here are my 10 favourites

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My name if ‘Morus nigra’

“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.

Location: Cliveden Estate, Taplow

The two lovers entwined
The Lovers

I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.

Location: Off the Ridgeway near Pitstone Hill

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The Princes Oak

I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn.  Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.

Location: Ashridge House

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Ivinghoe Beacon and trees of Tring Park

This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.

Location: the end of the Ridgeway

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Brightwell Barrow

This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.

Location: Wittenham Clumps

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Bluebells and crazy paving

The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.

Location: Chilterns-wide

Copper Beech
A copper beech

This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!

Location: Tring Park

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Even in winter

As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.

Location: Ivinghoe 

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Princes’s Riding in Ashridge Forest

The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.

Location: Ashridge Forest

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This Ceder  outshines an already outstanding church

The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.

Location: Clifton Hampden

A hard choice!