A day to discover what lies beneath, turned into an altogether unexpected musical encounter, as I headed out to spend a morning learning about the archeology that litters the floor of Pigotts Wood, an ancient Chilterns woodland.
Near High Wycombe, Pigotts Woods is really tucked away in the Chiltern Hills, and if I hadn’t been in such a hurry to get to the woodland course on time, would have found many distractions along the way. The single lane wound its way up the hill with muntjac deer alongside the road, which suddenly opens up into a sunny field with Pigotts up ahead.
The Flying Scotsman
We assembled in the music room in what was the former home of Eric Gill, infamous sculptor, typeface designer and printmaker who was closely associated with the Arts and Crafts movement. He designed one of the most famous British typefaces, Gill Sans, used in the classic design system of Penguin Books and by British Railways, most famously perhaps as it was the typeface adopted by GNER for their flagship ‘Flying Scotsman’.
Now home to the Wheeler Robinson family for over 50 years, it was they who began the tradition of amateur music weekends where young musicians could tackle not only the symphonies of Beethoven, but even mounting their own Ring Cycle. Our host, Nick Robinson has continued this tradition and is a relaxed, affable man who was at one with his historic home. I liked him and loved his house; full of brick-a-brack and clutter, but I am sure each musical instrument, book and painting was there for a reason and not by casual design. I wonder how much the location influences the choices made and how each member performs on those weekends?
Yellow bird nests and a pillow mound
I could instantly tell that, set around a grassy, sunny courtyard the converted barns and pretty cottages are very much lived in, relaxed in and enjoyed. We helped ourselves to mugs of tea whilst Nick told us more about his amazing house and music tradition before John Morris from the Chiltern Woodland Project, lead us off into the woods.
John was determined we would master the names of woodland flowers including; Yellow Birdsnest, Coralroot Bittercress and Green Hellebore, to recognise the manmade features – sometimes with their give-way mossy mantle, but to the untrained eye, largely unrecognisable; property boundaries, iron slag and sites where charcoal was once made. John also showed us a pillow mound – a rabbit warren for rabbit farming – and how to recognise a special feature of the Chilterns woods and forests – a saw pit. The story goes that once a heavy log had been placed over the pit and secured into place with a hook called a ‘dog’, the man who worked on top of the log was the top dog and the one beneath (having to do all the hard work I suspect), was the underdog.
Within the wood, you can look out for the crucifix that Eric Gill designed which was carved by Donald Potter. It was nailed to a small beech tree in the Wood which Gill owned. He is said to have taken his daily constitutional to the Crucifix Tree where he read his rosary. Was that redemption he was seeking?
I was struck too, how once, absolutely everything had to be grown at the backdoor, farmed, or ingredients sourced and items made, as there weren’t many retailers to pop into to buy charcoal, a new shirt or the weekly groceries. If you weren’t making it yourself, in the main you got on without it.
A day to discover what lies beneath the woodland floor, turned into more than just looking at the obvious plants and animals. It was a morning filled with stories, unexpected historical links and folklore, all from such an unassuming hillside location. We returned to the house to enjoy my first picnic of the season. The weather being so warm, and Nick had a huge pot of homemade vegetable soup and stories waiting for us, including the infamous tale of the black bath . But that is a story for another time.
This is what I love best about the Chilterns: you set off thinking you will be doing one thing when in fact something quite different and delightful comes along. It’s such a cliche I know, but Pigotts really is a hidden gem, and my walks in the woods made more enjoyable as I test out my new-found wood-lore!
I was fortunate to attend an archeology event in the woodland, but Pigotts Wood is private and I ask that you respect the privacy of the homeowners here, as there is no public access to the wood nor from the track itself.
Why should you explore the quintessential, uncrowded, rolling green English countryside of the Chilterns, with impressive churches and pretty villages, pubs and restaurants? That question may well have all the answers you need. Find out here.
I visited Pigotts Wood in the spring, but the Chilterns have stories to share at any time of the year; winter, summer and autumn.
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