Covid 19 reflections

One Year On

A reflection on the past year and on the affect the Covid-19 pandemic has had, here in the Chiltern Hills.

March is the space between winter and spring. It’s the month where we crave an end to the cold winter winds and are eager to welcome the warm spring days. It can make us impatient and above all, dissatisfield. It can be a ‘nothing month’, but not this year, nor was it, in 2020. 

One year on, a reflection on the past year and affect the Covid-19 pandemic and lockdown has had, here in the Chiltern Hills.
After the storm

Winter storms leave their mark in the forest. On a recent walk in Ashridge, I heard a loud crack! It was the splitting and toppling of a massive old tree. Many other trees had already wobbled and crashed, some violently, knee-capped almost – as if a child had been let loose with a chopper. But a reminder of the natural cycle of growth, decline and renewal that stands in stark contrast to the awful pounding the Chilterns has taken in the past year.

Vandalism, graffiti, fires, trespass, wild poohing, fly tipping and good old fashioned ‘can’t be arsed to take litter home’ just don’t belong in our beautiful countryside.

What have we lost?

It has been a tough and terrible year. Sadly over 126,000 deaths recorded, exhausted healthcare workers, lives turned upside down, family members in the wrong places unable to meet up, borders closed, tourism and hospitality businesses in turmoil.

March 16th was the technical start of the 2020 lockdown, but it is 23rd March that rests in the popular memory. When the lockdown screws were well and truly tightened and we all had to stay at home. Exercising for one hour a day.

The seasons don’t stop

The sun shone on the empty roads, the footpaths were eerily quiet. I kept up my dog walking, revisiting overlooked local tracks. I recorded my lockdown micro walks, 18 in all. Spring didn’t stop though, and it was a joy to watch up close as leaves unfurled, nesting got underway, the warmth of the sunshine hardened the mud. Awkward greetings and new walking etiquette was quickly learnt as we danced around one another on the narrower paths! All helped counter the repressive pandemic restrictions.

The mask slipped

The impact of our release from lockdown is well documented. With the easing of restrictions, like a catapult, the pent up demand to get out and about, suddenly filled our communities. The police became a regular feature as the local quarry became a hotspot for campers, bikers and party-goers with cars parked three-deep everywhere. The result of not being able to visit family, participate in sport, watch football matches, go shopping, visit the high street, meet friends in pubs and restaurants, or take the family to museums and outdoor attractions. It quickly became an angry and confused mess.

Many visitors were new to the countryside, weren’t familiar and didn’t know what to expect. The countryside does have a reputation after all. Farmers battled with trespass and walkers trying to socially distance on muddy narrow footpaths this past winter meant they encroached on fields and crops. But what were people supposed to do?

Outdated messaging

The temptation to waggle a stern finger at transgresses never works. And that is all to often our default position: put together a three-word slogan and assume the bossy voice to counter the wave of visitors trying in their own way, to have some leisure space and time.

Following a review, an updated Countryside Code is due out any day. I hope it will have vast amounts of marketing money to share an improved, more inclusive messaging that encourages positive behaviour and a love of the countryside.

Recovery

We’re not through this yet. Driving around the Chalfonts last week, my car scratched from the awkward branches sticking out along the busy lanes, stopping to try and avoid both potholes and passing vans. So many Hs2 trucks! I was struck at how dirty the countryside is; verges everywhere littered with bottles, bags, wrappers, fast food boxes, bags adorning the trees and fly-tipping. It was horrible.

As April beckons, so the leaf cover will swallow up much of this mess, and things will look and feel better. There is hope now that we have the Covid-19 vaccine. I really hope too, that from now onwards, countryside visitor management will not be done on the cheap, with extra resources to communicate, clean up and better care for our beautiful Chilterns.

Let’s leave the host communities with happy memories too

Facilities will be open, which will relieve some of the pressure, but I expect the Chilterns countryside will be busy again this Easter and into the summer. What sort of welcome will visitors receive? How will they be feeling if the international borders remain shut? Willing or defiant?

To all those new countryside and market town converts, we welcome you. Plan and book, so you can really enjoy your visit. Please spend time with our local businesses, take your litter home, and be considerate of others. Thank you.

Further information

We have so many wonderful stories about the people and places that make our region so special. Whilst you plan your next visit, you can read about them here.

Share the seasons in the Chilterns with our new range of locally inspired Chilterns Gifts and souvenirs

The joy of small things

Celebrating a global event locally

On March 8th, we come together to celebrate the many achievements of women during International Women’s Day (#IWD2021 #ChooseToChallenge). This annual global event celebrates the social, economic, cultural and political achievements of women, past and present, from all over the world.

How can this global event be relevant to somewhere local, an ancient trackway through southern England?

The Ridgeway National Trail is a walking route in a surprisingly remote part of southern central England. Linking Wiltshire with Buckinghamshire, the route travels in a northeasterly direction for 87 miles (139 Km); from its start in the World Heritage Site of Avebury and ends at an Iron Age hill fort on Ivinghoe Beacon. As Britain’s oldest road, the Ridgeway still follows the same route over high ground used since prehistoric times by travellers, herdsmen and soldiers. It continues to inspire artists, writers, and historians, who between them, enable us to better interpret the collective story and appreciate this wonderful national asset.

Thanks to a group of remarkable women, who through a passion for art, archeology, history, education and farming, bring an important national asset into our communities and collective conscious, for everyone to enjoy, explore, respect and care for, for future generations.

Past and present, this is their contribution

Maud Cunnington

Working at the western end of the Ridgeway, archeologist Maud Cunnington (1869 – 1951), is a woman of firsts. One of the most important excavators working in Wiltshire at the beginning of the twentieth century, Maud’s most significant contribution to the Avebury landscape was that she identified the site of the Sanctuary. Whilst William Stukeley sketched this prehistoric site in the eighteenth century, the stones had been broken up or since removed and location lost. Maud identified the site’s exact location and preserved it for future generations by purchasing the land and giving it to the nation.

International Women’s Day
Maud Cunnington

 In 1933, she was elected president of the Wiltshire Archaeological and Natural History Society, the first woman to hold that position. She was also named a CBE in 1948 for services to archaeology, the first woman archaeologist to receive the honour. She bequeathed almost all her property to Devizes Museum (now Wiltshire Heritage Museum), allowing a salaried curator to be appointed for the first time.

Today the on-site curatorial team at Avebury is made up entirely of female archaeologists. Excavations and discoveries continue to be made and published as they work to form a better understanding of this intriguing landscape.

Molly Cotton

Archaeologist Molly Cotton (1902-1984), made her mark at the eastern end of the Ridgeway at Ivinghoe Beacon: the Cotton and Frere excavations of 1963 – 65 identified this important structure as Iron Age. In 1936 she was one of the first to take a postgraduate diploma at the newly founded Institute of Archaeology London.

Claire Leighton

Clare Leighton (1899-1989), was a leading illustrator, wood engraver, painter, author of many books, teacher, and designer for posters, ceramics and glass. It was whilst living in Monks Risborough, just off the Ridgeway in the 1930’s, she published her celebrated volume on Wood-Engraving and Woodcuts. At this time her subject matter often involved observations of the countryside and rural life, as in her books such as The Farmer’s Year: a calendar of English husbandry (1933) and Four Hedges: a gardener’s chronicle (1935), as well as evocative posters for London Transport, including Weekend Walks and The Country Now.

During #IWD21, achievements of women are celebrated globally. How can this global event be relevant to an ancient trackway, the Ridgeway National Trail?
Fay Godwin

Fay Godwin (1931 – 2005), was a photographer of great renown, known for her black-and-white landscapes of the British countryside and coast. The Oldest Road, an account of the Ridgeway in Berkshire, with text by JRL Anderson, was an immediate success when published in 1975. She was awarded an honorary fellowship of the Royal Photographic Society in 1990 and had a major retrospective at the Barbican Centre in London in 2001. Fay also lead the Ramblers Association from 1987 to 1990, at a time when its long-running right-to-roam campaign was turned up to the full-strength pressure. Read more about her life and works here.

Gill Hey

Archaeologist Gill Hey was involved in excavations in 2003 of the mysterious Whiteleaf Cross above Princes Risborough on the Ridgeway. Now CEO of Oxford Archaeology, Gill started her career at Reading University where active fieldwork was encouraged. Gill says, “I fell in love with the physical process of carefully unpicking what was left in the ground in combination with the mental process of puzzling out who had been there and what they were doing.” Looking back at her archaeologist predecessors on IWD21, Gill suggests, “It is now a much more equal environment and I am very pleased to say that we have as many women working for the organisation as men, although we need to do more to encourage them to progress to senior roles.”

During #IWD21, achievements of women are celebrated globally. How can this global event be relevant to an ancient trackway, the Ridgeway National Trail?
Archaeologist Gill Hey
Wendy Morrison

Archaeologist Dr Wendy Morrison’s research areas are Prehistoric European Archaeology and Landscape Archaeology. Closer to home, Wendy leads the Chilterns ‘Beacons of the Past’ project. Her work seeks to engage and inspire communities to discover, conserve, and enjoy what is around us and the unique Iron Age hillforts and their prehistoric chalk landscapes. The Chilterns has one of the largest collections of hillforts in the UK, yet many are poorly preserved, and little is known about them. Luckily, several of these hillforts are accessible from the Ridgeway.

A key part of Wendy’s project is the largest LiDAR survey ever flown for archaeology in this country, and one of the largest in the world! Images are captured with a laser scanner mounted on a small plane that captures information about the ground below; revealing intriguing ‘lumps and bumps’, such as hillforts, that are hidden by tree cover and other vegetation. Wendy is also a Fellow of the Society of Antiquaries.

During #IWD21, achievements of women are celebrated globally. How can this global event be relevant to an ancient trackway, the Ridgeway National Trail?
Dr Wendy Morrison
Anna Dillon

Landscape painter Anna Dillon, grew up in Aston Tirrold near the Ridgeway in Oxfordshire, surrounded by rolling chalk downland and big skies. Drawn to landscapes, combined with an enjoyment of long distance walking, Anna studied Illustration and Design at the Falmouth School of Art and worked as a graphic designer until she made the decision to paint full time. Anna came to see the Ridgeway as a source of artistic inspiration at an exhibition in Swindon showing work by a group of international artists. The curator Francis Kyle, had invited the group to visit the Ridgeway and portray the ‘presence of the landscape’.

During 2009, Anna walked the National Trail through the seasons with her husband, keeping a photo journal and diary. From this, she produced 24 oil paintings that were exhibited in a series of shows called A Ridgeway Journey in 2012. Since then, Anna has added further paintings to create the Ridgeway Series, which tracks the seasons from ‘snowscapes’ in Wiltshire through to autumn in the Chilterns.

Anna is portrayed in the header image.

Sally-Ann Spence

Farmer, entomologist and ecologist, Sally-Ann Spence lives and works on her family’s farm along the Ridgeway in Ashbury, near Wayland Smithy, in Oxfordshire. Sally-Ann is a leading dung beetle expert and one of her treasures is a dry calcareous grassland valley near the Ridgeway, which she is carefully managing to provide habitat for dung beetles, as well as other flora and fauna. Over two decades, she has built up her own flock of native Wiltshire Horn sheep with stylish Belted Galloway “belties” and Dexter cattle to graze the farm’s permanent grasslands.

To further both research and education in natural history, Sally-Ann has converted her farmhouse and adjoining barn into a research centre called the Berrycroft Hub and mentors many young people. You may have heard her talking about insects on BBC Radio 4 ‘The Killing Jar’ and on the BBC Breakfast programme. She has impressive credentials as an Honorary Associate of Oxford University Museum of Natural History and fellow of both the Royal Entomological Society and The Linnean Society.

During #IWD21, achievements of women are celebrated globally. How can this global event be relevant to an ancient trackway, the Ridgeway National Trail?
Sally-Ann and her ‘belties’

We salute you!

This impressive group is by no means exclusive. Instead, it’s the start of acknowledging and celebrating the women who have been quietly making a contribution to our Ridgeway landscape, understanding of and making our heritage accessible and culture enjoyable. Each in their own fields of expertise, are choosing the challenge perceptions and glass ceilings for those women who will follow. We thank you.

With contributions from Sarah Wright, Trail Officer Ridgeway National Trail.

Further Information

There are lots of online events and exhibitions on the IWD website. #ChooseToChallenge  #IWD2021
Find your Ridgeway inspiration, information and Trail itineraries here.

The Ridgeway has been portrayed by many artists, and one in particular, of great cultural importance visited the pretty villages of Goring and Streatley to paint timeless English landscapes.

Many of the images on this website are available for sale on our Chilterns Gifts website in the Kites & Clouds and A Year in the Chilterns ranges.