During the COVID-19 crisis, micro walks are the perfect excuse to discover my sense of place here in the naturally outstanding Chilterns. My home.
During this unprecedented global event and resulting nationwide lockdown, we can’t venture far for our daily exercise. It means we have to stay local, go out with family or maximum of two, and to not use our cars.
It is the perfect excuse to take a look at my local area with new eyes – eyes down.
Bird song has quickly filled the space where once cars, planes and trains dominated. When there is silence, it is eerie. But this new normal quickly grows on me as my ears become attuned to the sounds that must always have been there. Unnoticed as I travelled about in my car, sealed from the outside world. Not now in the mindset for seeking the big sky view, or what’s over the next hill, I am forced to retrace my steps along familiar dog-walking paths; noticing now how much growth can be achieved in a few sunny days, way-markers and oddball signs, a mantrap on a church wall, the source of our local river gurgling loudly in the corner of a field, learning the names of flourishing woodland plants, a vocal robin claiming territory, tracks in the mud, blackbirds at dawn, skylarks at midday or a yellowhammer in the evening. All of them are what makes the Chilterns unique.
I have recorded most of my walks in the glorious spring sunshine and have included where I can, sound. All on my iPhone. I can’t capture animals however, they move!
Each walk is in and around Ivinghoe and surrounding Chilterns countryside.
What an absolute pleasure this is. It gives my walks new purpose and a chance to capture the minutia, the detail that makes a place special. I have shared these with my friends and family who I hope have enjoyed seeing their neighbourhood afresh. To encourage them to look out for some of what I have enjoyed. They have all commented on how loud the birdsong is: “have I used special equipment? Have I got really close to the birds..?” No I haven’t. The birds need no amplification, not least of all as it’s peak breeding season, so they are busy protecting territory and feeding their young. We only need ears to hear them and to listen to their calls. And a phone with a microphone.
Try it, you won’t be disappointed!
Of huge concern are my friends and colleagues in the tourism industry who together face huge uncertainty and potential mass business closure. To date, there is no end in sight for when we will all be able to move and travel in the way we were accustomed. Indeed, we may have to find new ways of travelling and visiting destinations. What we shouldn’t forget, is what is on our doorsteps and the sheer joy walking out into the naturally outstanding Chilterns countryside can bring.
Like twins, the villages of Goring and Streatley, face off across the River Thames, but one outdid the other, when William Turner painted it.
The Chilterns is not short of pretty villages surrounded by beautiful undulating countryside. Add far-reaching views and the Goring Gap, a stone’s throw from Reading, must rank near the top.
I recommend starting your visit from the National Trust car park at Lardon Chase, above Streatley. The views are glorious, the walk down into Streatley easy, although steep. It’s from up here that you can enjoy the dramatic backdrop of two villages clustered around the Goring lock and weir, the playing fields, leisure boats and island; to then cross over the Thames and wander through Goring village on the other shore and into the patchwork of the Chiltern Hills beyond.
I can see as far as Pangbourne to the north east and know that the views from Hartslock reserve on the hillside opposite, looking back to the Gap are just as dramatic.
The villages of Goring and Streatley have a long and sweeping history (at least 10,000 years), nestled in the gap that the Thames has carved between two impressive chalk hillsides. Right in the centre of two designated Areas of Outstanding Natural Beauty: to the south west, the north Wessex Downs in Berkshire, to the north east, the Oxfordshire Chilterns.
Not always good neighbours, their fortunes have ebbed and flowed. Streatley was once the larger and more important village because it was on the turnpike road to Reading. The Bull Inn at the top of the high street was a 15th century coaching inn and I expect a welcome sight on the dusty road. With the arrival of the railway in 1840, Goring reasserted itself having more usable land for the many new homes. The geography has however, contained much of the growth.
Along the river, you get a real sense of space, somewhere to pause, listen and enjoy this special place. There are plenty of eateries to tempt you to do just that; the Bull Inn at Streatley, the Swan at Streatley, Pierreponts Cafe, the Miller of Mansfield and Catherine Wheel pub in Goring. Wander down the high street, there are many businesses that have a long association with the area.
National Treasures & Trails
The weirs still control the level of water for navigation, water supply, and land drainage. It’s not hard to image the bustle of boats, traders, soldiers and drovers, who used the three ancient trade routes that span southern England from Dorset to East Anglia. All converging at this lovely spot; the Thames Path and Ridgeway National Trails and Icknield Way, could easily tempt you off the road and onto the trail.
Like twins, these two villages face off across the River Thames, but one outdid the other, when William Turner painted Goring mill and church.
The villages are very walkable, and I recommend downloading the local heritage trail. This easy circular walk and takes you past such gems as St Mary’s church in Streatley where Charles Lutwidge Dodgson, better known by his pen name of Lewis Carroll used to preach. Back over the bridge to stop and savour the lovely views. You’ll pass Goring Mill where rare old paddles and posts are still used to control the flow of water. The tower of St Thomas’ Church is visible, renowned for a fine peal of eight bells and dedicated team of ringers. Inside you’ll find one of Englands oldest bells, dating back an impressive 800 years.
I’m your man!
The village is not short of famous residents and visitors. At the end of Ferry Lane is the original river crossing and Ferry house, where Oscar Wilde stayed during the summer of 1893 and began work on ‘An Ideal Husband’. Sir Arthur (Bomber) Harris, lived here for 30 years. He is buried locally and his birthday and funeral, were marked by a RAF fly-past! George Michael fans still make the trip.
Walking back up the hill and turning once more to enjoy the view, now more familiar as I have explored both villages. I make a mental note to return in July for the Goring Gap Boat Club regatta, with a mere 600 competing rowers!
For information on the wider Chilterns area, accommodation, places to eat and drink, bookmark VisitChilterns
It’s the skylarks, snowdrops and then bluebells that increases the heart rate and knowledge that spring is not far off. Spring in the Chiltern hills is the season when the world is renewed and we shake off the winter gloom. Spring into the Chilterns!
Spend time in another of pretty Chilterns villages, Amersham that is also accessible by train.
On a quiet August afternoon, camera in hand, I took to the back streets of West Wycombe village. Away from the busy thoroughfare, apart from the TV aerials amongst the chimney pots, not much has changed.
This tiny village, that hugs the hillside looks just like a film set; steep lanes, wobbly windows festooned with impressive cobwebs, doorways for tiny residents and unexpected passageways. All authentic, medieval properties, re-purposed for 21st century life. How come there are no ghastly 1960’s office blocks, betting shops or parking garages along this delightful high street?
Luckily for us, through a chain of events that started in New York with the Wall Street Crash of 1929, West Wycombe village, in its entirety was sold by the Dashwood family to the Royal Society for the Encouragement of Arts, Manufactures and Commerce (better known as the Royal Society of Arts), as part of the Society’s “Campaign for the Preservation of Ancient Cottages”. In 1934, the Society handed the property over to the National Trust, which is why so many original 16th – 18th century facings still exist.
This was once an important stop for weary travellers heading too and from London by stagecoach, along pitted and muddy roads. The street was packed with hospitality options, although chances are you’d have had to share your noisy, scratchy bed with a stranger. In 1767 there were 17 public houses listed in the village, and today you can stop to enjoy a pint or glass of something local in the one of the tea shops or pubs. At least that hasn’t changed!
Take in all attractions; the caves, St Lawrence and the mausoleum, down to the high street for a wander and then over the road into the National Trust Park. During the summer, the house is open, so set aside one day. Do the place justice!
The fire had been provided by a portable BBQ, that lay discarded with accompanying beer bottles under a tree, just behind the mausoleum. I am sure Sir Francis Dashwood, creator of all I could see, would have approved of the party, but not the litter! The West Wycombe story continues with this earlier feature: Hellfire on a Hill.
West Wycombe Park is generally open from Sunday through to Thursdays between 2-6pm from April and October. West Wycombe House is open for a few months over the summer. Best to check the National Trust website. Dogs are not allowed into the Park, but are welcome on the hillside opposite.
There are no refreshments in the park, but along the high street are several pubs, a coffee shop and village store to support. The Hellfire Caves attraction is further up the hill above the village.
We like to celebrate our quirky residents, past and present and for another grand design, visit the National Trust at Stowe, near Buckingham.
Why should you visit our quintessential, uncrowded, rolling shades of green English countryside, with its impressive selection of museums, villages, pubs and restaurants? That question may well have all the answers you need. Find your Chilterns.
Goblins Glen, Deadman’s Lane, Rotmoor Shaw and Drunken Bottom are some of the place names that surround beautiful Nuffield. A place rich in character and Chilterns history, and where we were to ‘Meet the Makers’ during the Chilterns Walking Festival.
I have written throughout this blog of the joy of discovering new places, weird place names, coming upon a vista opening up through the foliage, unexpected flavours and meeting new people happy to share their stories. In equal measure, the joy of of discovering yet more links that join together and add layers to the wonderful tapestry that is the story of A Year in the Chilterns.
Meeting the Makers
Goblins Glen, Deadman’s Lane, Rotmoor Shaw and Drunken Bottom are some of the place names that surround beautiful Nuffield, a small South Oxfordshire village, just over 4 miles east of the picturesque market town of Wallingford. A place rich in character and Chilterns history where we were to ‘Meet the Makers’ during the fifth Chilterns Walking Festival. We set off from Holy Trinity Church Nuffield on a circular walk to visit two business owners; master blacksmith David Gregory and cabinet maker Gordon Kent. Our guide once again, my good friend Annette, who had by good fortune, spent many happy years living nearby, with a field of sheep and shepherds hut in which to play.
The weather couldn’t have been better: jackets discarded, the coolness of a late spring that will soon give way to summer heat, but for the moment, the landscape is lush, full and fresh. The bluebells have left the stage, their place taken by path-hugging cow parsley, nettles, beech and oak boughs laden, blocking out the sunlight, keeping the path cool. In places, crunchy underfoot with last years beechnuts that the squirrels had overlooked. The smell of wild garlic absent from this woodland, but the bird song more than makes up for it. We cross a section of a Grims Ditch, impressive saw pits, evidence of earlier activity from those who harvested the wood to make furniture, amongst other items.
Shaken, not stirred
What Annette doesn’t know about this special place, frankly isn’t worth knowing; details of who owns what, who makes the best cheese, the friendliest pubs and why it’s important to have the services of four-wheel drive in winter. Annette spoke about the 2,300 acre Nettlebed Estate, consisting of woodland, farmland and common land stretching between Nuffield and Greys Court to the south. The Estate is owned and managed by descendents of Robert Fleming, a Scottish banker who bought the Estate in 1903. Fleming’s grandson was the renowned travel writer Peter Fleming whose younger brother was the celebrated spy novelist Ian Fleming, author of the James Bond books as well as the children’s classic, Chitty Chitty Bang Bang – with another Chilterns connection at Turville in the Hambleden Valley.
The family still manage the Estate, the rich milk from their organic herd used for the delicious Nettlebed Creamery cheeses that we sampled en route. Something Annette does well; sharing all manner of locally brewed, baked or bottled treats to sustain the walkers!
The pasture around English Farm is ablaze with buttercups, which always makes a pretty picture. There is not much plant variation however, so butterflies in these fields were limited.
“Blacksmiths are good problem solvers”
Prior to the industrial revolution, a village smithy was a staple of every town. Now, a rarity, a visit is a treat! “A problem is never too great that can’t be beaten out with a hammer” claims David Gregory, master blacksmith at Cobalt Blacksmiths at English Farm.
“Blacksmiths are good problem solvers” he adds, “as we have the right tools.” David, Billy and Tom are working on amongst other commissions, a new stair rail for the Ashmolean museum, and a set of new gates for the Waddesdon Estate Treasury, a portal into what must undoubtably be a treasure trove.
David talks with great passion about the organic nature of his craft, of the fluidity of the metal, the skill needed to work with the materials to shape it as the commissions require; tools, weapons, decorative and functional pieces that I imagine will enhance the place they will be used. That’s the magic of this ancient craft, transforming nondescript organic materials into things of beauty.
Resin and vinegar
We continued our walk through the spring countryside to meet with Gordon Kent and his team of expert cabinet makers at tucked-away Homer Farm. Furniture-making is a Chilterns tradition with the popular Windsor chairs exported all over the world and Gordon Kent continues to make beautiful furniture. Just as David and his team, Gordon’s team read their materials, they speak with such knowledge and a passion borne of years of hard work and synergy with their craft. Resins, steel wool and vinegar combine to make a fine wood stainer for the beautiful pieces crafted in ‘catspaw’ oak, walnut, cherry, maple and ash in their workshop. Their attention to detail evident in the pieces they showed us in the workshop.
We giggled about the naked walkers they see passing through the farm in the winter months, to avoid contact with the stringing nettles I imagine!
The greatest pleasures are so often the re-discovery and interaction with what and who is around us. We had ventured out to make connections, meet new friends, enjoy new flavours and are thankful for where we live and how it makes us feel. Helped in large doses by the tea and delicious scones baked by Gordon’t mum. Thank you very much, we’ll be back!
Goblins Glen, Deadman’s Lane, Rotmoor Shaw, Drunken Bottom, Homer Green and English Farm – new place names in my Chilterns lexicon.
The Chilterns Walking Festival takes place in the spring and autumn at locations across the Chilterns. Find your walk here.
The Meet the Makers’ walks have one purpose; to share the experience of visiting some of our skilled craftspeople, who work in studios and locations that are often inaccessible to visitors, yet are keen to establish links to help us promote the Arts and Crafts produced in our region.
Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland. Once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and wood gathers from surrounding hamlets picking only what had fallen to the ground. Read about an earlier ‘Meet the Makers’ festival walk.
Lord Nuffield was buried at Holy Trinity Parish Church in the village, a plain, modest grave, much like the great name himself. Read his story here.
If you were asked to name the places that Ian Fleming is most closely associated, you might put Goldeneye, Fleming’s home in Jamaica where he wrote all the Bond books, on the top of your list. You might include his post-war office at Mitre Court, or you might include Nettlebed, neighbour to Nuffield. Take a tour around Ian Fleming’s Oxfordshire
Described on TripAdvisor as ‘fresh as paint’ I was interested to see the nearby restored Maharajah’s Well in Stoke Row and discover why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.
This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.
The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.
This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
If you have any favourites, please let me know where they are and why I need to see them for myself.
In no particular order, here are my 10 favourites
“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.
I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.
Location: Off the Ridgeway near Pitstone Hill
I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn. Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.
This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.
Location: the end of the Ridgeway
This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.
The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.
This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!
Location: Tring Park
As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.
The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.
The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.
I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.
Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.
Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.
Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.
He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.
Not that much has changed
I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.
From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.
There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.
A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.
Christopher points out Brightwell Barrow
Brightwell Barrow from the Clumps
Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?
I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.
My Knight in Shining Armour
Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.
What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.
Under the flagstones
The magnificent alter
The wedding guests
The People’s Chapel
I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!
Expect the Unexpected
Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.
Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.
Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.
This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.
In which a ‘doomed’ 15th century painting is saved by the rain.
On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties. I was content however, to nose around indoors, on the lookout for the famous ‘doom’ painting; the main reason this church is of such cultural and historical significance.
Nothing beats local knowledge
I got the strong impression this church is still a vital community hub, with feverish wedding preparations underway and so tried not to get in the way of the florist and a busy vacuum cleaner. In the capable hands of local guide Helen, who modestly professed to not knowing much about the history of the building, then proceeded to dazzle with her huge knowledge; brass rubbings, the Penn family crypt, lozenges adorning the walls, medieval Penn tiles in the lady chapel, the doom painting of course, church extensions and renovations and not forgetting those buried in the graveyard.
Now set high on the east wall, the 15th century ‘doom’ painting is still looking as bright and fresh as the day it was painted. One of only five surviving wooden tympanums in the country, it would have been purposefully positioned for worshippers as they faced the alter. A “dooms day painting” is a traditional English term for an image of the Last Judgment when Christ judges souls to send them to either Heaven or Hell. A crude but effective part of the eclesastical warning system to illiterate congregations, to toe the line or face judgement on the day. This one not only survived the English Reformation, it survived being tossed into the skip!
During renovations in the 1930’s, the now whitewashed wooden panels, were stripped and placed outside, destined for the bin. By good fortune it rained overnight and when the vicar returned the next morning, he saw faces peering out at him through the whitewash. Their cry for help answered? That is surely a reason to love the rain! Now safely re-instated inside the church, looking as bright as the day it was painted 500 years ago.
Memorials and brass rubbings
At the entrance, there is an inscribed vault stone to mark where Thomas Penn, one of William Penn’s sons, who was allowed to build a large vault beneath the church nave for himself, his brother and four of his children who were interred between 1753 and 1766. The Quaker and founder of Pennsylvania however, is buried at the nearby Jordans Quaker Meeting House with his first wife, Guilielma, his second wife, Hannah, and nine of his children. Despite the many offers to have him moved to Pennsylvania, he remains in the quiet Chilterns churchyard.
As Helen waved goodbye, she pointed to the one hand on the clock tower and told me that during the 17th century a one-handed clock was all a villager needed, minutes where simply too much information! On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties including; Hertfordshire, Oxfordshire, Berkshire, Greater London, Bedfordshire, Northants and Surrey. I’ll have to return to see the view for myself.
This is what I love about parish churches, they are an essential part of not only our local Chilterns story, but the nation’s story too. Unlike a museum, they are stuffed full of treasures, but none kept behind glass, or in spaces filled with tour groups, these are a snapshot of history, watched over by individuals keen to generously share.
I recommend that during the Heritage Open Days event in September, to visit the nearby Penn House which is the other half of the Holy Trinity story in the Chilterns.
There are plenty more to explore, and do please let me know if you have other Chilterns churches to recommend.
This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!
I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.
Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.
Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.
Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.
Sir John Wenlock – did he or didn’t he?
The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.
Much of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.
This is no castle set in aspic
I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.
This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
A working landscape
This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all pressed in. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.
I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.
I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.
Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.
Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL