This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.
The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.
This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
If you have any favourites, please let me know where they are and why I need to see them for myself.
In no particular order, here are my 10 favourites
“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.
I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.
Location: Off the Ridgeway near Pitstone Hill
I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn. Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.
This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.
Location: the end of the Ridgeway
This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.
The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.
This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!
Location: Tring Park
As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.
The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.
The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.
I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.
Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.
Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.
Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.
He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.
Not that much has changed
I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.
From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.
There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.
A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.
Christopher points out Brightwell Barrow
Brightwell Barrow from the Clumps
Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?
I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.
My Knight in Shining Armour
Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.
What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.
The magnificent alter
The wedding guests
Under the flagstones
The People’s Chapel
I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!
Expect the Unexpected
Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.
Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.
Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.
This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.
In which a ‘doomed’ 15th century painting is saved by the rain.
On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties. I was content however, to nose around indoors, on the lookout for the famous ‘doom’ painting; the main reason this church is of such cultural and historical significance.
Nothing beats local knowledge
I got the strong impression this church is still a vital community hub, with feverish wedding preparations underway and so tried not to get in the way of the florist and a busy vacuum cleaner. In the capable hands of local guide Helen, who modestly professed to not knowing much about the history of the building, then proceeded to dazzle with her huge knowledge; brass rubbings, the Penn family crypt, lozenges adorning the walls, medieval Penn tiles in the lady chapel, the doom painting of course, church extensions and renovations and not forgetting those buried in the graveyard.
Now set high on the east wall, the 15th century ‘doom’ painting is still looking as bright and fresh as the day it was painted. One of only five surviving wooden tympanums in the country, it would have been purposefully positioned for worshippers as they faced the alter. A “dooms day painting” is a traditional English term for an image of the Last Judgment when Christ judges souls to send them to either Heaven or Hell. A crude but effective part of the eclesastical warning system to illiterate congregations, to toe the line or face judgement on the day. This one not only survived the English Reformation, it survived being tossed into the skip!
During renovations in the 1930’s, the now whitewashed wooden panels, were stripped and placed outside, destined for the bin. By good fortune it rained overnight and when the vicar returned the next morning, he saw faces peering out at him through the whitewash. Their cry for help answered? That is surely a reason to love the rain! Now safely re-instated inside the church, looking as bright as the day it was painted 500 years ago.
Memorials and brass rubbings
At the entrance, there is an inscribed vault stone to mark where Thomas Penn, one of William Penn’s sons, who was allowed to build a large vault beneath the church nave for himself, his brother and four of his children who were interred between 1753 and 1766. The Quaker and founder of Pennsylvania however, is buried at the nearby Jordans Quaker Meeting House with his first wife, Guilielma, his second wife, Hannah, and nine of his children. Despite the many offers to have him moved to Pennsylvania, he remains in the quiet Chilterns churchyard.
As Helen waved goodbye, she pointed to the one hand on the clock tower and told me that during the 17th century a one-handed clock was all a villager needed, minutes where simply too much information! On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties including; Hertfordshire, Oxfordshire, Berkshire, Greater London, Bedfordshire, Northants and Surrey. I’ll have to return to see the view for myself.
This is what I love about parish churches, they are an essential part of not only our local Chilterns story, but the nation’s story too. Unlike a museum, they are stuffed full of treasures, but none kept behind glass, or in spaces filled with tour groups, these are a snapshot of history, watched over by individuals keen to generously share.
I recommend that during the Heritage Open Days event in September, to visit the nearby Penn House which is the other half of the Holy Trinity story in the Chilterns.
There are plenty more to explore, and do please let me know if you have other Chilterns churches to recommend.
This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!
I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.
Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.
Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.
Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.
Sir John Wenlock – did he or didn’t he?
The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.
Some of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.
I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.
This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all press in on this space. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.
I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.
I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.
Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.
Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL
How many parishes can boast a “grande dame” who has the finest alabaster tomb in the village? The village of Ewelme fits the bill.
On the Swyncombe road about a mile outside the village of Ewelme is where I stopped to take a deep breath and familiarise myself with the lay of the land. The last time I was here was to visit St Botolph’s, three miles up the lane in the direction two casually-peddling Lycra-free cyclists were heading. It’s a good sign!
I picked my along the path before settling on a rotten tree trunk that offered respite from the sticky mud. A rabbit dart beneath the hedgerow, it must have seen the two lazily circling kites overhead. A weedy line of smoke from a farmhouse rises from a small fire further up the valley and only a low-flying aeroplane just taking off from nearby RAF Benson is competing with the spring birdsong.
The English countryside: managed or manicured, everything in it’s place, but that’s not to say without beauty, it’s how you see it that counts. Symmetry, patterns, parallel lines, even the turn of the plough creates its own pattern picked out by the sunlight. Little dabs of lime green growth in the hedgerows contrasts with the emerald green of the field behind. Even the vapour trails add their dotted and dashed pattern to the perfect blue sky. I am buzzed by an enormous bumblebee, circling my muddy shoes.
Every village needs a chalk stream flowing through it, a manor house, old rectory, almshouses, red-brick school and well-stocked village shop. And a good ghost story.
Ewelme is located north east of the market town of Wallingford, nestled in a green dip, with narrow lanes and pretty cottages tumbling down the hillside to congregate along now defunct watercress beds fed by the Ewelme Brook, that eventually makes its meandering way to the River Thames. Production has sadly ceased (cress can still be bought and enjoyed in the Chess Valley), but now these beds are owned and managed by the Chiltern Society who organise events here in the reserve.
If you like medieval villages, there is plenty to satisfy you here: lots of typical Chilterns brick and flint and crooked doorways, well-tendered gardens bursting with flowers, the 15th century cloistered almshouses and modest school; but the real gem is the lovely church of St Mary the Virgin that commands the village heights with a 14th century tower that can be seen from almost anywhere above walls and rooftops.
Much has been written about this church, it’s memorials, tombs and occupants that can still be seen today thanks to some quick thinking by local Civil War army commander Colonel Francis Martyn, who refused to give up the key to the church and the Roundheads who surprisingly obeyed, left the church unscathed.
How many parishes can boast a “grande dame” who has the finest alabaster tomb in the village?
The must-have tomb
The reason everyone visits is to gaze at the rather splendid tomb of Alice de la Pole, Duchess of Suffolk and patron of the church who died in 1475 aged 71. We remember her not only for her status, wealth, influence, three husbands, family connections and rare recipient of the Order of the Garter, but because she and her husband gave Ewelme its (rebuilt) church, new superior grammar school and almshouses. She also happened to be the granddaughter of the poet Geoffrey Chaucer, and her father, Thomas Chaucer was lord of the Manor of Ewelme and governor of Wallingford Castle. The side chapel where she is buried has a curious array of church furnishings that include the original medieval floor tiles, a gaudy turn-of-the-century alter piece adorned with English saints, the sole surviving medieval seat and fabulous IHS monogrammed walls. The tomb dominates the space in a style and manner usually reserved for a Knight and his Lady. She is buried alone as her third husband suffered a ghastly traitors fate and is buried in Suffolk, so she had to make do with adoring cherubs instead. Arranged over three levels, from the most elaborate and celebratory at the top to the realistic effigy of the occupant in her funeral shroud at the bottom.
Too many village churches are nothing but disappointment and dust, sanitised by the Victorians who liked to clean up the mess and paint over the unsightly to better suit their view of the world. But here you have a medieval complex that has seen continuous use for about 600 years, from childhood through to death, and I am certain, watched over by the community who take great pride in their heritage, it will cope with the pressures and fancies of the next 600 years.
Out through the west door, leads you into the pretty cloister around which the 14th century almshouses residents live, which in turn lead into the compact school grounds that makes for a magical medieval complex. The school has outgrown the red brick building and has extended it’s classrooms discreetly behind another brick wall to the rear.
In the village store, opposite Kings Pool, I enjoyed coffee and a tasty sandwich and chatted with a bloke who had an interesting collection of old-school camera’s, and wondered if there was any truth to the legend that a lady-in-waiting had in fact pushed King Henry Vlll in!
As for the ghost stories, we’ll save those for another day, as you’ll hear tell of fairies and a witches curse too. Please leave your car in the car park at the entrance to the village and explore on foot.
Get to know the ghosts, they have a story to tell.
Up and down the land, there are ‘something for everyone’ high streets, towns, heritage parks, historic houses, districts and destinations.
What if you could tell your community and networks the story of your local area? As interpreted by you? Seen through your eyes? The only rules are the celebration of the magnificent and mundane, remembering that what is incidental detail to you, will be new and refreshing to someone else. It’s what sets a place apart from all the rest, it helps customers make decisions about where to visit as your location becomes distinctive and intriguing.
I have put together my first A to Z of the Chilterns, which wasn’t easy, there is simply too much information to include.
A is for Amersham Museum, Aldbury Nowers and the Adonis Blue..
B is for bodgers, bluebells and Bledlow Cross…
C is for Chenies Manor, chalk, castles and Chequers
This will, without a doubt, change and evolve, as I add more columns, fill it with images and the names of things still to be discovered.
I have plans for posters.
Why not give it a go? If you do, please let me know as would love to share it.
In 1928, Mrs Callingham made a short but moving speech in which she suggested that either the indoor model railway went, or she did. The model railway moved outdoors, and the rest as they say, is history.
If you could take some of the wonderful buildings that make up the Chilterns, and placed them in a reasonably-sized garden in Beaconsfield, to be enjoyed at your leisure in an afternoon, you’d have all the ingredients for a magical model village called Bekonscot.
Bekonscot’s rural idyll harks back to the bucolic days of the 1930’s, when the green fields of England were just one glass of warm beer and fuzzy summer days on the village green, playing cricket. And that is the time warp in which the village has made its home.
Model villages are popular with many British towns boasting an assortment of model buildings with their transport options, with perhaps the nearby Legoland at Windsor miniature Europe a particular treat. Model villages and model train sets, the two are destined to be alongside one another; in fact a model village without a model railway, is just not cricket! The narrow gauge railway at Bekonscott has played a key role in the construction, development and seems to have no shortage of eager passengers.
Created in the 1920’s by local resident Roland Callingham (1881–1961), with the help of his gardener, cook, maid and chauffeur, he created a world of what was local and familiar to him, which he named Bekonscot, after Beaconsfield and Ascot, where he had previously lived.
It started small, but when in 1928, Mrs Callingham made a short but moving speech which suggested that either the indoor model railway went, or she did, the model railway moved outdoors. It was never intended as a commercial visitor attraction, more a hobby to entertain Roland and his guests, who were by all accounts, very taken with it. Who wouldn’t be? It was only after 1930 that it really caught the wider public’s imagination, fed by Pathé newsreels, international and national newspaper coverage, and a Royal visitor or two, that ensured a steady stream of visitors.
Ask a local, any local, and they will nod and say “ah yes, I visited as a child, you should go”. We did, and I could quickly see why its fan base is so loyal. The attention to detail is remarkable; each building, figure and vehicle, all in their place and looking as fresh as when they were first placed there, over 70 years ago in some cases. There is a working coal mine, Enid Blyton on a park bench, pubs, a windmill, a Waitrose (of course), a circus, penguin pool, lovers stealing a kiss and no end to model trucks, cars, trains, wagons and airplanes.
The quirky sense of humour, says ‘we don’t take ourselves too seriously”, evident on the various shop fronts including; Argue & Twist Solicitors, Alfred Kings’ cakes, the Barbers Strop and my favourite, McBull’s China Shop.
Bekonscot has been run by the Church Army since 1978 and donates large amounts of money to charity. With over 15 million visitors since 1929 and endless rave reviews, this Chilterns gem has carved a niche that is timeless, innocent, and fun. And not just for small people either. In fact it was hard to tell ahem, who was having the most fun when we visited!
I think it shows the vision of a man clearly rooted in his local landscape – he created the Chilterns in miniature!
Find out more about visiting the world’s oldest model village Bekonscot
The Dinton Hermit is heady mix of 18th century myths and legends makes for a most remarkable Buckinghamshire story.
Just off the A418, once the turnpike between Thame and Aylesbury, is the small village of Dinton in the Vale of Aylesbury. As with so many ‘if you blink you’ll miss them’ English villages and hamlets, I was delighted that I had stopped to explore the pretty village and its castle, and was intrigued by what I saw, not realising at the time, the historical significance and surprising stories of a royal executioner, a ghost and a hermit with his leather shoes.
A Grade 2 Listed Folly
I almost missed Dinton Castle, a Grade 2 listed folly, located just before the turn off into the village, Although the structure itself is not accessible, the footpath is close enough to take a look. Typical of follies, it was positioned to be seen for miles around and was built by Sir John Vanhatten, former owner of Dinton Hall in 1769, who used the castle to store his collection of fossils. The octagonal two-storied structure, with circular towers east and west, has some lovely features including unusually large ammonites set into the the exterior walls, most likely found in local quarries. On the site of a Saxon burial, it comes with its own ghost too, according to the estate agents sales patter, when the place was put up for auction in 2012.
Local legend says the folly is haunted by the ghost of Simon Mayne, 17th century regicide of King Charles. In January 1649, Simon Mayne magistrate and Member of Parliament for Aylesbury, was also a judge of the High Court of Justice at the King’s trial, and 40th of 59 signatories on the Royal death warrant, which ultimately sealed his fate. After the Restoration in 1660, he was tried as a regicide and imprisoned in the Tower of London where he died in 1661. His body was returned to Dinton and is buried in the church.
Church of St Peter and St Paul
Entrance to the church of St Peter and St Paul
Over the wall
Across to Dinton Hall
Buckinghamshire and the Chilterns are closely associated with the English Civil War, with John Hampden, of Great Hampden, the most notable of English politicians involved in challenging the authority of King Charles in the build-up to the Civil War.
Things then take a weird turn with a handmade shoe on display in the Ashmolean Museum in Oxford that once belonged to John Bigg, the ‘Dinton Hermit’ (1629 – 1696). A man of reasonable means and former clerk to the afore-mentioned Simon Mayne, legend has it that Bigg may have been one of the hooded executioners of the king – one of the men who wielded the axe!
About the time of Simon Mayne’s death, John Bigg became a hermit, living in an underground cave at Dinton Hall for 35 years until his death in 1649. As with any self-respecting local legend, there are many versions of the truth, with some believing that Bigg feared retribution for his involvement in the royal execution, whilst others suggest it was due to the tremendous remorse he felt. Either way, he was a survivor, and resourceful soul who only asked for one thing from his community – leather, which he would immediately nail to his clothes.
A heady mix of 18th century myths and legends makes for a most remarkable Buckinghamshire story.
The 18th century illustration shows his strange horned cloak and the three bottles that hung from his girdle for strong and small beer as well as for milk. His shoes are particularly large and made from over 1,000 pieces of leather, one piece hammered on top of the other as they become worn. One shoe is on display in the ‘Ark to Ashmolean’ gallery on the Lower Ground floor of the Ashmolean Museum, whilst the companion to this shoe is still housed at Dinton Hall.
His remarkable story and illustration was included in the wonderful ‘Portraits, memoirs, and characters, of remarkable persons, from the revolution in 1688 to the end of the reign of George II : collected from the most authentic accounts extant. Author: James Caulfield 1764-1826.
Dinton Hall is a private residence, and nothing remains of John’s cave, and in January 2017, planning permission was granted by Aylesbury Vale District Council for the castle to be renovated into a two-bedroomed dwelling (building work is now well underway), but that shouldn’t stop you having a wander around the village.