The Grand Union Canal

The inland waterways are symbolic of the Chilterns; neither shouts about achievements; both are modest, quietly getting on with ensuring livelihoods can continue and now leisure is enjoyed. Both are treasured.

Often overlooked in favour of the more glamorous River Thames, the inland waterways and Grand Union Canal are without a doubt, the workhorse threading its way though the Chilterns countryside.

Arms and Legs

The Grand Union Canal in England is part of the British canal system, a series of inland waterways starting in London and ending 137 miles further north in Birmingham. With 166 locks and unknown number (to me), of bridges, it also has ‘arms’ to places including Leicester, Slough, Aylesbury, Wendover and Northampton.

Grand Union Canal
Resting up at Cow Roast

The canal network as we know it, was shaped by the Industrial Revolution that demanded an economic and reliable way to transport goods and commodities in large quantities. The so-called “narrow” canals which extended water transport to the emerging industrial areas of the Staffordshire potteries and Birmingham, as well as a network of canals joining Yorkshire and Lancashire and extending to London, was the result.

In our region, the Grand Union Canal links Watford, Kings Langley, the paper mill at Hemel Hempstead, former lumber yards at Berkhamsted, up over the Tring heights and on to Leighton Buzzard and northwards.

Whilst I am ducking the laden overhanging branches, full of damsons and rose hips, making sure to not miss-step into buckets of fish bait or decaying towpath, I wonder what the traffic system would have been like for the horses hauling the barges?

The Canal Duke

Ever looking for a Chilterns link, I found it in none other than the ‘father of inland navigation’, Francis Egerton, 3rd Duke of Bridgewater (1736 – 1803). A pioneer of canal construction, he commissioned the Bridgewater Canal— said to be the first true canal in Britain, and the modern world.

The Canal Duke
Bridgewater Monument

The Canal Duke is commemorated in a number of locations around the country. Closer to home, his remains lie in the vault in the Bridgewater chapel in the Church of St Peter and St Paul, Little Gaddesden. A loosely translated Latin inscription on his memorial reads: “He sent barges where formerly the farmer tilled his field”. Two miles west In the adjoining Ashridge Estate, you will find a local landmark – the unusual Bridgewater Monument erected in 1832. I am sure it is modelled on the Monument to the Great Fire in London. In the summer, you can climb to the top and enjoy the views. Perhaps count at least five surrounding counties?

Nuts and Bolts

The softer surrounding Chilterns landscape is in stark contrast to these manufactured stamps and implements needed for safe navigation. These remnants of the industrial past are everywhere; unexpected holes, distance markers – that all seem to lead to Braunston, so many numbers and date-stamps on lock gates, at the waterline. Everything in its place and in its place, everything. And most still in use today.

A Roadway Paved with Water

Towpaths, moorings and waterways are the domain of leisure users. On bicycles, on foot, on the water, in the water, touring or living in canal boats. Some have made their permanent moorings into cosy homes with small garden plots alongside, with flowers, furniture and trinkets that could only adorn a static boat. Plenty of cooling off opportunities too!

The inland waterways and Grand Union Canal
Leo lockside

And still there are fatter and lazier stretches where nothing much happens. Until you hear the splash of a rising fish, or fishing heron or the dart of a kingfisher. Occasionally you can hear the trains rushing to and from London and Birmingham, but otherwise you are alone.

The inland waterways and Grand Union Canal
A roadway paved with water. 

Brickwork, Bridges and Bolts

There are no smooth edges here, apart from on the water itself. The brickwork, bridges and bolts are testament to the enginners, designers, carpenters, bricklayers and ‘navvies’ – a term shortened from the original ’navigators’ that the labourers were called. The Canal Duke was able to call on miners from his Worsley colliery to dig his canal. These men made a good living as they developed new skills that enabled them to earn far better wages than ordinary labourers. Some worked with their wives too, who supported a multitude of trades. Not such a man’s world after all!

A fine reminder of our industrial past, and attracting a slower pace of life. The inland waterways are symbolic of the Chilterns; neither shouts about achievements; both are modest, quietly getting on with ensuring livelihoods can continue and now leisure is enjoyed. Both are treasured.

The lock keepers cottage and pump house at no.38 Marsworth Lock

Further Information

I have been once again exploring what is close to where I live and this post forms part of the Messing about the Thames feature during the summer of 2020.

Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story.

The Ashridge monastery and monks are long gone, buildings destroyed, treasures looted and the monks banished during the 16th century on the orders of King Henry Vlll. Read all about a Flourishing Trade.

For further Chilterns inspiration and celebration of all things quirky.

My micro adventure during Lockdown along the Grand Union Canal

What a year this has been! I did find pleasure in our restricted movements by exploring my local area, re-visiting footpaths and discovering many more on my daily micro-walks.

George Alexander Gratton

This tale is full of contradiction, cruelty and the absurd; of a young ‘fanciful child of nature’ bought by a showman to exhibit to the public until his death and lavish funeral in a shared vault in a church in Marlow.

Two weathered headstones bolted together in the All Saints Church cemetery in Marlow, are poignant evidence of a tragic tale of a mysterious so-called ‘Spotted Boy’ sold to be put on show for the paying public to gawp at. 

Intrigued to hear of the “Beautiful Spotted Boy of Marlow”, I arranged to meet Mike Hyde, volunteer and chair of the Marlow Museum. This is the place to go for all things Marlow, and their current Travellers’ Tales exhibition includes the fascinating stories of four historical people with local connections; Kate Marsden, explorer, writer and nursing heroine, Sir Robert Hart, British diplomat and official in the Qing Chinese government, King Zog, exiled King of Albania and George Alexander Gratton, aka “the spotted boy”. It is the last on this list that I am writing about, the others are no less interesting, but for very different reasons.

The spiritual home of rowing, Marlow is a well-heeled market town straddling the River Thames, east of Henley-upon-Thames and west of Cookham in the central Chilterns. Once a centre for lace making and timber, renowned these days for the many excellent restaurants and places to while away a few hours along the graceful Georgian high street, it is perhaps the combination of All Saints church spire and the William Tierney Clark-designed bridge that Marlow is most remembered. Modelled on similar designs to both the Hammersmith Bridge in London and the Széchenyi Chain Bridge spanning the Danube, this is its statement feature.

Marlow is a town that keeps its stories close

This is the tragic story of a young boy born on July 24th 1808 on a sugarcane plantation on the island of St Vincent and the Grenadines, where it was customary for slaves to be given the family name of their owner or overseer: in this case, Mr Gratton was the overseer and the plantation owner was a Mr Alexander. King George lll was on the throne, so it’s my guess that would account for the boy’s first name. According to an 1819 edition of the Literary Journal, as a baby, George was shown in the capital Kingstown “at the price a dollar each person” before he was sent to Bristol. At the tender age of 15 months. Facts are hard to verify as it’s not known if he was accompanied by his parents, the circumstances of his sale and passage abroad the ship ‘Friends of Emma’ to England, and who in fact benefited from the 1,000 guineas that John Richardson, showman, paid for the boy. Richardson, formerly a farm labourer from Marlow, had left town to make his fortune running fairs and sideshows, typically earning as much as £1,200 in just three days. 

George Alexander coloured aquatint after Daniel Orme 1809. Subtitled: “An Extraordinary Spotted Boy” this engraving was often sold as a souvenir. Credit: Marlow Museum

The reason the toddler was of interest to the showman? George suffered from a condition known today as Vitiligo. This a long-term skin condition is characterised by patches of the skin losing their pigment and becoming white. It is more noticeable in people of colour.  

Three murders and a ghost

One such fair is described so vividly by Charles Dickens in his ‘Sketches by Boz’ published in 1836: ‘Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.

This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes. The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. ”

Bartholomew Fair, Smithfield London.  Credit: Marlow Museum 

Richardson bought the boy to add to this travelling horror show, where he was advertised as ‘a fanciful child of nature, formed in her most playful mood’. He was exhibited during the intervals of plays and other entertainments, sometimes for upwards of 12 hours a day. Venues included the famous Bartholomew’s Fair in Smithfield, London.  

Contradiction and the absurd

Two weathered headstones bolted together in the cemetery of All Saints Church in Marlow are poignant evidence of a tragic tale of a young boy purchased for 1,000 guineas to be put on show.

This tale is full of contradiction, cruelty and the absurd as it is said that the childless Richardson formed a bond with the boy, he even had him baptised George Alexander Gratton and brought to Marlow where he lived as his son. Around five years of age, on February 3rd 1813, his brief life came to an end, with all manner of speculation to the cause of death. Richardson was alleged to have kept the body for fear it would be stolen, until he could be interred in a brick vault in the cemetery at All Saints with a funeral it is said, full of pomp and circumstance. Before Richardson died in 1837, he requested he be buried in the same vault, with the two back-to-back headstones bolted together.

Mike Hyde shared this verse from the now weathered epitaph: 

“Should this plain simple tomb attract thine eye

Stranger, as thoughtfully thou passest by,

Know that there lies beneath this humble stone

A child of colour, haply not thine own, 

His parents, born of Afric’s sunburnt race,

Tho’ white and black where blended in his face, 

To Britain brought, which made his parents free, 

And showed the world great nature’s prodigy.”

Upon entering the impressive church, filled with winter sunshine, the experience was marred by a loud mobile conversation on an iPhone from a visitor doing a sweep of the church. Had to tick this sight off the bucket list, and was oblivious to the oil painting that Richardson had donated to the church. Over time, it fell into a state of disrepair and was restored about 10 years ago. It now hangs near a small display at the back of the church. Above the toilet door. Unnoticed.

George Gratton, painted by the artist Coventry that still hangs in All Saints Church. 

I think it only right we show George the dignity he deserves and identify him by his given name, not his ‘circus name.’ We don’t after all know his birth name, nor who his parents where. We know very little about him. It is a difficult tale to digest and tell here, not least of all with the grotesque and offensive 19th century attitudes and some insensitive use of contemporary language.  I am of course viewing this sorry tale through the prism of 2018 enlightenment and my experience as a mother; I can’t help but not feel the tremendous sadness and subsequent loss at their parting – did she know what happened to her son? His agony at not being with his parents. So far from home, paraded around town with Richardson, put on display for upwards of 12 hours at a time, what life was this for any child to have to endure? Perhaps his early passing was a blessing and a relief for him to find some peace. 

Sadly, there is no indication of where these graves are. I wondered if we, the community, can begin to afford George the dignity in his memory, that he did not have during his brief, tragic life and place flowers on his grave, as is still done for another of the Chilterns prodigal son’s – on Peter the Wild Boy’s grave in Northchurch, near Berkhamsted.

Somewhere amongst these headstones is the grave

How wonderful then that the Marlow Museum has included George’s forgotten story in the Travellers’ Tales exhibition, I recommend you visit and find out more. They are also working with the Saint Vincent & The Grenadines 2nd Generation (SV2G) on a Heritage Lottery-funded project that seeks to uncover connections between Marlow and High Wycombe to deliver a new programme of Vincentian heritage events to commemorate the tragic life of this young boy, believed to be one of the earliest (if not the first) recored Vincentian’s in Britain. I am looking forward to finding out more about these links and the communities that have made their home in the Chilterns.

Further information

Travellers’ Tales with Marlow connections is on at the Marlow Museum. Find out more about All Saints Church and perhaps if you visit, ask where the grave is, as I couldn’t find it.

Read the wonderful story of Peter the Wild Boy part one and part two

Explore the naturally outstanding Chilterns and the market town of Marlow or take a walking tour of the historic town centre.

Messing about in boats is a favourite pastime and the Chilterns is busy throughout the year with visitors, locals and sports men and women on and in the River Thames.

Discover more Chilterns Churches, ideas for winter wanderings and for the spring, the unique and bonkers Swan Upping ceremony that is best enjoyed from the riverside at Marlow.

In search of Paul Nash

That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.

I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.

Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.

Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.

Capturing Landscapes

Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.

He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.

Ivinghoe Beacon, Ridgeway
Ivinghoe Beacon and its distinctive chalk trails leading up to the site of the Iron Age hill fort

That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.

Not that much has changed

I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.

River views across to Clifton Hampden
The Church of St Michael and All Angels at Clifton Hampden

From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.

Dorchester Abbey
The view across to Dorchester Abbey

There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.

Round Hill
Round Hill where you will find declarations of love

A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.

Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers  in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?

From the poem tree
Robert reads a dull poem

I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.

My Knight in Shining Armour

Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.

Ceder tree planted in 1866
A Ceder grown from a seed planted in 1866.

What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.

I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!

William de Valance
Although he cannot be identified with certainty, it seems most likely that this knight is William de Valance the Younger (died 1282)

Expect the Unexpected

Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.

Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.

Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.

Further information

This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.

Visit the model villages at the Pendon museum

Further information and to view a selection of Paul Nash paintings at the Tate Gallery.

Views of Didcot Power Station
Some of the best views of Didcot Power Station

Growing Stones

Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story. 

Ashridge gardens are a magical place of mythical puddingstone’s, Totternhoe stone, Humphry Repton and an acorn from a queen. 

Each time I visit Ashridge, I am inspired by the stories I uncover: religious relics, sunken lanes, a landscape of contrasts, abandoned masonry, animal trails, a vineyard, the wild and the managed. All within a glorious 5,000 acres of Chilterns woodland. 

Ashridge weather vane on growing stones
Fan vaulting and tracery on the ceiling of the tower, with a dial that displays the position of the weathervane on the roof.

A Chilterns Tapestry

Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story. 

Garden Design

Ashridge Gardens extend an impressive 190 acres across a reasonably flat site in an otherwise undulating and hilly landscape. Lancelot ‘Capability’ Brown designed the northern and eastern part of the gardens and famous Golden Valley. It is the gardens south of the house, originally designed by Humphry Repton (1752 -1818), in the early 19th century, that we were here to explore. In good company, Repton, William Kent and ‘Capability’ Brown share the honour of being the three most famous 18th century landscape designers and gardeners.

From 1808 to 1813 the architect James Wyatt crafted, from local Totternhoe ‘soft’ stone and lashings of flint, an Ashridge House to claim the high-point above the undulating Golden Valley and surrounding forest.

Peaceful and colourful ashridge house gardens
The peaceful gardens

The grounds to the rear of the house are dominated by the extensive lawn leading onto avenues of trees inviting you to explore further, with the promise of tantalising views of the surrounding area.

Maple tree in Ashridge House
The maple signals the change of season

On a closer look, the garden is made up of a number of smaller gardens and discrete areas, each the focus for Mick Thompson and his team. Working on the restoration of the Rosary, an Armorial Garden, the Italian Garden and the Flower Garden that have retained strong links with their designer and visionary, Repton.

Reptons' drawing of his rosary garden
Humphry Repton’s 1813 Rosary Drawing

Puddingstone’s

The county line between Hertfordshire and Buckinghamshire runs right through the garden, and is now marked by a puddingstone no less. Once disputed, with Buckinghamshire laying claim to more than their due, this conglomerate rock (that could be the icon of Hertfordshire), has symbolically won the day!

Ashridge house southern garden
A cluster of puddingstone’s marks the Souterrein

You can see the puddingstone’s tumbled about the entrance to the grotto and souterrein tunnel that have been constructed using this very hard conglomerate. The estate has the largest collection of puddingstone’s, possibility the largest supply in the world! How and when they are formed is a mystery, but Hertfordshire folk have never been in doubt  ̶  it grows, and then gives birth to new stones. This is because stones appear out of the ground, which has given rise to the names “Growing Stone” and “Breeding Stone”.

A fitting addition to this garden

The restored rose garden
The view of the house from the restored rose garden

The Italian Garden and the arbour for the Rose Garden (now framed with laburnum trees), have been restored to their original design.

What made it for me was the magnificent oak, dominating the lawn, its massive trunk and spreading limbs are just perfect. I stood and stared. Perhaps I was drawn to it because I was reminded of an oak tree in my garden when I was a child. This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to Ashridge. How will it be commemorated in 2023? I took an acorn home for my son. 

Oak tree planted by princess Victoria in 1823
At a mere 197 years old, the magnificent Princess Victoria oak steals the show

Ashridge is a compelling story, made up of the majestic and the mundane.  I just know I am going to go on following those loose threads and blemishes to see what they reveal. 

Heritage Open Days

My visit was on a Repton Garden Tour, an event in the excellent Heritage Open Days programme organised by Jenny Sherwood of the Berkhamsted Local Historical & Museum Society and led by the charming and knowledgeabe Mick Thompson, head gardener at Ashridge House. Thank you both. 

I must confess that after this delightful garden tour, I still can’t remember many plant, shrub nor tree names! Apart from the oak, that really caught my eye. But that says more about me than it does Mick. 

Further information

Information on tours of the house and gardens can be found here. Holy relics were once big business, read about the Ashridge relics here.

Further information on the designs and Repton’s work can be found here: 

I have walked past the Amaravati Buddhist monastery many times, enjoying the many routes from Frithsden and Ashridge, but have never gone in. I never thought to. To sit quietly in the gardens or even visit the temple for peaceful reflection.

Book a table for lunch at the popular Alford Arms in nearby Frithsden. The first gin distillery in Hertfordshire, named after the iconic stone, can be found at Wilstone Reservoir, just five minutes from Tring.

Take a walk around the medieval stone quarry at Totternhoe, seven miles from Ashridge.

And if that’s not enough, further Chilterns inspiration and itineraries can be found here.

A selection of images on this website are available to purchase. Take a look at this page, and if you don’t see what you are looking for, please get in touch.

St Bartholomew’s church at Fingest is a unique Norman church

Be Not Weary in Well Doing

The story of why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.

In which a childhood tale of hardship and a beating, led to a generous royal gift to a small Chilterns community from a benefactor in a far-flung British colony.

Described on TripAdvisor as ‘fresh as paint’ I was interested to see the restored Maharajah’s well in Stoke Row and discover why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.

Indian largesse

Hang on, shouldn’t that be the other way around? Isn’t Britain usually the one dispensing largesse to the less fortunate in far-flung colonies?

Stoke Row is a fairly typical Chilterns village, situated at the southern end of the region, near Henley-on-Thames, in a cluster of villages that include Ibsden, Nuffield and Nettlebed. It’s quite hard to find, along gloomy woodland lanes, around some tight corners, that has in its foundations, chalk, flint and clay that have enabled a long history of pottery making. However, in common with Turville, there is no natural water source.

The source of this charming Chilterns story

The Maharajah of Benares
Maharajah of Benares and Suite, 1870s

East India Connections

The Narayan dynasty was the ruling Bhumihar family of Benares. After the disintegration of the Mughal Empire in the 18th century, the family ruled Benares as tributaries of the Nawab of Awadh and the East India Company. In 1911, Benares became a full-fledged princely state of British India, and the Narayan dynasty ruled it as British vassals until they acceded to independent India in 1948. Even today, the Kashi Naresh, the titular ruler of the dynasty, is deeply revered by the people of Benares. He is the religious head and considered the incarnation of Lord Shiva.

Local Ibsden squire, Edward Anderson Reade (1807 – 1886) had worked alongside and formed a friendship with Maharajah Shri Ishwari Prasad Narayan Singh Bahadur of Benares (1822-89), whilst working as administrator and Lieutenant Governor in the North West Provinces for the East India Company. The two men must have shared childhood stories which later were to inform the Maharajah’s decision to fund a new well, far away in a country he had never visited, but had a huge impact on his life and country, Great Britain.

101 Cherry Trees

In 1831, Edward Reade had a well sunk for a community in Azimgurgh, alongside a new mango grove. It was this generous gift and that childhood tale of dried up Chilterns village ponds, hardship and a child beaten for stealing a drink of water, that sealed the subsequent deal. In 1863, the Stoke Row well was sunk for around £40,000 in today’s money, the adjoining ‘Ishree Bagh’ was planted with 101 cherry trees and the Well Cottage built with a view to providing funds for the well’s maintenance.

The maharajah's well Stoke Row
The well is housed beneath a Mogul-inspired dome.

I expect the village hasn’t seen anything like it, not since Queen Victoria opened the well in 1864. Until 1964 that is, when HRH the Duke of Edinburgh attended the centenary and a sample of water was drawn that can be found at the local pub apparently. Please let me know if you have any luck finding it!

Ishree bagh, cherry orchard
One of the few cherry trees in the ishree bagh.

The Ishree bagh, cherry orchard, feels well used as a local green space, but as an orchard, neglected. There is random planting of young cherry trees (a Chilterns heritage crop), some dead, others not sure whether to thrive or die, and some well designed childrens’ dens in amongst the trees. There are a good number of oak trees, some with legible plaques, others rusted away. Thank you Denise for the beautiful oak tree planted in your memory, the bagh is better for it.

The Elephant & Bandstand
Trunk to Trunk

The orchard mound is now topped with a commemorative wooden elephant ‘the Elephant & Bandstand’ to celebrate the 150th anniversary of the well.

Well cottage and the Moghul dome
The distinctive Dome

In a neat space between the orchard and well, is the tiny brick cottage with an unfeasibly tall chimney, former home of the well keeper no less. Dwarfed by the ornate dome, a foresight as it’s visible from afar – and a nod to the Maharajah who would never see his gift, but wanting it visible all the same. Beneath the Burgundy Mughal-inspired dome, a golden elephant sits atop the shiny machinery designed and built by local agricultural engineers, Wilder of Wallingford 1863.

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The shaft plunges through clay, gravel, sand, chalk sand, more chalk and finally chalk and shells before reaching the sweet water, a mere 368 feet deep – twice the height of Nelson’s column. Drawing water must have been quite a chore. It took 10 minutes for the pulley to reach the bottom and another ten minutes to reach the surface. I expect they all formed a neat and orderly queue and exchanged village news whilst waiting. The well was closed in 1939.

I love this story. It has a special resonance for me, hailing as I do from the colonies. What makes this story so extraordinary is that a former colony did what Britain usually does; dispensing largesse in the form of a royal gift, to those in need, those less fortunate. But in this case, those who where in need where the masters, the mighty British Empire. Oh, the irony!

The inscription ‘Be Not Weary in Well Doing” is a fitting epitaph for Edward’s gravestone, in the nearby Ibsden cemetery.

Further Information

This Chilterns travel blog is only about the naturally outstanding Chiltern Hills. The Chilterns are not a place name you’d perhaps recognise, despite being located in the distinctive green space between London’s Metroland and Oxford. If quirky is your thing, we’ve a load more stories to tempt you.

Nearby is the modest home of William Morris, who lived at Nuffield Place and brought affordable motoring to Britain.

For further Chilterns ideas and inspiration, or to book a table at England’s first gastropub, the nearby Crooked Billet. Built in 1642, reputed to have been the hideout of highwayman Dick Turpin, which may have been due to a certain landlord’s daughter, Bess.

The local village store offers coffee and freshly made light meals.

A reason to love the rain

In which a rain storm saved from destruction, a rare 15th century ‘doom’ painting that was left out in the rain. #Chilterns

In which a ‘doomed’ 15th century painting is saved by the rain.

On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties. I was content however, to nose around indoors, on the lookout for the famous ‘doom’ painting; the main reason this church is of such cultural and historical significance.

Nothing beats local knowledge

The Doom painting is placed high above the alter
Look up!

I got the strong impression this church is still a vital community hub, with feverish wedding preparations underway and so tried not to get in the way of the florist and a busy vacuum cleaner. In the capable hands of local guide Helen, who modestly professed to not knowing much about the history of the building, then proceeded to dazzle with her huge knowledge; brass rubbings, the Penn family crypt, lozenges adorning the walls, medieval Penn tiles in the lady chapel, the doom painting of course, church extensions and renovations and not forgetting those buried in the graveyard.

14th century Penn floor tiles in the Lady Chapel
14th century Penn floor tiles in the Lady Chapel

Dooms Day

Now set high on the east wall, the 15th century ‘doom’ painting is still looking as bright and fresh as the day it was painted. One of only five surviving wooden tympanums in the country, it would have been purposefully positioned for worshippers as they faced the alter. A “dooms day painting” is a traditional English term for an image of the Last Judgment when Christ judges souls to send them to either Heaven or Hell. A crude but effective part of the eclesastical warning system to illiterate congregations, to toe the line or face judgement on the day. This one not only survived the English Reformation, it survived being tossed into the skip!

The doom painting saved from the rain
Looking as bright as the day it was painted over 500 years ago

During renovations in the 1930’s, the now whitewashed wooden panels, were stripped and placed outside, destined for the bin. By good fortune it rained overnight and when the vicar returned the next morning, he saw faces peering out at him through the whitewash. Their cry for help answered? That is surely a reason to love the rain! Now safely re-instated inside the church, looking as bright as the day it was painted 500 years ago.

Memorials and brass rubbings

At the entrance, there is an inscribed vault stone to mark where Thomas Penn, one of William Penn’s sons, who was allowed to build a large vault beneath the church nave for himself, his brother and four of his children who were interred between 1753 and 1766. The Quaker and founder of Pennsylvania however, is buried at the nearby Jordans Quaker Meeting House with his first wife, Guilielma, his second wife, Hannah, and nine of his children. Despite the many offers to have him moved to Pennsylvania, he remains in the quiet Chilterns churchyard.

As Helen waved goodbye, she pointed to the one hand on the clock tower and told me that during the 17th century a one-handed clock was all a villager needed, minutes where simply too much information! On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties including; Hertfordshire, Oxfordshire, Berkshire, Greater London, Bedfordshire, Northants and Surrey. I’ll have to return to see the view for myself.

This is what I love about parish churches, they are an essential part of not only our local Chilterns story, but the nation’s story too. Unlike a museum, they are stuffed full of treasures, but none kept behind glass, or in spaces filled with tour groups, these are a snapshot of history, watched over by individuals keen to generously share.

Further Information:

I recommend that during the Heritage Open Days event in September, to visit the nearby Penn House which is the other half of the Holy Trinity story in the Chilterns.

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Penn House

There are plenty more to explore, and do please let me know if you have other Chilterns churches to recommend.

For further inspiration on what to see and do in the naturally outstanding Chilterns

Ashridge: A Flourishing Trade

The monastery and monks are long gone, buildings destroyed, treasures looted and the monks banished during the 16th century Dissolution of Monasteries on the orders of King Henry Vlll.

Holy relics were once big business.

I am astonished at how many found their way into the Chilterns that resulted in prestigious buildings, churches, woodland and more humble structures being built. Ashridge is the most prestigious amongst them.

Trade Roots

Another hot July week goes by, and an early morning walk in the forest is the coolest place to be. The dusty summer paths are criss-crossed with cracks and gnarled roots, even the stubborn patches of winter mire look benign and safe to cross. The bees are winning as they are all I can hear. The compelling natural geometrical shapes of the six-foot high bracken is punctured only by the crests of foxglove pink, just past their best. The exposed felled trees of winter now swallowed up by verdant vegetation from which a variety of animals burst forth ahead of me on the path.

Fox glove in the Chilterns
The pretty, but toxic foxglove

Ashridge Forest is one of the more popular Chilterns destinations, but as visitors tend to stick to the tearoom and toilets at the visitor centre, there is more than enough space for the horses, cyclists, runners and ramblers to be swallowed up by the 5,000-or-so woodland acres. In fact, the two are closely linked along Prince’s Riding, a glorious avenue of trees linking Ashridge House with the Bridgewater Monument.

A flourishing trade
Bridgewater Monument in the distance

This much-visited estate, grew up around the medieval Ashridge priory that was founded in 1283 by the crusader knight, Edmund of Cornwall (a nephew of Henry III who was himself a collector of relics). Ashridge priory was created to house a phial of Christ’s blood that had been brought back from the Holy Land. These relics of the ‘Holy Blood’ were portions of the blood of Christ’s passion, preserved supposedly from the time of the Crucifixion and displayed as objects of wonder and veneration in the churches across medieval Europe. A flourishing trade, pilgrims traveled from far and wide to venerate and spend their hard-earned cash in offerings to secure their place in heaven and a meal to get them through the journey.

Links with the Past

The monastery and monks are long gone, buildings destroyed, treasures looted and the monks banished during the 16th century Dissolution of Monasteries on the orders of King Henry Vlll. The estate passed through various families until in 1800, Francis Egerton, 3rd Duke of Bridgewater demolished most of the priory, and construction began on the present house in 1808–1814.

A surviving link are the fallow deer that were introduced during the 13th century as a source of food and for the sport of kings, that still roam the vast estate.

People and their holy relics may come and go, but the surrounding woodland is still bursting with life. During summer, it’s just more colourful – pretty butterflies dance around my feet and the shrill whining of crickets in the long grass is the sound of high summer. Death-defying squirrels race through the tree canopy and so many birds, its magical. We pass little cottages dotted throughout the woods, with names like ‘private cul-de-sac’, or ‘no turning private,’ and stop too for the obligatory “is that a corgi?” conversation.

Trees in the Chilterns Ashridge Estate
A tree-lined nave

Future business leaders now attend the Ashridge Executive Education, formerly Ashridge Business School, based at the gothic revival Ashridge House who promote their services as;

“An agile business school for the global leader. Because disruption is inevitable:”

That wouldn’t go unrecognised I don’t think, by those former businessmen of the priory and palace, whose global world was turned upside down by European political and religious events far beyond their control.

So the cycle continues.

Ashridge Business School is well rooted amongst its surroundings
Well rooted

Further Information:

Read more about some of the structures built to house relics and provide shelter for their pilgrims below;

Once on the Pilgrims trail between St Albans Abbey and the monastery at Ashridge, Piccotts End is a dot on the Chilterns landscape. Yet this tiny settlement has one of the most remarkable and historically important features, tucked away inside a Grade I Listed 15th century cottage at No.132 Piccotts End.

St. Botolph was one of the earliest and most revered of East Anglian saints, and became known as the patron saint of wayfarers. Read of a Journey into a Chilterns desert.

Growing stones, a magical place of mythical puddingstone’s, Totternhoe stone, Repton and an acorn from a queen, read about a tour of the Repton-designed Ashridge House Gardens.

A walk in Ashridge during the quieter winter months is a completely different experience. Do trees fall uphill? Or take your pick from the selection of National Trust walks through the estate.

Winslow has a strong nonconformist tradition going back to the 17th century, and in 1660, Benjamin Keach (1640 – 1704), was chosen pastor for the little Baptist chapel. The Keach Meeting House in Winslow.

Often overlooked in favour of the more glamorous River Thames, the inland waterways and Grand Union Canal are without a doubt, the workhorse threading its way though the Chilterns countryside.

For further Chilterns inspiration and ideas VisitChilterns.co.uk

A Runway Runs Through It

This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

An EasyJet view
An EasyJet View

The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!

I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.

Luton runway at the end of the field
Luton Airport control tower

Luton Airport

Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.

Fancy brick work
Striking brick work

Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.

Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.

Sir John Wenlock – did he or didn’t he?

The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.

Delightful details

Much of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.

Ruined stairwell
Stairway to the stars

This is no castle set in aspic

I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.

This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

A working landscape

This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all pressed in. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.

I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.

A deceptively serene scene

I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.

Wildflowers alongside the runway

Further Information

Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.

Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL

Another neglected scheduled ancient Chilterns monument is Berkhamsted Castle.

My exploration of the northern Chilterns have thrown up some lovely surprises including; beautiful Barton Hills National Nature Reserve, adjacent to Sharpenhoe Clappers anonymous initials and ghost of a Celtic tribal chief, the peaceful Amaravati Buddhist monastery and now, a NNR with some of the best views in the Chilterns – and the cheekiest ponies!

For further Chilterns inspiration and ideas VisitChilterns.co.uk

Scenic view
Beautiful views from Barton Hills