Not just for old ladies, these fields of Chilterns lavender will delight almost everyone.
This, the northernmost town in the Chilterns, is probably the least well known of our market towns. In existence since at least the eighth century, Hitchin is one of the oldest towns in the county of Hertfordshire. Much sought after as a cure-all for anything from the plague to migraines, cultivation and production of lavender put Hitchin on the map. Successfully exploiting the crop since the 15th century, sadly only one business, Cadwell farm is still producing and selling lavender products.
The farm is open from June to October, peak season is July, when the 30 acres are in full bloom. Busy by the time I arrived, there is plenty of space to spread out and enjoy the spectacle. And what a spectacle it was! You have to tune your ear into the drone of countless bees working around your legs, otherwise drowned out by the giggles and squeals of delight.
A quintessential English experience
Some had barely got out of their cars and were already taking pictures. Once we had negotiated the oncoming cars and traffic cones to secure a brown paper bag and scissors to cut and curate our flowers, we could enjoy an English seasonal experience.
I wandered slowly up an empty aisle, keeping an eye out for the millions of painted lady butterflies that are supposed to be heading our way this summer. I spotted one. Perhaps this was the straggler and they had all been and gone? I disturbed three birds that shot out from the undergrowth, but apart from the bees, there was precious little wildlife or incidental wildflowers. It was all perfect and planned.
There was a wedding party, couples, pensioners, families with small children whooping their way up the slope, posing ladies in straw hats and white dresses, a coach-load of sunhat-wearing tourists equipped with enormous lenses, a sea of expansive selfie sticks and a fascinating array of selfie poses. I think many had done this before.
The aim is to walk up the slope, proclaim loudly your deftness at hill walking, before laying out your picnic and then returning, satisfied to your car. There are plenty of places where you can part with your money to buy lavender-themed or infused goodies, plus a small museum with interesting, if underwhelming displays about the farm and former industry.
It’s a fun thing to do, everyone in a holiday mood, enjoying themselves and no doubt Instagram will be awash with the days’ adventures. I wonder though, how many knew they were in the Chilterns?
Just as the production of watercress in the Chess Valley has been decimated, with only one producer remaining, Cadwell farm is keeping a Chilterns tradition alive by welcoming visitors to wander the 30 acres to pick flowers and take endless selfies.
Low-tech, quirky museums, often in intriguing buildings with windy stairs, dusty and dated interiors, are to be treasured. We have our fair share here in the Chilterns; most under the radar, unless you live on the same street, that is where they will probably remain. ‘One Master, Three Books & 300 Boys’ tells the understated story of English education in the British Schools museum in Hitchin.
It was from a tweet shared by the Jordans Village Estate from HM Queen congratulating them on their centenary 1919 – 2019, that I knew I just had to visit.
There’s something about the Chilterns that over the centuries, attracted both political dissenters and religious non-conformers who met and worshiped in secret. Amongst the beech trees and woodland many would go on to make their mark on the nations history. This post is a celebration of the Chalfont Quakers, a community celebrating its centenary, but with a history going back to the early 17th century.
You won’t come upon Jordans village, you have to set out to find it. Tucked away down higgledy-piggledy lanes east of the busy market town of Beaconsfield, Jordans village is everything its neighbour is not: compact, unexpected and peaceful, with neat cottages and terraces nestled around the village green. So English, so Chilterns!
This unassuming village is unique, with deep local roots and influence that still reaches far-off places. It owes this accolade to its Society of Friends Meeting House, one of the oldest in the country.
‘Jordans is the Quaker Westminster Abbey’.
Simon Jenkins author “England ’s Thousand Best Churches”
From the mid 17th century, Chalfont Quakers had been meeting in the woods and up the road in the nearby Jordans Farm, whose owner William Russell was himself a Quaker. Known today as Old Jordans, this collection of buildings is said to have been constructed with some of the beams and a cabin door of the Mayflower, the ship that took the Pilgrim Fathers to the shores of the future colony of Virginia in 1620. Old Jordans was also used during World War I as a training centre for the Friends’ Ambulance Unit and sold by the Quakers In 2006.
William Russel, (whose daughter was the first to be buried here), bought a piece of land in a clearing beside the Beaconsfield Road in 1671 because the Chalfont Quaker’s needed a burial site. Jordans Friends Meeting House was built in just three months by local craftsmen in 1688. This was shortly after the King James ll Declaration of Indulgence that allowed Quaker and other non-conformist groups to worship lawfully for the first time.
It is also the burial place of William Penn (1645 – 1718), founder and first governor of Pennsylvania. His first wife Guilielma, his second wife Hannah, and nine of his children are buried close by. Other early Quakers who worshipped here and are buried in the grounds include Isaac Penington and his wife Mary Springett, Thomas Ellwood (poet and friend of John Bunyan and John Milton) and Joseph Rule. Despite William Penn leaving his name to a new American state that he wanted to call ‘Sylvania’, it was Charles II who ordered that the family name Penn (in honour of William’s late father) be added.
Beside his grave, pebbles are left by visitors from North America, two of whom had to be stopped from attempting to exhume his remains as they wished them to be reinterred in the state capital!
The simple bare-walled meeting room retains most of its original uneven locally-fired bare brick floor, glass, dark wood panelling and some well-worn benches. It suffered a serious fire in 2005, when the modern extension was virtually destroyed and the roof of the original 17th-century meeting room severely damaged. The interior of the original meeting room escaped relatively unscathed, but suffered some water and smoke damage. A lucky escape! The viscous glass is removed and turned upside down each year, to retain an even thickness.
‘Some of the things that they would do included; not going to church, refusing to swear an oath, refusal to pay church rates, opening their shops on Sundays, travelling on Sundays and teaching without a Bishop’s license… the 1960’s had nothing on them!’
A mini henge
The burial ground reflects the Meeting House seating, where there is no formal service and people sit quietly and wait for inspiration and guidance, and from those gathered “heeding the love and truth in the heart”. 400 quakers are buried here, but few have headstones – they were deemed too flashy and worldly.
In 1916 a group of Quaker’s met in London to establish a community partnership and three years later, the first stone was laid. This social and industrial experiment, where land was owned communally and craftsmen’s work to be sold cooperatively, grew around the village green, with Fred Rowntree the architect. The homes are uniform in style, not grand or fussy with the village shop open since 1922. Whilst there is no permanent pub, a pop-up pub called the Jolly Quaker quenches the locals’ thirst.
The accommodation waiting list is long, and the village has seen its share of famous residents; King Zog of Albania who, with his legendary chests of gold, (he lived at St Katherine’s Parmoor during the World War II). With author Fredrick Forsyth and musicians Ozzie and Sharon Osborne goes to show you don’t need to be a Quaker to live here!
This is a typical Chilterns story set in a place you’ve probably never heard of, about people and events you will most certainly have heard of, shaping and influencing events across the nation and across the pond!
Further Information & Inspiration
This walk was organised as part of the twice-yearly Chilterns Walking Festival that includes a spring and autumn programme of fabulous walks that take you to the places other walks just don’t reach.
This tale is full of contradiction, cruelty and the absurd; of a young ‘fanciful child of nature’ bought by a showman to exhibit to the public until his death and lavish funeral in a shared vault in a church in Marlow.
Two weathered headstones bolted together in the All Saints Church cemetery in Marlow, are poignant evidence of a tragic tale of a mysterious so-called ‘Spotted Boy’ sold to be put on show for the paying public to gawp at.
Intrigued to hear of the “Beautiful Spotted Boy of Marlow”, I arranged to meet Mike Hyde, volunteer and chair of the Marlow Museum. This is the place to go for all things Marlow, and their current Travellers’ Tales exhibition includes the fascinating stories of four historical people with local connections; Kate Marsden, explorer, writer and nursing heroine, Sir Robert Hart, British diplomat and official in the Qing Chinese government, King Zog, exiled King of Albania and George Alexander Gratton, aka “the spotted boy”. It is the last on this list that I am writing about, the others are no less interesting, but for very different reasons.
The spiritual home of rowing, Marlow is a well-heeled market town straddling the River Thames, east of Henley-upon-Thames and west of Cookham in the central Chilterns. Once a centre for lace making and timber, renowned these days for the many excellent restaurants and places to while away a few hours along the graceful Georgian high street, it is perhaps the combination of All Saints church spire and the William Tierney Clark-designed bridge that Marlow is most remembered. Modelled on similar designs to both the Hammersmith Bridge in London and the Széchenyi Chain Bridge spanning the Danube, this is its statement feature.
Marlow is a town that keeps its stories close
This is the tragic story of a young boy born on July 24th 1808 on a sugarcane plantation on the island of St Vincent and the Grenadines, where it was customary for slaves to be given the family name of their owner or overseer: in this case, Mr Gratton was the overseer and the plantation owner was a Mr Alexander. King George lll was on the throne, so it’s my guess that would account for the boy’s first name. According to an 1819 edition of the Literary Journal, as a baby, George was shown in the capital Kingstown “at the price a dollar each person” before he was sent to Bristol. At the tender age of 15 months. Facts are hard to verify as it’s not known if he was accompanied by his parents, the circumstances of his sale and passage abroad the ship ‘Friends of Emma’ to England, and who in fact benefited from the 1,000 guineas that John Richardson, showman, paid for the boy. Richardson, formerly a farm labourer from Marlow, had left town to make his fortune running fairs and sideshows, typically earning as much as £1,200 in just three days.
The reason the toddler was of interest to the showman? George suffered from a condition known today as Vitiligo. This a long-term skin condition is characterised by patches of the skin losing their pigment and becoming white. It is more noticeable in people of colour.
Three murders and a ghost
One such fair is described so vividly by Charles Dickens in his ‘Sketches by Boz’ published in 1836: ‘Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes. The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. ”
Richardson bought the boy to add to this travelling horror show, where he was advertised as ‘a fanciful child of nature, formed in her most playful mood’. He was exhibited during the intervals of plays and other entertainments, sometimes for upwards of 12 hours a day. Venues included the famous Bartholomew’s Fair in Smithfield, London.
Contradiction and the absurd
Two weathered headstones bolted together in the cemetery of All Saints Church in Marlow are poignant evidence of a tragic tale of a young boy purchased for 1,000 guineas to be put on show.
This tale is full of contradiction, cruelty and the absurd as it is said that the childless Richardson formed a bond with the boy, he even had him baptised George Alexander Gratton and brought to Marlow where he lived as his son. Around five years of age, on February 3rd 1813, his brief life came to an end, with all manner of speculation to the cause of death. Richardson was alleged to have kept the body for fear it would be stolen, until he could be interred in a brick vault in the cemetery at All Saints with a funeral it is said, full of pomp and circumstance. Before Richardson died in 1837, he requested he be buried in the same vault, with the two back-to-back headstones bolted together.
Mike Hyde shared this verse from the now weathered epitaph:
“Should this plain simple tomb attract thine eye
Stranger, as thoughtfully thou passest by,
Know that there lies beneath this humble stone
A child of colour, haply not thine own,
His parents, born of Afric’s sunburnt race,
Tho’ white and black where blended in his face,
To Britain brought, which made his parents free,
And showed the world great nature’s prodigy.”
Upon entering the impressive church, filled with winter sunshine, the experience was marred by a loud mobile conversation on an iPhone from a visitor doing a sweep of the church. Had to tick this sight off the bucket list, and was oblivious to the oil painting that Richardson had donated to the church. Over time, it fell into a state of disrepair and was restored about 10 years ago. It now hangs near a small display at the back of the church. Above the toilet door. Unnoticed.
I think it only right we show George the dignity he deserves and identify him by his given name, not his ‘circus name.’ We don’t after all know his birth name, nor who his parents where. We know very little about him. It is a difficult tale to digest and tell here, not least of all with the grotesque and offensive 19th century attitudes and some insensitive use of contemporary language. I am of course viewing this sorry tale through the prism of 2018 enlightenment and my experience as a mother; I can’t help but not feel the tremendous sadness and subsequent loss at their parting – did she know what happened to her son? His agony at not being with his parents. So far from home, paraded around town with Richardson, put on display for upwards of 12 hours at a time, what life was this for any child to have to endure? Perhaps his early passing was a blessing and a relief for him to find some peace.
Sadly, there is no indication of where these graves are. I wondered if we, the community, can begin to afford George the dignity in his memory, that he did not have during his brief, tragic life and place flowers on his grave, as is still done for another of the Chilterns prodigal son’s – on Peter the Wild Boy’s grave in Northchurch, near Berkhamsted.
How wonderful then that the Marlow Museum has included George’s forgotten story in the Travellers’ Tales exhibition, I recommend you visit and find out more. They are also working with the Saint Vincent & The Grenadines 2nd Generation (SV2G) on a Heritage Lottery-funded project that seeks to uncover connections between Marlow and High Wycombe to deliver a new programme of Vincentian heritage events to commemorate the tragic life of this young boy, believed to be one of the earliest (if not the first) recored Vincentian’s in Britain. I am looking forward to finding out more about these links and the communities that have made their home in the Chilterns.
Travellers’ Tales with Marlow connections is on at the Marlow Museum. Find out more about All Saints Church and perhaps if you visit, ask where the grave is, as I couldn’t find it.
Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and wood gathers from surrounding hamlets picking only what had fallen to the ground.
Getting to Jane’s studio meant being rained on by beechnuts as we walked through the quiet autumnal woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and the wood gathers from surrounding hamlets picking up only what had fallen to the ground.
The Hambleden Valley is a glorious space. It’s typical Chilterns countryside that has made it a favourite of TV and film directors, this beautiful valley synonymous with Chitty Chitty Bang Bang and the Vicar of Dibley – but I am showing my age, as it has also appeared in the Band of Brothers and more recently, Killing Eve.
I was off to meet crafty siblings, John and Alice Nuttgens at their Idlecombe studio’s, just outside Turville along the delightful Holloway Lane – delightful only as long as you don’t have to reverse to make way for oncoming farm traffic! And then we were on to visit ceramicist Jane White, who lives and works near Christmas Common.
I had joined the ‘meet the makers’ walk, thanks to my friends and colleagues at the Chilterns Conservation Board who organise the new twice-yearly Chilterns walking festival. It is no surprise these walks have proved so popular as they are a lovely way to immerse yourself in the beautiful and bountiful Chilterns countryside. Each outing comes with a walk leader who is packing not only insights and country lore that only a local can know, but sometimes with homemade cake too!
Down winding country lanes, only five miles north of Henley-upon-Thames, the tiny village of Turville is busy during the weekend. Busy with walkers and cyclists exploring the many trails and tracks that climb in and out of the Hambleden Valley. In contrast, weekdays are a good time to visit as it’s reasonably quiet, and it was down such a quiet lane I was to find Idlecombe Farm. Set back from the lane with low-slung sheds adorned with flowers, farming implements, chickens and enormous vegetables out front and back is where John Nuttgens ceramist and his sister Alice Nuttgens master saddle maker and fitter were to be found.
John puts it succinctly when he says that the creative thread that binds the many talented Chilterns craftspeople together, is the distinctive landscape in which they work and is from where they draw their inspiration; undulating countryside, chalk streams, fauna, flora, flint and the many hilltop-crowned beech woods. This can be seen in the pieces he makes that are adorned with local flowers or mirror the autumnal colours all about us.
John has been working clay since the 1970’s and came to settle in Idlecombe, in 2013 at which time he also established his studio and showroom alongside his sister Alice. Alice is a rarity; deftly using her hand-made tools, she is one of only 150-or-so saddle makers left in England. This is a craft I had never seen before and it was quickly clear why it takes seven years of training to make harnesses, bridles, belts, saddles and even bell mufflers for St Mary’s church in Turville.
Getting to Jane’s studio meant being rained on by beechnuts as we set off from nearby Christmas Common to walk through the quiet autumnal beech woodland, once full of the smell of charcoal burners, the sounds of wood cutters, the sight of wartime tent peg-makers and the wood gathers from surrounding hamlets picking only what had fallen to the ground. Our path followed an old sheep trail once in use to move the animals to nearby Watlington and even further afield, to London. The last of the blackberries still tasted good and noticeable piles of track-side feathers meant I wasn’t the only one enjoying the woodland bounty!
Jane and her sheepdog Binny (who was having the day off work), welcomed us to her pretty studio that once served as the old dairy, on an isolated farm deep in the Chilterns countryside. The dairy is typical Chilterns vernacular of red brick and flint, this is the location I dream of escaping to!
Jane uses a technique to create her ceramics that I was also unfamiliar with; pit firing using organic materials including coffee grinds and seaweed combined with the transformative power of fire, that renders the clay into a myriad of different patterns and colours. Each piece unique. Jane explained that she is constantly striving to create forms that mirror the simplicity and balance evident all around us in the natural world, in the Chilterns.
On the path back, we have a conversation about how much organic lamb from the adjoining fields has been sold to Tesco. A lot it seems, which creates its own tensions for local business. Local producers can face all manner of obstacles getting their goods to market; lack of awareness, too often struggling with poor connectivity and technology, marketing, capacity, profile, competition and volume producers from other locations. But I am confident that there is a bright future for skilled Chilterns craftspeople who are creating new, unique goods that are grounded and shaped by something very special. Something that cannot be bought from far-off factories. Something they find in the naturally outstanding Chilterns landscape. So please support them when you can, their details are below.
This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.
The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.
This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
If you have any favourites, please let me know where they are and why I need to see them for myself.
In no particular order, here are my 10 favourites
“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.
I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.
Location: Off the Ridgeway near Pitstone Hill
I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn. Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.
This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.
Location: the end of the Ridgeway
This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.
The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.
This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!
Location: Tring Park
As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.
The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.
The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.
I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.
Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.
Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.
Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.
He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.
Not that much has changed
I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.
From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.
There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.
A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.
Christopher points out Brightwell Barrow
Brightwell Barrow from the Clumps
Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?
I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.
My Knight in Shining Armour
Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.
What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.
The magnificent alter
Under the flagstones
The People’s Chapel
The wedding guests
I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!
Expect the Unexpected
Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.
Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.
Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.
This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.
Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story.
Ashridge gardens are a magical place of mythical puddingstone’s, Totternhoe stone, Humphry Repton and an acorn from a queen.
Each time I visit Ashridge, I am inspired by the stories I uncover: religious relics, sunken lanes, a landscape of contrasts, abandoned masonry, animal trails, a vineyard, the wild and the managed. All within a glorious 5,000 acres of Chilterns woodland.
Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story.
Inside one of the two living beech houses that overlook the restored herb garden
A mason’s paradise
Ashridge Gardens extend an impressive 190 acres across a reasonably flat site in an otherwise undulating and hilly landscape. Lancelot ‘Capability’ Brown designed the northern and eastern part of the gardens and famous Golden Valley. It is the gardens south of the house, originally designed by Humphry Repton (1752 -1818), in the early 19th century, that we were here to explore. In good company, Repton, William Kent and ‘Capability’ Brown share the honour of being the three most famous 18th century landscape designers and gardeners.
From 1808 to 1813 the architect James Wyatt crafted, from local Totternhoe ‘soft’ stone and lashings of flint, an Ashridge House to claim the high-point above the undulating Golden Valley and surrounding forest.
The grounds to the rear of the house are dominated by the extensive lawn leading onto avenues of trees inviting you to explore further, with the promise of tantalising views of the surrounding area.
On a closer look, the garden is made up of a number of smaller gardens and discrete areas, which have been the focus for Mick Thompson and his team. Working on the restoration of the Rosary, an Armorial Garden, the Italian Garden and the Flower Garden that have retained strong links with their designer and visionary, Repton.
The county line between Hertfordshire and Buckinghamshire runs right through the garden, and is now marked by a puddingstone no less. Once disputed, with Buckinghamshire laying claim to more than their due, this conglomerate rock (that could be the icon of Hertfordshire), has symbolically won the day!
You can see the puddingstone’s tumbled about the entrance to the grotto and souterrein tunnel that have been constructed using this very hard conglomerate. The estate has the largest collection of puddingstone’s, possibility the largest supply in the world! How and when they are formed is a mystery, but Hertfordshire folk have never been in doubt ̶ it grows, and then gives birth to new stones. This is because stones appear out of the ground, which has given rise to the names “Growing Stone” and “Breeding Stone”.
A fitting addition to this garden.
The Italian Garden and the arbour for the Rose Garden (now framed with laburnum trees), have been restored to their original design.
What made it for me was the magnificent oak, dominating the lawn, its massive trunk and spreading limbs are just perfect. I stood and stared. Perhaps I was drawn to it because I was reminded of an oak tree in my garden when I was a child. This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to Ashridge. How will it be commemorated in 2023? I took an acorn home for my son.
Ashridge is a compelling story, made up of the majestic and the mundane. I just know I am going to go on following those loose threads and blemishes to see what they reveal.
My visit was on a Repton Garden Tour, an event in the excellent Heritage Open Days programme organised by Jenny Sherwood of the Berkhamsted Local Historical & Museum Society and led by the charming and knowledgeabe Mick Thompson, head gardener at Ashridge House. Thank you both.
I must confess that after this delightful garden tour, I still can’t remember many plant, shrub nor tree names! Apart from the oak, that really caught my eye. But that says more about me than it does Mick.
Further information on the designs and Repton’s work can be found here:
Book a table for lunch at the popular Alford Arms in nearby Frithsden.The first gin distillery in Hertfordshire, named after the iconic stone, can be found at Wilstone Reservoir, just five minutes from Tring.
Take a walk around the medieval stone quarry at Totternhoe, seven miles from Ashridge.
And if that’s not enough, further Chilterns inspiration and itineraries can be found here.
In which a childhood tale of hardship and a beating, led to a generous royal gift to a small Chilterns community from a benefactor in a far-flung British colony.
Described on TripAdvisor as ‘fresh as paint’ I was interested to see the restored Maharajah’s well in Stoke Row and discover why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.
Hang on, shouldn’t that be the other way around? Isn’t Britain usually the one dispensing largesse to the less fortunate in far-flung colonies?
Stoke Row is a fairly typical Chilterns village, situated at the southern end of the region, near Henley-on-Thames, in a cluster of villages that include Ibsden, Nuffield and Nettlebed. It’s quite hard to find, along gloomy woodland lanes, around some tight corners, that has in its foundations, chalk, flint and clay that have enabled a long history of pottery making. However, in common with Turville, there is no natural water source.
The source of this charming Chilterns story
East India Connections
The Narayan dynasty was the ruling Bhumihar family of Benares. After the disintegration of the Mughal Empire in the 18th century, the family ruled Benares as tributaries of the Nawab of Awadh and the East India Company. In 1911, Benares became a full-fledged princely state of British India, and the Narayan dynasty ruled it as British vassals until they acceded to independent India in 1948. Even today, the Kashi Naresh, the titular ruler of the dynasty, is deeply revered by the people of Benares. He is the religious head and considered the incarnation of Lord Shiva.
Local Ibsden squire, Edward Anderson Reade (1807 – 1886) had worked alongside and formed a friendship with Maharajah Shri Ishwari Prasad Narayan Singh Bahadur of Benares (1822-89), whilst working as administrator and Lieutenant Governor in the North West Provinces for the East India Company. The two men must have shared childhood stories which later were to inform the Maharajah’s decision to fund a new well, far away in a country he had never visited, but had a huge impact on his life and country, Great Britain.
101 Cherry Trees
In 1831, Edward Reade had a well sunk for a community in Azimgurgh, alongside a new mango grove. It was this generous gift and that childhood tale of dried up Chilterns village ponds, hardship and a child beaten for stealing a drink of water, that sealed the subsequent deal. In 1863, the Stoke Row well was sunk for around £40,000 in today’s money, the adjoining ‘Ishree Bagh’ was planted with 101 cherry trees and the Well Cottage built with a view to providing funds for the well’s maintenance.
I expect the village hasn’t seen anything like it, not since Queen Victoria opened the well in 1864. Until 1964 that is, when HRH the Duke of Edinburgh attended the centenary and a sample of water was drawn that can be found at the local pub apparently. Please let me know if you have any luck finding it!
The Ishree bagh, cherry orchard, feels well used as a local green space, but as an orchard, neglected. There is random planting of young cherry trees (a Chilterns heritage crop), some dead, others not sure whether to thrive or die, and some well designed childrens’ dens in amongst the trees. There are a good number of oak trees, some with legible plaques, others rusted away. Thank you Denise for the beautiful oak tree planted in your memory, the bagh is better for it.
The orchard mound is now topped with a commemorative wooden elephant ‘the Elephant & Bandstand’ to celebrate the 150th anniversary of the well.
In a neat space between the orchard and well, is the tiny brick cottage with an unfeasibly tall chimney, former home of the well keeper no less. Dwarfed by the ornate dome, a foresight as it’s visible from afar – and a nod to the Maharajah who would never see his gift, but wanting it visible all the same. Beneath the Burgundy Mughal-inspired dome, a golden elephant sits atop the shiny machinery designed and built by local agricultural engineers, Wilder of Wallingford 1863.
The shaft plunges through clay, gravel, sand, chalk sand, more chalk and finally chalk and shells before reaching the sweet water, a mere 368 feet deep – twice the height of Nelson’s column. Drawing water must have been quite a chore. It took 10 minutes for the pulley to reach the bottom and another ten minutes to reach the surface. I expect they all formed a neat and orderly queue and exchanged village news whilst waiting. The well was closed in 1939.
I love this story. It has a special resonance for me, hailing as I do from the colonies. What makes this story so extraordinary is that a former colony did what Britain usually does; dispensing largesse in the form of a royal gift, to those in need, those less fortunate. But in this case, those who where in need where the masters, the mighty British Empire. Oh, the irony!
The inscription ‘Be Not Weary in Well Doing” is a fitting epitaph for Edward’s gravestone, in the nearby Ibsden cemetery.
This Chilterns travel blog is only about the naturally outstanding Chiltern Hills. The Chilterns are not a place name you’d perhaps recognise, despite being located in the distinctive green space between London’s Metroland and Oxford. If quirky is your thing, we’ve a load more stories to tempt you.
Nearby is the modest home of William Morris, who lived at Nuffield Place and brought affordable motoring to Britain.
For further Chilterns ideas and inspiration, or to book a table at England’s first gastropub, the nearby Crooked Billet. Built in 1642, reputed to have been the hideout of highwayman Dick Turpin, which may have been due to a certain landlord’s daughter, Bess.
The local village store offers coffee and freshly made light meals.