Chilterns Trees

This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see. 

It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.

The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.

This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.

If you have any favourites, please let me know where they are and why I need to see them for myself.

In no particular order, here are my 10 favourites
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My name if ‘Morus nigra’

“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.

Location: Cliveden Estate, Taplow

The two lovers entwined
The Lovers

I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.

Location: Off the Ridgeway near Pitstone Hill

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The Princes Oak

I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn.  Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.

Location: Ashridge House

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Ivinghoe Beacon and trees of Tring Park

This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.

Location: the end of the Ridgeway

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Brightwell Barrow

This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.

Location: Wittenham Clumps

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Bluebells and crazy paving

The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.

Location: Chilterns-wide

Copper Beech
A copper beech

This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!

Location: Tring Park

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Even in winter

As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.

Location: Ivinghoe 

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Princes’s Riding in Ashridge Forest

The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.

Location: Ashridge Forest

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This Ceder  outshines an already outstanding church

The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.

Location: Clifton Hampden

A hard choice!

Growing Stones

Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story. 

Ashridge gardens are a magical place of mythical puddingstone’s, Totternhoe stone, Humphry Repton and an acorn from a queen. 

Each time I visit Ashridge, I am inspired by the stories I uncover: religious relics, sunken lanes, a landscape of contrasts, abandoned masonry, animal trails, a vineyard, the wild and the managed. All within a glorious 5,000 acres of Chilterns woodland. 

Ashridge weather vane
Fan vaulting and tracery on the ceiling of the tower, with a dial that displays the position of the weathervane on the roof.

Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story. 

Garden Design

Ashridge Gardens extend an impressive 190 acres across a reasonably flat site in an otherwise undulating and hilly landscape. Lancelot ‘Capability’ Brown designed the northern and eastern part of the gardens and famous Golden Valley. It is the gardens south of the house, originally designed by Humphry Repton (1752 -1818), in the early 19th century, that we were here to explore. In good company, Repton, William Kent and ‘Capability’ Brown share the honour of being the three most famous 18th century landscape designers and gardeners.

From 1808 to 1813 the architect James Wyatt crafted, from local Totternhoe ‘soft’ stone and lashings of flint, an Ashridge House to claim the high-point above the undulating Golden Valley and surrounding forest.

Peaceful and colourful ashridge house gardens
The peaceful gardens

The grounds to the rear of the house are dominated by the extensive lawn leading onto avenues of trees inviting you to explore further, with the promise of tantalising views of the surrounding area.

Maple tree in Ashridge House
The maple signals the change of season

On a closer look, the garden is made up of a number of smaller gardens and discrete areas, which have been the focus for Mick Thompson and his team. Working on the restoration of the Rosary, an Armorial Garden, the Italian Garden and the Flower Garden that have retained strong links with their designer and visionary, Repton.

Reptons' drawing of his rosary garden
Humphry Repton’s 1813 Rosary Drawing
Puddingstone’s

The county line between Hertfordshire and Buckinghamshire runs right through the garden, and is now marked by a puddingstone no less. Once disputed, with Buckinghamshire laying claim to more than their due, this conglomerate rock (that could be the icon of Hertfordshire), has symbolically won the day!

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A cluster of puddingstone’s marks the Souterrein

You can see the puddingstone’s tumbled about the entrance to the grotto and souterrein tunnel that have been constructed using this very hard conglomerate. The estate has the largest collection of puddingstone’s, possibility the largest supply in the world! How and when they are formed is a mystery, but Hertfordshire folk have never been in doubt  ̶  it grows, and then gives birth to new stones. This is because stones appear out of the ground, which has given rise to the names “Growing Stone” and “Breeding Stone”.

A fitting addition to this garden. 
The restored rose garden
The view of the house from the restored rose garden

The Italian Garden and the arbour for the Rose Garden (now framed with laburnum trees), have been restored to their original design.

What made it for me was the magnificent oak, dominating the lawn, its massive trunk and spreading limbs are just perfect. I stood and stared. Perhaps I was drawn to it because I was reminded of an oak tree in my garden when I was a child. This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to Ashridge. How will it be commemorated in 2023? I took an acorn home for my son. 

Oak tree planted by princess Victoria in 1823
At a mere 195 years old, the magnificent Princess Victoria oak steals the show

Ashridge is a compelling story, made up of the majestic and the mundane.  I just know I am going to go on following those loose threads and blemishes to see what they reveal. 

My visit was on a Repton Garden Tour, an event in the excellent Heritage Open Days programme organised by Jenny Sherwood of the Berkhamsted Local Historical & Museum Society and led by the charming and knowledgeabe Mick Thompson, head gardener at Ashridge House. Thank you both. 

I must confess that after this delightful garden tour, I still can’t remember many plant, shrub nor tree names! Apart from the oak, that really caught my eye. But that says more about me than it does Mick. 

Further information

Information on tours of the house and gardens can be found here. Holy relics were once big business, read about the Ashridge relics here.

Further information on the designs and Repton’s work can be found here: 

Book a table for lunch at the popular Alford Arms in nearby Frithsden. The first gin distillery in Hertfordshire, named after the iconic stone, can be found at Wilstone Reservoir, just five minutes from Tring.

Take a walk around the medieval stone quarry at Totternhoe, seven miles from Ashridge.

And if that’s not enough, further Chilterns inspiration and itineraries can be found here.

Scorched Earth is the Summer Look

We seem to have lost a month, August feels like September, then parched landscape offering up wild berries ready to pick, and the barley bales dot-dash-dotting the fields.

We seem to have lost a month, August feels like September, the parched landscape offering up an early feast of wild berries ready to feast on, and harvested barley bales dot-dot-dashing across the fields.

So neat and tidy
So neat and tidy, not a bale out of place

In years to come, we’ll be saying “oh it’s never as hot as ’18” in reference to the benchmark that once beat all heatwave benchmarks – the summer of ’76. Even that infamous summer heatwave has been trounced. I am used to the looks of pity, once I confess to not having shared this great cultural experience.

Records Tumble

Well, this year has really strained those weather conversations to the absolute limit. We’ve had the icy ‘beast from the east’ and are just stumbling and sweating our way through the hottest summer. Ever. Scorched earth is the new summer look; shades of brown, yellow, dead (apart from the weeds), hard baked, cracked earth. Whatever happened to those green fields that visitors flock from all the world to admire? Did they imagine the Chiltern prairies as their planes touched down at the start of their English country holiday?

Ivinghoe Beacon through the rain
The Chilterns prairies

We don’t show off our best side in the heat, and the national obsession has been taken to new levels; replacing the low-level grumbling that ‘it’s too wet, not wet enough, too cold, spring is too early, too late, there’s been no spring, and it’s definitely far too hot’….you get the gist.

Across the northern hemisphere, people and the land have been baking in this prolonged and extreme 2018 summer season. Minds far greater than mine will be calculating if this is what climate change looks like, with temperature extremes that bring wild fires, drought, storms, infrastructure pressures and failures, even death.

Cooling off corgi
Cooling off

The effect on the parched landscape has been dramatic. Some rivers and chalk streams have continued to flow following the long wet winter, but enough impact that has seen Crestyl Watercress farm at Sarratt closed since early June for over two months. Even the duckpond at Albury is bone dry.

The duckpond is bone dry
The duckpond at Aldbury is bone dry

The seasonal wildflowers came and went through their spring and summer palette far too quickly, with Queen Anne’s lace left to pretty much carry the can, while the rest finished up and went home early. None of those hardy slugs either, such a summer feature that do a sterling job cleaning up the countryside (and each other), are nowhere to be seen.

An early bounty

We seem to have lost a month, August feels like September, the parched landscape offering up wild berries ready to pick, and the barley bales dot-dot-dashing across the fields. In the past few weeks the emergence of the end of summer berry-bounty that festoons the hedgerows and along the pathways with blackberries, sloes, hawthorn, rose hips and elderberries ripe for picking. The blackberries are lovely, although a bit undersized. I’ll cope.

Blackberries, Sloe berries and elderberries
Blackberries, sloes and elderberries make an early show

2018 really is the summer that just keeps on giving…but I suspect we would secretly prefer those middling damp summers, green countryside and wet picnics, that means we can gently moan that a few days of summer sunshine wouldn’t go amiss!

What will the autumn have in store?

Further Information

For further inspiration on what to see and do in the naturally outstanding Chilterns or to read more summer tales, plus the wonderful story ‘A Reason to Love the Rain, which tells of what some wet weather really can do.

A Runway Runs Through It

This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

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The planes at the bottom of the garden

The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!

I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.

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Luton Airport

Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.

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Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.

Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.

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Sir John Wenlock – did he or didn’t he?

The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.

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A veritable feast for the senses

Some of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.

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A thing of beauty

I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.

This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all press in on this space. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.

I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.

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I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.

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Further Information:

Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.

Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL

Another neglected scheduled ancient Chilterns monument is Berkhamsted Castle.

For further Chilterns inspiration and ideas VisitChilterns.co.uk

Almshouses: a social history

Almshouses are a fascinating curiosity left over from an age when the poor and destitute would typically fall through the gaps as universal care as we know it, did not exist.

You find almshouses in the centre of busy towns, on high streets, beside churches or tucked away in the corner of a field, the remnants of former communities and their social needs. Typically Georgian in style, there are some Tudor, one Strawberry Hill Gothic, whilst others have had a Victorian makeover, but still include interesting features, elaborate chimneys, often with pretty cottage gardens or courtyards the perfect location for the residents to spend time in.

By definition, an almshouse is charitable housing provided to enable people to remain in their own particular community. They are often targeted at the poor, at those from certain forms of previous employment, or their widows, and are generally maintained by a charity or the trustees of a bequest. Originally formed as an extension of the church system, benefactors were not exclusive to this order however, and some where established primarily to ensure safe passage for the benefactors’ souls to make it to heaven.

Alms are, in the Christian tradition, money or services donated to support the poor and indigent. The first recorded almshouse was founded in York by King Athelstan; the oldest still in existence is the Hospital of St. Cross in Winchester, dating around 1132. In the Middle Ages, the majority of European hospitals functioned as almshouses and for those established for the benefit of the founder of their family, usually incorporated a chapel. As a result, most were regarded as chantries and were dissolved during the Reformation, under an act of 1547.

Residents no longer have to wear special items of clothing, emblems or badges that would signify where they lived, or to remind others of their benefactors’ largesse. Dwellings too have been modernised which has meant that in some instances, fewer residents can be housed with the addition of indoor plumbing for example. An impressive 2,600 almshouses continue to be operated across the UK, providing 30,000 dwellings for 36,000 people.

The Chilterns has a wonderful collection of these buildings that are still functioning as charitable associations, housing those in need and below are some that I have visited, and will add to this as I encounter more. Suggestions most welcome!

Thomas Hickman Almshouses Aylesbury
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Hickman Almshouses with their elaborate mock Tudor chimneys, Church Street
Aylesbury Old Town

Aylesbury old town centre is a crowded cluster of cottages in just a few narrow, largely car-free streets that surround the churchyard of St Mary the Virgin whose ornate clock tower dominates this skyline. Many of these dwellings are in fact almshouses, administered by the Thomas Hickman Charity. Founded in 1698, the charity works to support the people of Aylesbury and aims to benefit those in a similar state of need; an aim broadly in line with almshouse charity foundations across the country.

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Church Street Aylesbury

To say these lanes are a delightful surprise is an understatement! A pretty church square with beautiful trees and lopsided headstones are from another age surrounded by multiple terraced houses or apartments now providing accommodation for small numbers of residents.

Ewelme Almshouses

fullsizeoutput_2676William and Alice de la Pole were benefactors of the almshouses and school built in 1442. The almshouses were to consist of twelve old men, bachelors, poor and in reduced circumstances, but not from the lowest class of life. Over them was set the thirteenth man, who was to be of a ‘superior type’, a kind of head-brother to the twelve. All were to wear a habit consisting of black tabards or gowns of wool with a red cross upon the breast. Closely incorporated with the church through whose west door leads you into the pretty cloister around which the 14th century almshouses residents now live, which in turn lead into the compact school grounds that makes for a magical medieval complex.

Lady Dodd’s cottages Ellesborough

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A Grade II Listed Block of 4 almshouses in Ellesborough, formerly eight, dated 1746  Founded in 1720 by the bequest of Dame Isabella Dodd for the maintenance of 4 old men and 4 old women.  Over the road form the church, these cottages are now a private home with one of the loveliest of Chilterns views. Lady Dodd made similar bequests in Little Budworth in Cheshire and it is unclear what her connection with Ellesborough was.

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St Peter & St Paul church with Dodds cottages in the foreground
Weedon Almshouse Gardens Chesham

A Grade II Listed Building, founded in 1624 by the bequest of Thomas Weedon of Pednor, Weedon Almshouses were rebuilt in the late nineteenth century of flint rubble and red brick quoins. The four almshouses with their gables, barge-boards and chimneystacks are rarely properly enjoyed as they sit behind a high flint wall, obscured so an image is not readily available.

Sir William Drake’s Almshouse Amersham
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The dwellings are typically set around the communal courtyard

A Grade II listed property, the Drake’s almshouses were a gift to the market town of  Amersham by local bigwig, Sir William Drake who built them in 1657 ‘for the relief of 6 poor widows of good repute in the parish’. Originally six dwellings, they were converted in 1997 to provide increased accommodation and modern conveniences for four residents given them greater comfort.

John Sayer Almshouses Berkhamsted

img_2925Located on the high street in Berkhamsted, the John Sayer, chief cook to Charles II,  bequeathed £1000 in trust “for the building of an almshouse and the purchasing of lands for the relief of the poor widows in Berkhamsted St Peter”. The inscription reads: “The Guift of John Sayer Esq 1684”.

Louisa Cottages Tring

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A Grade II Listed Building located on Akeman street in Tring, opposite the quirky Natural History museum, was built to house the retired workman from the Rothschild Estate, an entity that had a huge impact on this quiet market town. This lovely row of tudoresque-styled almshouses was designed by William Huckvale and are quite a local feature, with Nos. 1-5 dated ‘1893’ and Nos. 6-8 dated ‘1901’.

For further Chilterns adventures and inspiration

Reclaiming our Castles

Nooks, brick tiles and a fireplace survive, their purpose clear, but place in amongst the lumps of stone unclear. Earthworks and a moat surround the site including an extensive embankment upon which the West Midlands railway service thunders, this place a microcosm of English history; 

Seen mostly from commuter trains, I expect this castle is one of those landmarks that is just no longer noticed. A scheduled ancient monument, the castle had a lucky escape – not from French siege engines, but from those bringing a new prosperity to the Chilterns countryside.  

My straw pole revealed a distant lack of awareness too, when asked when was the last time they had visited Berkhamsted castle? 

“Not for ages”

“Never”

“Where is it?”

Situated alongside the canal and railway in the busy market town of Berkhamsted in the northern Chilterns, the castle and it’s features seem only to emerge from the surrounding landscape if you look long and hard. The mound is covered in pretty spring flowers, the scene so benign. The elevated motte and keep, and if the badgers haven’t ripped up the turf looking for juicy earthworms, you could imagine the many wooden buildings inside a protective curtain, or bailey, offering protection to the occupants.

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Not much use now!

Nooks, brick tiles and fireplace survive, their purpose clear, but place in amongst the lumps of stone unclear. Earthworks and a moat surround the site including an extensive embankment upon which the West Midlands railway service thunders, this place a microcosm of English history; 

Anglo-Saxon backwater

Norman Invasion & Oppression

Royal entitlement & civil war

Invasion & royal prison

Decline & Vandalism

Near destruction and declaration as ancient monument

Visitor attraction

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The moat filled with spring rain
William the Conqueror

This is where William the Conqueror received the submission of the English after the Battle of Hastings and it was his half-brother, Robert of Mortain, who built a timber castle around 1070. Built in the classic Norman motte-and-bailey style, with defensive conical mound and oval bailey below, the castle formed part of the Conquerors ‘ring of steel’ around the capital (along with Wallingford and Windsor Castles to the west, and the White Tower to the east), controlling trade routes and ensuring successful subjugation of the locals. 

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Lots of stones to recycle

The castle saw action in the Middle Ages; invasion by the French, civil war and in more settled times as royal residence, but slid into a slow decline of unsuitability and by default became unfashionable. The fortunes of Berkhamsted are closely linked to its castle which, when it waned and fell into disuse in the 15th century, stone was taken and reused to build houses and buildings in the town, greatly affected by this change in its status and prosperity. It was a long wait until the arrival of the inland waterways and railway in the 19th century before the locals enjoyed a revival.

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Moody and atmospheric

Now a scheduled ancient monument, protected by law, the castle had a lucky escape. Victorian railway designers sought to build the London to Birmingham Railway directly through the site, but was saved by strong local opposition. The Act of Parliament that authorised the construction of the railway also protected the castle making it the first such property to be protected by law. We have not always so proactive in protecting our heritage however, as landowners once believed they had the absolute right to destroy their properties and the notion the state could stop someone doing whatever they wanted to their own property was seen as ridiculous at the time. That Britain’s heritage was worth preserving was a belief held by weirdos, but thankfully for us, after witnessing so much mindless destruction, MP’s and heritage pioneers became determined to act.

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Berkhamsted railway station in 1838, castle to the left and canal to the right:                           George Dodgson Callow & Edward Radclyffe (1809–1863)

Incredible to even consider now the destruction of our heritage in the name of progress. Or in the case of spite, as was the story of the infamous Reverend Francis Gastrell, one-time owner of New Place, William Shakespeare’s final home in Stratford-upon-Avon. He bought the house in 1753 but “quickly got irritated with tourists wanting to see it”, says architectural historian Gavin Stamp. Gastrell was already in the town’s bad books after chopping down a mulberry tree planted by Shakespeare, then in an extraordinary fit of spite, demolished the house in 1759. It was never rebuilt and only the foundations remain. Suffice to say he was kicked out of town!

Arial view of the site taken in the 1940's.
Arial view of the site taken in the 1940’s.                                                                  Image supplied by Britain from Above archive.

I think we need to reclaim and treasure our Chilterns’s castles; visit them, explore them, take a picnic, take your family to play dungeons and dragons, take your dog. Watch as they reflect the changing seasons through the windows of your train, and celebrate the spaces and possibilities those heritage weirdos have left for us.

A local pharmaceutical firm has donated three acres (1.2 hectares) to the new Berkhamsted Castle Trust, plus £25,000 to maintain this “national asset”, with work to “make it a coherent site again” underway.  Read more here

Further Information:

Admission is free to the site that is now managed by English Heritage.

For further Chilterns inspiration visit https://www.visitchilterns.co.uk

Read the astonishing story of a wild boy without a birth name, who was found in a German forest and adopted by a English king and came to live in nearby Northchurch.

Chenies Manor

Located in the beautiful hamlet of Chenies in the Chess Valley, Chenies Manor House was one such building project: formally home to the Russell’s, Earls of Bedford, this 15th century semi-fortified brick manor house so typifies the Chilterns.

An ode to the humble Chilterns brick.

It is the landscape that ultimately determines what is built or cultivated nearby, which industries thrive or die, or how secure a settlement is. The positioning of windmills to capture the prevailing wind and watermills to harness the power of the water are obvious examples. Not so obvious is the location of the more humble brick kiln, essential to the successful outcome of any building project. The presence of sand, clay, spring water, nearby woodland, a major road or canal all determined whether or not brick kilns were built. Even a hill made the difference with a downhill delivery of the bricks to their destination.

Chenies Manor House

Located in the beautiful hamlet of Chenies in the Chess Valley, Chenies Manor House was one such building project: formally home to the Russell’s, Earls of Bedford, this 15th century semi-fortified brick manor house so typifies the Chilterns: quietly understated, yet certain of its place in English history and tucked away down a winding country road in a place you’ve probably never heard of. It is here visitors will find several unusual architectural features including; stepped gables, a sunken Tudor garden and an unusual recreation of a turf maze popular in the medieval and Tudor period. It may have been the window taxes that have resulted in an odd south-facing south wing, which you’d have expected to look out onto the glorious garden with enormous sun-seeking windows, instead it is almost windowless.

Widespread throughout the Chilterns, brick and flint are the local vernacular building materials of choice. Whilst at Chenies, the flint is absent, the colour of the small bricks varies from lightish red, to blue and purple, to blocks of enduring deeper red, interrupted by uneven lines of grey or white mortar. Quite unlike the extravagant and fussy shapes that form the 23 striking spiral twisted trademark Tudor chimney stacks.

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In 1676, Dr Robert Plot wrote in his Natural History of Oxfordshire: ‘About Nettlebed (in the Chilterns), they make a sort of brick so very strong that whereas at most places they are unloaded by hand, I have seen these shot out of carts after a manner of stone to mend highways and yet none of these broke’. 

Further Information:
The last brick kiln in the village
An incongruous setting for the last remaining Nettlebed brick kiln.

There is one remaining 18th century brick bottle-kiln at Nettlebed.

The charming Chess valley is a wonderful place to explore the river chess, visit a pub or sample local food and drink: tastes of the Chess Valley with the last remaining watercress producer.

To enjoy another cracking example of the landscape determining the form and function of an industry, I recommend ‘Meet the Vintner with Rocks in his Pockets’.

For further information on exploring the naturally outstanding Chilterns For further information on visiting Chenies Manor

The Top Dog

Our day began in the music room in what was the former home of Eric Gill, sculptor, typeface designer and printmaker who was closely associated with the Arts and Crafts movement.

A day to discover what lies beneath, turned into an altogether unexpected musical encounter, as I headed out to spend a morning learning about the archeology that litters the floor of Pigotts Wood, an ancient Chilterns woodland.

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Near High Wycombe, Pigotts Woods is really tucked away in the Chiltern Hills, and if I hadn’t been in such a hurry to get to the course on time, would have found many distractions along the way to explore and photograph. The single lane wound its way up the hill with muntjac deer alongside the road which suddenly opens up into a sunny field with Pigotts up ahead.

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We assembled in the music room in what was the former home of Eric Gill, sculptor, typeface designer and printmaker who was closely associated with the Arts and Crafts movement. He designed one of the most famous British typefaces, Gill Sans, used in the classic design system of Penguin Books and by British Railways, with many additional styles created by Monotype both during and after Gill’s lifetime. Most famously perhaps as it was the typeface adopted by GNER for their flagship ‘Flying Scotsman’.

Now home to the Wheeler Robinson family for over 50 years, it was they who began the tradition of amateur music weekends where young musicians could tackle not only the symphonies of Beethoven, but even mounting their own Ring cycle. Our host, Nick Robinson has continued this tradition and is a relaxed, affable man who was at one with his historic home. I liked him and loved his house; full of brick-a-brack and clutter, but I am sure each musical instrument, book and painting was there for a reason and not by casual design. I wonder how much the location influences the choices made and how each member performs on those weekends?

I could instantly tell that, set around a grassy, sunny courtyard the converted barns and pretty cottages are very much lived in, relaxed in and enjoyed. We helped ourselves to mugs of tea whilst Nick told us more about his amazing house and music tradition before John from the Chiltern Woodland Project lead us off into the woods. He was determined we would master the names of  woodland flowers, recognise the manmade features – sometimes with their give-way mossy mantle, but to the untrained eye, largely unrecognisable; property boundaries, iron slag and sites where charcoal was once made, John also showed us a pillow mound – a rabbit warren for rabbit farming – and how to recognise a saw pit which are a special feature of the Chilterns woods and forests. I am especially interested in the stories associated with past trades and industry and in this case, once a heavy log had been placed over the pit and secured into place with a hook called a ‘dog’, the man who worked on top of the log was the top dog and the one beneath (having to do all the hard work I suspect), was the underdog. I was struck too, how once, absolutely everything had to be grown at home, farmed, or ingredients sourced and items made as there weren’t many middle-men or a B&Q to pop into to buy charcoal, a new shirt or the weekly groceries. If you weren’t making it yourself, in the main you got on without it.

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A day to discover what lies beneath the woodland floor, turned into more than just looking at the obvious plants and animals, it was a morning filled with stories, unexpected historical links and folklore, all from such an unassuming hillside location. We returned to the house to enjoy my first picnic of the season as the weather was so warm and Nick had a huge pot of homemade vegetable soup and stories waiting for us, including the infamous tale of the black bath . But that is a story for another time.

This is what I love best about the Chilterns it that you set off thinking you will be doing one thing when in fact something quite different and delightful comes along. It’s such a cliche I know, but Pigotts really is a hidden gem, and my walks in the woods made more enjoyable as I test out my new-found wood-lore!

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There are many paths through Pigotts Wood, and you can look out for the crucifix that Eric Gill designed which was carved by Donald Potter. It was nailed to a small beech tree in the Wood which Gill owned. He is said to have taken his daily constitutional to the Crucifix Tree where he read his rosary. Was that redemption he was seeking?

To find out more about the naturally outstanding Chilterns, head over to our sister website www.VisitChilterns.co.uk