This post is my celebration of some of the many Chilterns trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
It is tempting to go for the big hitters in the forests, the sentinel trees, the obviously ancient, even those that have starred in Harry Potter movies.
The Chilterns are synonymous with ancient woodlands, acres of forest, avenues of stately trees, big trees, growing trees, intriguing trees, memorial trees, even fallen trees.
This post is my celebration of some of the many trees I have encountered on my travels. Trees that have left an impression on me. Some I enjoy frequently as I go about my day, others not as much. More I am hoping to see.
If you have any favourites, please let me know where they are and why I need to see them for myself.
In no particular order, here are my 10 favourites
My name if ‘Morus nigra’
“My name is Morus nigra, and I am very old. Please do not climb on me”. Silk worms eat the soft leaves of Morus alba but have no appetite for the leathery leaves of Morus nigra, the variety that produces such delicious black mulberries. So delicious in fact, visitors to Cliveden swear they have been nowhere near the tree through lips smeared with its delicious crimson juices.
I often pass these entwined trees on a walk near Pitstone Hill. They have grown together so gracefully, their embrace quickens the heart.
Location: Off the Ridgeway near Pitstone Hill
The Princes Oak
I stood and stared at a tree that just knows how special it is, with outstretched boughs that dominate the expanse of Ashridge House lawn. Perhaps I was drawn to it because I was reminded of an oak tree in my childhood garden? This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to the estate. I took an acorn home for my son.
This is a view familiar to those living within at least 10 miles of Ivinghoe Beacon with the lone tree on the steep north western slope. It’s a ‘watch tree’ with enviable views across the Vale and surrounding countryside, and a symbol for the Iron Age hill fort that once stood atop this hill. I see it almost every day.
Location: the end of the Ridgeway
Brightwell Barrow
This lone hilltop barrow is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon, naturally. I understand why Paul Nash painted it as much as he did. He would still recognise it today.
The seasonal spectacle that are the spring bluebells draw locals and visitors to the woods each April or May. It is easy to avoid the busy spots and sea of selfie-sticks to find a quiet woodland, which is where I noticed these unusual patterns on the exposed tree bark.
Location: Chilterns-wide
A copper beech
This is a statement tree. It stands out on the general slopes of Tring Park and I will confess to this tree being my favourite (I have included it in my logo). I visit often with Leo, he lifts his leg at the base and I stand back and enjoy the swoosh and colour blur of the leaves in the wind!
Location: Tring Park
Even in winter
As ragged and cold as that day was, the skeletal trees dotted between me, Pitstone Windmill and Ivinghoe Beacon in the distance, define the contours and add interest to what would otherwise be a bleak view.
The Chilterns does grand tree-lined avenues very well. The lime avenue in Tring park, the lime avenue at Cliveden and this formal avenue of beech and oak trees link the Bridgewater Monument and Ashridge House. This popular avenue looks splendid throughout the year, and when there is not quite so much mud, quiet time with your back to a knobbly tree trunk is a pleasant way to waste away an hour or two.
This Ceder outshines an already outstanding church
The pretty village of Clifton Hampden is stuffed with thatched cottages, a pretty riverside with an impressive bridge, and a church with this graceful 152-year old cedar tree, grown from seed by the local vicar. The day I visited, the cyclamen were putting on a good show. I expect the same spot dazzles with snowdrops in the spring.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.
I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.
Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.
Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.
Capturing Landscapes
Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.
He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.
Ivinghoe Beacon and its distinctive chalk trails leading up to the site of the Iron Age hill fort
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.
Not that much has changed
I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.
The Church of St Michael and All Angels at Clifton Hampden
From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.
The view across to Dorchester Abbey
There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.
Round Hill where you will find declarations of love
A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.
Christopher points out Brightwell Barrow
Brightwell Barrow from the Clumps
Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?
Robert reads a dull poem
I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.
My Knight in Shining Armour
Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.
A Ceder grown from a seed planted in 1866.
What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.
Under the flagstones
The People’s Chapel
The magnificent alter
The wedding guests
I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!
Although he cannot be identified with certainty, it seems most likely that this knight is William de Valance the Younger (died 1282)
Expect the Unexpected
Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.
Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.
Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.
Further information
This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.
We seem to have lost a month, August feels like September, then parched landscape offering up wild berries ready to pick, and the barley bales dot-dash-dotting the fields.
We seem to have lost a month, August feels like September, the parched landscape offering up an early feast of wild berries ready to feast on, and harvested barley bales dot-dot-dashing across the fields.
So neat and tidy, not a bale out of place
In years to come, we’ll be saying “oh it’s never as hot as ’18” in reference to the benchmark that once beat all heatwave benchmarks – the summer of ’76. Even that infamous summer heatwave has been trounced. I am used to the looks of pity, once I confess to not having shared this great cultural experience.
Records Tumble
Well, this year has really strained those weather conversations to the absolute limit. We’ve had the icy ‘beast from the east’ and are just stumbling and sweating our way through the hottest summer. Ever. Scorched earth is the new summer look; shades of brown, yellow, dead (apart from the weeds), hard baked, cracked earth. Whatever happened to those green fields that visitors flock from all the world to admire? Did they imagine the Chiltern prairies as their planes touched down at the start of their English country holiday?
The Chilterns prairies
We don’t show off our best side in the heat, and the national obsession has been taken to new levels; replacing the low-level grumbling that ‘it’s too wet, not wet enough, too cold, spring is too early, too late, there’s been no spring, and it’s definitely far too hot’….you get the gist.
Across the northern hemisphere, people and the land have been baking in this prolonged and extreme 2018 summer season. Minds far greater than mine will be calculating if this is what climate change looks like, with temperature extremes that bring wild fires, drought, storms, infrastructure pressures and failures, even death.
Cooling off
The effect on the parched landscape has been dramatic. Some rivers and chalk streams have continued to flow following the long wet winter, but enough impact that has seen Crestyl Watercress farm at Sarratt closed since early June for over two months. Even the duckpond at Albury is bone dry.
The duckpond at Aldbury is bone dry
The seasonal wildflowers came and went through their spring and summer palette far too quickly, with Queen Anne’s lace left to pretty much carry the can, while the rest finished up and went home early. None of those hardy slugs either, such a summer feature that do a sterling job cleaning up the countryside (and each other), are nowhere to be seen.
An early bounty
We seem to have lost a month, August feels like September, the parched landscape offering up wild berries ready to pick, and the barley bales dot-dot-dashing across the fields. In the past few weeks the emergence of the end of summer berry-bounty that festoons the hedgerows and along the pathways with blackberries, sloes, hawthorn, rose hips and elderberries ripe for picking. The blackberries are lovely, although a bit undersized. I’ll cope.
Blackberries, sloes and elderberries make an early show
2018 really is the summer that just keeps on giving…but I suspect we would secretly prefer those middling damp summers, green countryside and wet picnics, that means we can gently moan that a few days of summer sunshine wouldn’t go amiss!
This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
The planes at the bottom of the garden
The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!
I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.
Luton Airport
Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.
Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.
Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.
Sir John Wenlock – did he or didn’t he?
The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.
A veritable feast for the senses
Some of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.
A thing of beauty
I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.
This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.
This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all press in on this space. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.
I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.
I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.
Further Information:
Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.
Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL
Another neglected scheduled ancient Chilterns monument is Berkhamsted Castle.
The 300-year old Lacey Green Windmill stands on the escarpment of the Chiltern Hills, near Princes Risborough, and is possibly the most famous for being England’s oldest smock mill.
Landscape plays a huge role in determining the form and function of buildings, not least windmills. The reasons they were built may be long gone, in street names for example, or how some mills still command the landscape, the location purposefully chosen for exposure to the elements.
The huge Lacey Green sails still turn
Local Landscape
The Chilterns are particularly well endowed with mills situated near inland waterways, in busy market towns or on a windy bluff that once provided particular services to local communities that farmed grains to be milled or silk to be spun. Many are now only remembered in archives, others have found new purpose and functions as homes and offices, whilst the best have been lovingly and painstakingly restored by enthusiastic volunteers and can be visited at certain times of the year, not least of all during National Mills weekend that takes place during May each year.
The 300-year old Lacey Green Windmill stands on the escarpment of the Chiltern Hills, near Princes Risborough, and is possibly the most famous for being England’s oldest smock mill, with wooden machinery dating from around 1650. Originally built at Chesham it was moved the 24 miles to Lacey Green in 1821 by order of the Duke of Buckingham. Why I wonder? Following years of service in the Steel, Woods and Cheshire milling families, it was used as a holiday cottage, Home Guard lookout post and finally a shop before being left to slowly crumble and fall into a perilous state.
From 1971 however, it has been restored to working order by members of the Chiltern Society. Now mills are complicated things; full of cogs, wheels, pulleys, chutes, bins, caps and sails, and there’s absolutely no point in my laboured writing trying to explain how it all works – best to visit and have someone who knows all about them tell you first hand. We enjoyed eves-dropping on those conversations, but too often of a technical nature, we were happy to marvel at the skilled workmanship that it took to design, build, work in and then restore such a engineering marvel.
Tools and tackle left behind by those who once worked on the site
Further Information:
The mills of the Chilterns are an iconic landscape feature, and I find myself spotting them as I travel around the region; Tring, Cobstone, Pitstone and Cholesbury windmills, Redbournbury, Pann and Ford End watermill’s.
The way-marked circular 134-mile Chiltern Way trail passes through Loosley Row and Lacey Green, and takes in the nearby Whiteleaf chalk cross, mysteriously etched into the hillside above Princes Risborough. Surrounded by Stone Age Barrows, it’s a lovely spot for a picnic with far-reaching Vale of Aylesbury views to be enjoyed.
Lacey Green windmill is open only thanks to volunteers, so please check the website before planning your visit. Access is along a track beside the Whip Inn on the high street. Check out the Chilterns website too, as there is a lot else to explore nearby.
“Peter, the Wild Man from Hanover. Whoever will bring him to Mr Fenn at Berkhamsted, Hertfordshire, shall be paid for their trouble’.
Why are some people remembered whilst countless others never will be? Is it noble birth or notoriety? Or do memories attach themselves along the often invisible threads that bind and weave together the history and stories of the Chilterns, making it the special place it is today? It is after all, the people and places who shape and are shaped by their location that determine its history.
This is the second instalment of the fascinating story of Peter, one time resident of Northchurch who lived until he was around 70 years, but the label ‘Wild Boy’ has stuck. You can read about his life in this earlier blog post, and following a visit to Berkhamsted School, what I found there warrants further telling of his story.
Typically, historical events are remembered, celebrated even, by those on the winning side, so why, I wonder is Peter still remembered? His whole life was tenuous, he had no connections, no skills, no way to communicate, no family nor children and he lived by his wits and kindness of strangers. When he was found as a boy, it is said that the only remnants of a ‘civilised’ life where the remains of his shirt collar, which ironically, it is now a collar by which he best remembered: the collar that was crafted for him to wear to ensure that if he wandered off, he would be returned to his home at Fenn Farm.
I was surprised at how small the collar is, and don’t believe it was worn by Peter as an adult. Perhaps as a man, his wondering days were behind him?
The label on the right is roughly the size of a business card, so gives you idea of the collars size. With permission from Berkhamsted School
“Peter, the Wild Man from Hanover. Whoever will bring him to Mr Fenn at Berkhamsted, Hertfordshire, shall be paid for their trouble’. I believe one shilling was the reward.
By our values, this may seem cruel to put a collar on a human, but to me, it must have been an act of kindness and concern for his safekeeping, especially after his epic 100-mile solo adventure to Norwich, where after being jailed, it took some time to return him home to Northchurch. It was because of his wonderings that the king was petitioned for an increase in the £30 annual pension granted for the maintenance of Peter, in view of the expense of advertising for and organising his return when he wandered far from home. It is not recorded if the petition was successful. The Crown paid Peter’s pension until his death in 1785.
The Petition by James Fenn c.1752. With permission from Berkhamsted School
How the collar has even survived 233 years is also a mystery. Hanging for years on the wall of a house in Northchurch, then it was back and forth between the Bridgewater family at Ashridge House, the Northchurch Society and then to Berkhamsted school. There are many letters in the archive to document its transfer, and the cost to insure the collar was a sticking point. Insured for £1,000 by the Northchurch Society in 1981, the annual premium at £15 became too much. “There are so many dates thrown into the mix, I don’t suppose we’ll ever know the reason it left the farm where Peter lived” explained Lesley, “or how long it was kept at Ashridge House and elsewhere. Time travel would be grand in my job!”
Peter was five feet two inches tall and apart from the webbing between two of his fingers, there was nothing to indicate that he suffered from the rare genetic disorder known as Pitt-Hopkins Syndrome. I love that a wax effigy was made of him that would be viewed in a wax museum on the Strand in London – pre Marie Tussaud’s as she only set up her first permanent waxworks in 1835.
By permission of Berkhamsted School
It is not clear exactly how the collar ended up in the school archive along with the above mentioned petition and other items, but it could have been as a result of the Brownlow family estate being broken up and the items given to the school for safe custody.
Peter’s collar returned to the Royal court for a year in 2014 when it was loaned to Kensington Palace to be included in their ‘Glorious George’s Exhibition’ and Lucy Worsley, historian, broadcaster and curator took a keen interest in Peter and visited the school and his grave site at St Mary’s church. I expect there was pressure to keep the artefact at the Palace, but am delighted it is back where it belongs, in the Chilterns.
It is thanks to those at the bottom of the pile, who should be given just as much airtime as those at the top, for it is the former upon whom the latter builds power and status, but that doesn’t make their contribution any less. This is a unique story, of a man who survived against the odds, and it was this notoriety that has ensured his memory is alive and well. To those who still leave flowers on Peter’s grave, I salute you!
Keeping the tradition alive! By permission of Berkhamsted School
I would like to thank Lesley Koulouris, archivist at Berkhamsted School who was very generous with her time and vast knowledge and who gave permission to reproduce these items included above.
Berkhamsted school is to the rear of St Peter’s Church, on Castle street, Berkhamsted.
Berkhamsted school participates in the Heritage Open Days festival in September each year, and the school opens the chapel and ‘Old Hall’, both worth exploring.
In places the original iron fence has been replaced by wood, then barbed wire simply rolled over the gaps that will keep everything out. Or in. The contrast between the carefully managed fields and the disarray and upheaval behind me couldn’t be greater. The former almost lifeless, the latter bursting with life.
I love the wide open winter vistas that reveal unexpected views and spaces, the shadows long, and a raw winter wind causes the bare tree tops to clatter and scratch against one another, loud on the otherwise still hillside.
The younger trees sway about like drunk patrons, crashing into one another
What looked like the aftermath of a great disturbance with piles of flint, up-ended trees, mounds of excavated chalk and the biggest wall of roots I’d ever seen awaited us as we headed off-piste to follow the animal trails that branch off the well-trodden Ashridge Forest Sunday paths. The Ashridge estate is huge, with over 5,000 acres of woodlands and the many visitors tending to huddle near the toilets, cafe and carpark, the chances are always good you’ll have the other 4,999 acres pretty much to yourself.
Heading downhill through the trees, it’s only as the track became even narrower and I have to watch where I am walking, that I notice the toppled trees interspersed with tightly-packed new growth, enjoying a few years of space before they are muscled out. These upended beeches, all pointing uphill, whilst the oaks, needing space have jumped the fence and taken root in the field alongside.
The oaks need space to stretch and breath
This scene of furious activity by nature’s hand, not human, looks surreal; big pieces of scattered flint, stones, numerous piles of chalk excavated by badgers as they enlarge their extensive hillside homes, even trees turning to dust. The leaf litter is still thick, and covers ankle-twisting holes and rocks, and still the barely visible track leads on along the edge of the tree line, very straight, there is no mistaking the intention of this boundary. In places the original iron fence has been replaced by wood, then barbed wire simply rolled over the gaps that will keep everything out. Or in. The contrast between the carefully managed fields and the disarray and upheaval behind me couldn’t be greater. The former almost lifeless, the latter bursting with life.
A mound of excavated chalk, stones and flint mark the entrance to a den
Wide open winter vistas revealing the unexpected view back down the valley rising up to Wiggington and Wendover. This seasonal sight will close up, like a theatre curtain draws over the view as the trees spring back into life. A crow hangs lazily on the wind.
The dog is spooked by something, so scrambles onto a log, growling and begins to bark. Having dull senses, I cannot hear nor smell as he can, when suddenly, the hillside comes alive as a small herd of deer crash through the trees, in flight from an excited barking dog, The deer however, have the upper hand, they know all the tracks and escape routes and they sweep past us, twice. I bet they know this is a Sunday morning, their least favourite day of the week!
Next up on the weirdness scale, a wall of roots and stones, at least 10 foot in circumference, that shields a well-trampled clearing, a good spot for the deer? What forces were at work to upend such a large tree, revealing this stoney underworld apron?
The aerated soil is crunchy underfoot, a mix of pebbles, beechnuts, and twigs. We pass a large saw pit, criss-crossed with bike tracks as we follow a well-used single track uphill. The vegetation on this sunny slope quickly changes from the stark to timid signs of the first primroses and what will be another grand display of bluebells in April or May, as their tiny leaves break through the leaf cover.
Do trees only fall uphill? From my unscientific study, I’d say yes they do. However, I was delighted to see that here and there, rebel trees had thrown themselves onto the fence downhill, in some places crushing it flat beneath their weight. Result!
The one that got away!
Voices carry on the wind and I know it’s time to head home.
Get to know the ghosts, they have a story to tell.
Up and down the land, there are ‘something for everyone’ high streets, towns, heritage parks, historic houses, districts and destinations.
What if you could tell your community and networks the story of your local area? As interpreted by you? Seen through your eyes? The only rules are the celebration of the magnificent and mundane, remembering that what is incidental detail to you, will be new and refreshing to someone else. It’s what sets a place apart from all the rest, it helps customers make decisions about where to visit as your location becomes distinctive and intriguing.
I have put together my first A to Z of the Chilterns, which wasn’t easy, there is simply too much information to include.
A is for Amersham Museum, Aldbury Nowers and the Adonis Blue..
B is for bodgers, bluebells and Bledlow Cross…
C is for Chenies Manor, chalk, castles and Chequers
This will, without a doubt, change and evolve, as I add more columns, fill it with images and the names of things still to be discovered.
I have plans for posters.
Why not give it a go? If you do, please let me know as would love to share it.
