During the COVID-19 crisis, micro walks are the perfect excuse to discover my sense of place here in the naturally outstanding Chilterns. My home.
During this unprecedented global event and resulting nationwide lockdown, we can’t venture far for our daily exercise. It means we have to stay local, go out with family or maximum of two, and to not use our cars.
It is the perfect excuse to take a look at my local area with new eyes – eyes down.
Bird song has quickly filled the space where once cars, planes and trains dominated. When there is silence, it is eerie. But this new normal quickly grows on me as my ears become attuned to the sounds that must always have been there. Unnoticed as I travelled about in my car, sealed from the outside world. Not now in the mindset for seeking the big sky view, or what’s over the next hill, I am forced to retrace my steps along familiar dog-walking paths; noticing now how much growth can be achieved in a few sunny days, way-markers and oddball signs, a mantrap on a church wall, the source of our local river gurgling loudly in the corner of a field, learning the names of flourishing woodland plants, a vocal robin claiming territory, tracks in the mud, blackbirds at dawn, skylarks at midday or a yellowhammer in the evening. All of them are what makes the Chilterns unique.
I have recorded most of my walks in the glorious spring sunshine and have included where I can, sound. All on my iPhone. I can’t capture animals however, they move!
Each walk is in and around Ivinghoe and surrounding Chilterns countryside.
What an absolute pleasure this is. It gives my walks new purpose and a chance to capture the minutia, the detail that makes a place special. I have shared these with my friends and family who I hope have enjoyed seeing their neighbourhood afresh. To encourage them to look out for some of what I have enjoyed. They have all commented on how loud the birdsong is: “have I used special equipment? Have I got really close to the birds..?” No I haven’t. The birds need no amplification, not least of all as it’s peak breeding season, so they are busy protecting territory and feeding their young. We only need ears to hear them and to listen to their calls. And a phone with a microphone.
Try it, you won’t be disappointed!
Of huge concern are my friends and colleagues in the tourism industry who together face huge uncertainty and potential mass business closure. To date, there is no end in sight for when we will all be able to move and travel in the way we were accustomed. Indeed, we may have to find new ways of travelling and visiting destinations. What we shouldn’t forget, is what is on our doorsteps and the sheer joy walking out into the naturally outstanding Chilterns countryside can bring.
The Chilterns has its fair share of ghosts; headless horsemen, a ghost who packs guests’ suitcases, others who like a drink at the bar, another who will pinch your bum, green men, shadowy figures loitering in places unexpected, a mummified hand, a request for help from a disembodied voice are all enough to get you heading for the hills this halloween!
The eve of All Saints’ Day
Love it, or loathe it, Halloween has a long history. Despite the horrors of what has recently been imported from across the pond, Halloween is believed to have originated from the ancient Celtic festival of Samhain. It is the eve of All Saints’ Day, when ghosts and spirits are abroad.
I have braved the paranormal to share my top 10 Halloween Chilterns creepies.
There are traces of the English Civil War across the Chilterns, and in the car park at the Royal Standard pub in Beaconsfield, the sound of a beating drum is heard. It is the drummer boy, who in 1643 was one of 12 cavaliers executed outside the pub.
According to legend, pasqueflowers spring from the blood of Viking Warriors and grow upon their graves.
A monk is said to walk the very spooky Roman Road that leads up the hill away from Frithsden, skirting the former boundary of Ashridge House, once a monastery and reliquary of relics.
This list has to include a bishop, but not one perhaps that is dressed as a gamekeeper! He approaches people in the graveyard of St Bartholomew Fingest, to ask for ‘a favour’ and then vanishes.
A mummified hand that possessed powerful healing properties, performing miracle cures throughout the twelfth century is kept in a glass box at St Peter’s Church in Marlow. Found sealed in a wall, this relic is believed to be the hand of the Apostle James, one of Jesus’ closest disciples, who was martyred in AD44 by King Herod.
In a sleepy English village, you might discover the Dinton Hermit, a heady mix of local legend, the shadow of a ghost, and royal executioner.
Stand and deliver, your money or your life!
A small white headstone makes the approximate place of the last execution of a highwayman, Robert Snooks in 1802. The headstone can be seen from the busy A41 at Boxmoor. It is thought that thousands flocked to see the hanging. It must have been quite an event, especially when his body was dug up the following day, placed in a coffin (provided by the generous residents of Hemel Hempstead), and unceremoniously re-interred on the moor.
Sticking with highway bandits, Katherine Ferrers led a double life as heiress and all round gentlewomen. She was also known as the ‘wicked lady”, who terrorised the county of Hertfordshire in the 17th century with her partner Ralph Chaplin. She died from gunshots wounds sustained during a botched robbery but made it home to Markyate Cell, where she died. Today, you’ll find her abroad in the manor and local village of Markyate.
Hellfire and damnation
The intrepid journalist, poet and broadcaster, John Betjeman ventured deep into the Chiltern Hills to evoke the ghosts of satanic monks. The legendary Knights of St Francis of Wycombe, better known as the Hellfire Club, are the focus of this charming edition of the 26-part 19 1955 ‘Discovering Britain with John Betjeman’.
In a town with so many old houses, Amersham ghost stories are rife. Reputed hauntings range from Raans Farm over to Woodrow and spread out along the A413 from The Chequers Inn to Shardeloes. But perhaps the most poignant is the story of a group of Amersham townsfolk that were burnt at the stake for holding unorthodox religious beliefs. For centuries afterwards it was said that nothing would grow on the site of the fire. Take a walk up the hill to visit the memorial.
No Halloween is complete without a witch’s curse. There is massive ancient beech on Whipsnade Heath with a connection to the infamous Dunstable Witch, Elizabeth Pratt. Or so the legend goes. She was accused in 1667 of bewitching two children, who upon seeing her, became ill with a ‘strange distemper’, and died, screaming that they had been murdered. Elizabeth was tried as a witch and burned at the stake, her fate immortalised in a poem by Alfred Wire.
“Thus the churchyard goes to ruin Graves and fences getting worse: Everyone devoutly wishing Not to free the bottled curse.”
The Bottled Curse by Alfred Wire.
There’s plenty more where these came from, but perhaps you have met some of these characters, or have your own stories to tell?
This tale is full of contradiction, cruelty and the absurd; of a young ‘fanciful child of nature’ bought by a showman to exhibit to the public until his death and lavish funeral in a shared vault in a church in Marlow.
Two weathered headstones bolted together in the All Saints Church cemetery in Marlow, are poignant evidence of a tragic tale of a mysterious so-called ‘Spotted Boy’ sold to be put on show for the paying public to gawp at.
Intrigued to hear of the “Beautiful Spotted Boy of Marlow”, I arranged to meet Mike Hyde, volunteer and chair of the Marlow Museum. This is the place to go for all things Marlow, and their current Travellers’ Tales exhibition includes the fascinating stories of four historical people with local connections; Kate Marsden, explorer, writer and nursing heroine, Sir Robert Hart, British diplomat and official in the Qing Chinese government, King Zog, exiled King of Albania and George Alexander Gratton, aka “the spotted boy”. It is the last on this list that I am writing about, the others are no less interesting, but for very different reasons.
The spiritual home of rowing, Marlow is a well-heeled market town straddling the River Thames, east of Henley-upon-Thames and west of Cookham in the central Chilterns. Once a centre for lace making and timber, renowned these days for the many excellent restaurants and places to while away a few hours along the graceful Georgian high street, it is perhaps the combination of All Saints church spire and the William Tierney Clark-designed bridge that Marlow is most remembered. Modelled on similar designs to both the Hammersmith Bridge in London and the Széchenyi Chain Bridge spanning the Danube, this is its statement feature.
Marlow is a town that keeps its stories close
This is the tragic story of a young boy born on July 24th 1808 on a sugarcane plantation on the island of St Vincent and the Grenadines, where it was customary for slaves to be given the family name of their owner or overseer: in this case, Mr Gratton was the overseer and the plantation owner was a Mr Alexander. King George lll was on the throne, so it’s my guess that would account for the boy’s first name. According to an 1819 edition of the Literary Journal, as a baby, George was shown in the capital Kingstown “at the price a dollar each person” before he was sent to Bristol. At the tender age of 15 months. Facts are hard to verify as it’s not known if he was accompanied by his parents, the circumstances of his sale and passage abroad the ship ‘Friends of Emma’ to England, and who in fact benefited from the 1,000 guineas that John Richardson, showman, paid for the boy. Richardson, formerly a farm labourer from Marlow, had left town to make his fortune running fairs and sideshows, typically earning as much as £1,200 in just three days.
The reason the toddler was of interest to the showman? George suffered from a condition known today as Vitiligo. This a long-term skin condition is characterised by patches of the skin losing their pigment and becoming white. It is more noticeable in people of colour.
Three murders and a ghost
One such fair is described so vividly by Charles Dickens in his ‘Sketches by Boz’ published in 1836: ‘Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes. The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. ”
Richardson bought the boy to add to this travelling horror show, where he was advertised as ‘a fanciful child of nature, formed in her most playful mood’. He was exhibited during the intervals of plays and other entertainments, sometimes for upwards of 12 hours a day. Venues included the famous Bartholomew’s Fair in Smithfield, London.
Contradiction and the absurd
Two weathered headstones bolted together in the cemetery of All Saints Church in Marlow are poignant evidence of a tragic tale of a young boy purchased for 1,000 guineas to be put on show.
This tale is full of contradiction, cruelty and the absurd as it is said that the childless Richardson formed a bond with the boy, he even had him baptised George Alexander Gratton and brought to Marlow where he lived as his son. Around five years of age, on February 3rd 1813, his brief life came to an end, with all manner of speculation to the cause of death. Richardson was alleged to have kept the body for fear it would be stolen, until he could be interred in a brick vault in the cemetery at All Saints with a funeral it is said, full of pomp and circumstance. Before Richardson died in 1837, he requested he be buried in the same vault, with the two back-to-back headstones bolted together.
Mike Hyde shared this verse from the now weathered epitaph:
“Should this plain simple tomb attract thine eye
Stranger, as thoughtfully thou passest by,
Know that there lies beneath this humble stone
A child of colour, haply not thine own,
His parents, born of Afric’s sunburnt race,
Tho’ white and black where blended in his face,
To Britain brought, which made his parents free,
And showed the world great nature’s prodigy.”
Upon entering the impressive church, filled with winter sunshine, the experience was marred by a loud mobile conversation on an iPhone from a visitor doing a sweep of the church. Had to tick this sight off the bucket list, and was oblivious to the oil painting that Richardson had donated to the church. Over time, it fell into a state of disrepair and was restored about 10 years ago. It now hangs near a small display at the back of the church. Above the toilet door. Unnoticed.
I think it only right we show George the dignity he deserves and identify him by his given name, not his ‘circus name.’ We don’t after all know his birth name, nor who his parents where. We know very little about him. It is a difficult tale to digest and tell here, not least of all with the grotesque and offensive 19th century attitudes and some insensitive use of contemporary language. I am of course viewing this sorry tale through the prism of 2018 enlightenment and my experience as a mother; I can’t help but not feel the tremendous sadness and subsequent loss at their parting – did she know what happened to her son? His agony at not being with his parents. So far from home, paraded around town with Richardson, put on display for upwards of 12 hours at a time, what life was this for any child to have to endure? Perhaps his early passing was a blessing and a relief for him to find some peace.
Sadly, there is no indication of where these graves are. I wondered if we, the community, can begin to afford George the dignity in his memory, that he did not have during his brief, tragic life and place flowers on his grave, as is still done for another of the Chilterns prodigal son’s – on Peter the Wild Boy’s grave in Northchurch, near Berkhamsted.
How wonderful then that the Marlow Museum has included George’s forgotten story in the Travellers’ Tales exhibition, I recommend you visit and find out more. They are also working with the Saint Vincent & The Grenadines 2nd Generation (SV2G) on a Heritage Lottery-funded project that seeks to uncover connections between Marlow and High Wycombe to deliver a new programme of Vincentian heritage events to commemorate the tragic life of this young boy, believed to be one of the earliest (if not the first) recored Vincentian’s in Britain. I am looking forward to finding out more about these links and the communities that have made their home in the Chilterns.
Travellers’ Tales with Marlow connections is on at the Marlow Museum. Find out more about All Saints Church and perhaps if you visit, ask where the grave is, as I couldn’t find it.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work.
I got more than I bargained for when I visited the Wittenham Clumps, a favourite haunt of Paul Nash. I discovered not only inspirational countryside, but my knight in shining armour.
Paul Nash (1889 – 1946) was a British surrealist painter, photographer and official war artist who captured with great skill, both the timelessness and serenity of the English landscape, that was in total contrast to the iconic images of turmoil and destruction he painted during both World Wars.
Much has been written about Paul Nash and his younger brother John, and it is outside my skill set to provide a narrative of his great works. What I will share with you are some of the locations that inspired him and have in turn, come to inspire me. I have no copyright permission to reproduce any of his paintings here, so have included links to websites where you can see examples of his work below.
Paul Nash was born in London, and grew up in Iver Heath in south Buckinghamshire. Thankfully for us, he didn’t take to figure drawing and was able to concentrate on capturing his landscapes with preferred elements of ancient history. Something Buckinghamshire and the Chilterns have in abundance including; burial mounds, barrows and brooding Iron Age hill forts. He had to travel to the coast for the glorious seascapes and Wiltshire for the standing stones at Avebury amongst other locations.
He came to my attention when I first began to write about the Chilterns and have been captivated by his painting of Ivinghoe Beacon, somewhere I have photographed many times during my walks along the now familiar chalk paths and trails.
That Nash had a close relationship with his subject matter is clear; he paints with clarity, scenes and items that are often overlooked as ordinary. Or plain and everyday. He has revealed how a clump of trees on a hillside says so much about ourselves. But therein lies the astonishing skill and beauty in his work. He captures these timeless landscapes that wouldn’t be unfamiliar to those communities who have lived and worked in and around them over the centuries.
Not that much has changed
I joined artist Christopher Baines on one of his Nash Walks to the Wittenham Clumps, the site of an iron age hill fort on the Sinodun Hills, 18 miles west of Wallingford in south Oxfordshire. Chosen for security and dominance, the two Clumps are marooned in a sea of Thames Valley loveliness. Round Hill is the taller of the Clumps, and Castle Hill the site of the hill fort. Each is topped by a grove of trees, the lower of the two enclosed by an earth ditch and engineered embankment. The Clumps are surrounded by pretty villages, towers, Dorchester Abbey, manor houses, water meadows and the River Thames. Christopher told us that the Abbey contains an unusual treasure, but more of that later.
From the top, we enjoyed far-reaching views over the River Thames, towards the Chiltern Hills to the north east, westward to south Oxfordshire and south to the Berkshire downs. The view was described by Paul Nash as “a beautiful legendary country haunted by old gods long forgotten”.
There is a great wind up here, excellent for kites, the natural and man-made varieties, and model planes too, being flown.
A third hill, Brightwell Barrow below, is just off to the south-east. This lone hilltop barrow I think is a wonderful, mysterious place. There are plenty of stories and local legends of Roman villas and disinterred graves, all under a full moon I expect. I can understand why Nash painted it as much as he did. He would still recognise it too.
Christopher points out Brightwell Barrow
Brightwell Barrow from the Clumps
Nash believed that trees have their own personalities. The devastated trees he painted, that were blasted to shattered stumps, to him represented the fallen soldiers of the Great War. The trees on the Clumps are not without their stories and quirks too. Christopher showed us the initialled tree trunks on Round Hill that reminded me of the similar declarations of love on Sharpenhoe Clappers in the northern Chilterns. Another wooded hilltop that still draws people today. I can’t help but wonder if the lovers are still in love?
I have commented many times throughout this blog about the extent of Victorian Vandalism, evident in so many Chilterns churches, where earlier treasures where either ripped out or covered up to suit a more modern taste. Here was another example: local man Joseph Tubb, who infamously worked over the course of two weeks in the summer of 1844, and scratched onto a beech trunk his uninspiring 20-line earthly musings. The ‘Poem Tree” as it become known, recently collapsed into a pile of decay, but sadly for us, his poem lives on in the little monument nearby. If you want to read what it says, you’ll have to climb the Clumps.
My Knight in Shining Armour
Inspired by Christopher revealing the many threads that link Nash with what I had seen, I set off on to find a knight in shining armour. On my way to Dorchester Abbey, I stopped at some of the villages I had seen from the Clumps including; Long Wittenham with its pretty cottages, Clifton Hampden which is stuffed with even more thatched cottages and a church with an impressive 152-year old cedar tree, before parking at the edge of Dorchester-upon-Thames to walk the pretty high street.
What an amazing Abbey! Unexpected, grand in scale, but not grand in nature. Busy with a large wedding, the guests waited to greet the bride’s family before flowing outside, relaxed and talkative, to wave off the bride and groom in a gorgeous vintage Rolls Royce.
The People’s Chapel
The wedding guests
The magnificent alter
Under the flagstones
I was there to see the wonderful, unusually life-like effigy, one of the finest pieces of 13th century funerary sculpture in England. The pose is fluid as the Knight is ready to unsheathe (the now lost) sword. Much admired by 20th century artists including Henry Moore, John Piper and Paul Nash, who considered the effigy one of the greatest icons of Englishness – alongside Stonehenge. That’s quite something!
Expect the Unexpected
Just as when I visited the Tate in 2017 to see the Paul Nash Exhibition, I got more than I bargained for on this visit to the Clumps. Not just beautiful English countryside and villages, but a sense that things haven’t changed all that much. Sure, we do things differently, but the essence of who we are hasn’t changed. Places of worship still have a role, we commemorate our dead, plant and harvest crops, have a fascination with the unexplained, are drawn to rivers and high places, leave something behind by scratching our initials (or a poem) onto trees, indulge in celebrations and capture what we see in prose and pictures. In doing so, we try to understand and make sense of our place in this enduring landscape. A trip to the Clumps could perhaps help you try and figure out some of life’s great mysteries.
Paul Nash is buried with his wife Margaret at St Mary the Virgin, Langley Marish near Slough.
Thank you to Christopher Baines for sharing his knowledge and insights into how this pioneering artist tried to make sense of the magical and mystical everyday. It was really special. Take a look at his website, which is full of information on the local area and of the great man himself.
This blog has plenty of ideas for places to discover and walks to enjoy throughout the Chilterns year, follow the tabs at the top of the page to discover more. In Chiltern Fields was published in 2017 to commemorate the 100th anniversary of the Battle of the Somme.
Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story.
Ashridge gardens are a magical place of mythical puddingstone’s, Totternhoe stone, Humphry Repton and an acorn from a queen.
Each time I visit Ashridge, I am inspired by the stories I uncover: religious relics, sunken lanes, a landscape of contrasts, abandoned masonry, animal trails, a vineyard, the wild and the managed. All within a glorious 5,000 acres of Chilterns woodland.
Just like an antique rug, with unravelled threads, blemishes, bald patches and stains, once you begin to look, you see these Ashridge threads in fact link across the Chilterns, even the nation, presenting a tantalising picture of this wonderful place and its story.
A mason’s paradise
Inside one of the two living beech houses that overlook the restored herb garden
Ashridge Gardens extend an impressive 190 acres across a reasonably flat site in an otherwise undulating and hilly landscape. Lancelot ‘Capability’ Brown designed the northern and eastern part of the gardens and famous Golden Valley. It is the gardens south of the house, originally designed by Humphry Repton (1752 -1818), in the early 19th century, that we were here to explore. In good company, Repton, William Kent and ‘Capability’ Brown share the honour of being the three most famous 18th century landscape designers and gardeners.
From 1808 to 1813 the architect James Wyatt crafted, from local Totternhoe ‘soft’ stone and lashings of flint, an Ashridge House to claim the high-point above the undulating Golden Valley and surrounding forest.
The grounds to the rear of the house are dominated by the extensive lawn leading onto avenues of trees inviting you to explore further, with the promise of tantalising views of the surrounding area.
On a closer look, the garden is made up of a number of smaller gardens and discrete areas, which have been the focus for Mick Thompson and his team. Working on the restoration of the Rosary, an Armorial Garden, the Italian Garden and the Flower Garden that have retained strong links with their designer and visionary, Repton.
The county line between Hertfordshire and Buckinghamshire runs right through the garden, and is now marked by a puddingstone no less. Once disputed, with Buckinghamshire laying claim to more than their due, this conglomerate rock (that could be the icon of Hertfordshire), has symbolically won the day!
You can see the puddingstone’s tumbled about the entrance to the grotto and souterrein tunnel that have been constructed using this very hard conglomerate. The estate has the largest collection of puddingstone’s, possibility the largest supply in the world! How and when they are formed is a mystery, but Hertfordshire folk have never been in doubt ̶ it grows, and then gives birth to new stones. This is because stones appear out of the ground, which has given rise to the names “Growing Stone” and “Breeding Stone”.
A fitting addition to this garden.
The Italian Garden and the arbour for the Rose Garden (now framed with laburnum trees), have been restored to their original design.
What made it for me was the magnificent oak, dominating the lawn, its massive trunk and spreading limbs are just perfect. I stood and stared. Perhaps I was drawn to it because I was reminded of an oak tree in my garden when I was a child. This oak however, was planted in 1823 by Princess Victoria to commemorate her visit to Ashridge. How will it be commemorated in 2023? I took an acorn home for my son.
Ashridge is a compelling story, made up of the majestic and the mundane. I just know I am going to go on following those loose threads and blemishes to see what they reveal.
My visit was on a Repton Garden Tour, an event in the excellent Heritage Open Days programme organised by Jenny Sherwood of the Berkhamsted Local Historical & Museum Society and led by the charming and knowledgeabe Mick Thompson, head gardener at Ashridge House. Thank you both.
I must confess that after this delightful garden tour, I still can’t remember many plant, shrub nor tree names! Apart from the oak, that really caught my eye. But that says more about me than it does Mick.
Further information on the designs and Repton’s work can be found here:
I have walked past the Amaravati Buddhist monastery many times, enjoying the many routes from Frithsden and Ashridge, but have never gone in. I never thought to. To sit quietly in the gardens or even visit the temple for peaceful reflection.
Book a table for lunch at the popular Alford Arms in nearby Frithsden.The first gin distillery in Hertfordshire, named after the iconic stone, can be found at Wilstone Reservoir, just five minutes from Tring.
Take a walk around the medieval stone quarry at Totternhoe, seven miles from Ashridge.
And if that’s not enough, further Chilterns inspiration and itineraries can be found here.
In which a childhood tale of hardship and a beating, led to a generous royal gift to a small Chilterns community from a benefactor in a far-flung British colony.
Described on TripAdvisor as ‘fresh as paint’ I was interested to see the restored Maharajah’s well in Stoke Row and discover why a 19th century Maharajah felt compelled to make such an extraordinary gesture to ensure a free, clean water supply to a small Chilterns community.
Hang on, shouldn’t that be the other way around? Isn’t Britain usually the one dispensing largesse to the less fortunate in far-flung colonies?
Stoke Row is a fairly typical Chilterns village, situated at the southern end of the region, near Henley-on-Thames, in a cluster of villages that include Ibsden, Nuffield and Nettlebed. It’s quite hard to find, along gloomy woodland lanes, around some tight corners, that has in its foundations, chalk, flint and clay that have enabled a long history of pottery making. However, in common with Turville, there is no natural water source.
The source of this charming Chilterns story
East India Connections
The Narayan dynasty was the ruling Bhumihar family of Benares. After the disintegration of the Mughal Empire in the 18th century, the family ruled Benares as tributaries of the Nawab of Awadh and the East India Company. In 1911, Benares became a full-fledged princely state of British India, and the Narayan dynasty ruled it as British vassals until they acceded to independent India in 1948. Even today, the Kashi Naresh, the titular ruler of the dynasty, is deeply revered by the people of Benares. He is the religious head and considered the incarnation of Lord Shiva.
Local Ibsden squire, Edward Anderson Reade (1807 – 1886) had worked alongside and formed a friendship with Maharajah Shri Ishwari Prasad Narayan Singh Bahadur of Benares (1822-89), whilst working as administrator and Lieutenant Governor in the North West Provinces for the East India Company. The two men must have shared childhood stories which later were to inform the Maharajah’s decision to fund a new well, far away in a country he had never visited, but had a huge impact on his life and country, Great Britain.
101 Cherry Trees
In 1831, Edward Reade had a well sunk for a community in Azimgurgh, alongside a new mango grove. It was this generous gift and that childhood tale of dried up Chilterns village ponds, hardship and a child beaten for stealing a drink of water, that sealed the subsequent deal. In 1863, the Stoke Row well was sunk for around £40,000 in today’s money, the adjoining ‘Ishree Bagh’ was planted with 101 cherry trees and the Well Cottage built with a view to providing funds for the well’s maintenance.
I expect the village hasn’t seen anything like it, not since Queen Victoria opened the well in 1864. Until 1964 that is, when HRH the Duke of Edinburgh attended the centenary and a sample of water was drawn that can be found at the local pub apparently. Please let me know if you have any luck finding it!
The Ishree bagh, cherry orchard, feels well used as a local green space, but as an orchard, neglected. There is random planting of young cherry trees (a Chilterns heritage crop), some dead, others not sure whether to thrive or die, and some well designed childrens’ dens in amongst the trees. There are a good number of oak trees, some with legible plaques, others rusted away. Thank you Denise for the beautiful oak tree planted in your memory, the bagh is better for it.
The orchard mound is now topped with a commemorative wooden elephant ‘the Elephant & Bandstand’ to celebrate the 150th anniversary of the well.
In a neat space between the orchard and well, is the tiny brick cottage with an unfeasibly tall chimney, former home of the well keeper no less. Dwarfed by the ornate dome, a foresight as it’s visible from afar – and a nod to the Maharajah who would never see his gift, but wanting it visible all the same. Beneath the Burgundy Mughal-inspired dome, a golden elephant sits atop the shiny machinery designed and built by local agricultural engineers, Wilder of Wallingford 1863.
The shaft plunges through clay, gravel, sand, chalk sand, more chalk and finally chalk and shells before reaching the sweet water, a mere 368 feet deep – twice the height of Nelson’s column. Drawing water must have been quite a chore. It took 10 minutes for the pulley to reach the bottom and another ten minutes to reach the surface. I expect they all formed a neat and orderly queue and exchanged village news whilst waiting. The well was closed in 1939.
I love this story. It has a special resonance for me, hailing as I do from the colonies. What makes this story so extraordinary is that a former colony did what Britain usually does; dispensing largesse in the form of a royal gift, to those in need, those less fortunate. But in this case, those who where in need where the masters, the mighty British Empire. Oh, the irony!
The inscription ‘Be Not Weary in Well Doing” is a fitting epitaph for Edward’s gravestone, in the nearby Ibsden cemetery.
This Chilterns travel blog is only about the naturally outstanding Chiltern Hills. The Chilterns are not a place name you’d perhaps recognise, despite being located in the distinctive green space between London’s Metroland and Oxford. If quirky is your thing, we’ve a load more stories to tempt you.
Nearby is the modest home of William Morris, who lived at Nuffield Place and brought affordable motoring to Britain.
For further Chilterns ideas and inspiration, or to book a table at England’s first gastropub, the nearby Crooked Billet. Built in 1642, reputed to have been the hideout of highwayman Dick Turpin, which may have been due to a certain landlord’s daughter, Bess.
The local village store offers coffee and freshly made light meals.
We seem to have lost a month, August feels like September, the parched landscape offering up an early feast of wild berries ready to feast on, and harvested barley bales dot-dot-dashing across the fields.
In years to come, we’ll be saying “oh it’s never as hot as ’18” in reference to the benchmark that once beat all heatwave benchmarks – the summer of ’76. Even that infamous summer heatwave has been trounced. I am used to the looks of pity, once I confess to not having shared this great cultural experience.
Well, this year has really strained those weather conversations to the absolute limit. We’ve had the icy ‘beast from the east’ and are just stumbling and sweating our way through the hottest summer. Ever. Scorched earth is the new summer look; shades of brown, yellow, dead (apart from the weeds), hard baked, cracked earth. Whatever happened to those green fields that visitors flock from all the world to admire? Did they imagine the Chiltern prairies as their planes touched down at the start of their English country holiday?
We don’t show off our best side in the heat, and the national obsession has been taken to new levels; replacing the low-level grumbling that ‘it’s too wet, not wet enough, too cold, spring is too early, too late, there’s been no spring, and it’s definitely far too hot’….you get the gist.
Across the northern hemisphere, people and the land have been baking in this prolonged and extreme 2018 summer season. Minds far greater than mine will be calculating if this is what climate change looks like, with temperature extremes that bring wild fires, drought, storms, infrastructure pressures and failures, even death.
The effect on the parched landscape has been dramatic. Some rivers and chalk streams have continued to flow following the long wet winter, but enough impact that has seen Crestyl Watercress farm at Sarratt closed since early June for over two months. Even the duckpond at Albury is bone dry.
The seasonal wildflowers came and went through their spring and summer palette far too quickly, with Queen Anne’s lace left to pretty much carry the can, while the rest finished up and went home early. None of those hardy slugs either, such a summer feature that do a sterling job cleaning up the countryside (and each other), are nowhere to be seen.
An early bounty
We seem to have lost a month, August feels like September, the parched landscape offering up wild berries ready to pick, and the barley bales dot-dot-dashing across the fields. In the past few weeks the emergence of the end of summer berry-bounty that festoons the hedgerows and along the pathways with blackberries, sloes, hawthorn, rose hips and elderberries ripe for picking. The blackberries are lovely, although a bit undersized. I’ll cope.
2018 really is the summer that just keeps on giving…but I suspect we would secretly prefer those middling damp summers, green countryside and wet picnics, that means we can gently moan that a few days of summer sunshine wouldn’t go amiss!
I am astonished at how many found their way into the Chilterns that resulted in prestigious buildings, churches, woodland and more humble structures being built. Ashridge is the most prestigious amongst them.
Another hot July week goes by, and an early morning walk in the forest is the coolest place to be. The dusty summer paths are criss-crossed with cracks and gnarled roots, even the stubborn patches of winter mire look benign and safe to cross. The bees are winning as they are all I can hear. The compelling natural geometrical shapes of the six-foot high bracken is punctured only by the crests of foxglove pink, just past their best. The exposed felled trees of winter now swallowed up by verdant vegetation from which a variety of animals burst forth ahead of me on the path.
The pretty, but toxic foxglove
Ashridge Forest is one of the more popular Chilterns destinations, but as visitors tend to stick to the tearoom and toilets at the visitor centre, there is more than enough space for the horses, cyclists, runners and ramblers to be swallowed up by the 5,000-or-so woodland acres. In fact, the two are closely linked along Prince’s Riding, a glorious avenue of trees linking Ashridge House with the Bridgewater Monument.
That’s the Bridgewater Monument in the distance.
This much-visited estate, grew up around the medieval Ashridge priory that was founded in 1283 by the crusader knight, Edmund of Cornwall (a nephew of Henry III who was himself a collector of relics). Ashridge priory was created to house a phial of Christ’s blood that had been brought back from the Holy Land. These relics of the ‘Holy Blood’ were portions of the blood of Christ’s passion, preserved supposedly from the time of the Crucifixion and displayed as objects of wonder and veneration in the churches across medieval Europe. A flourishing trade, pilgrims traveled from far and wide to venerate and spend their hard-earned cash in offerings to secure their place in heaven and a meal to get them through the journey.
The monastery and monks are long gone, buildings destroyed, treasures looted and the monks banished during the 16th century Dissolution of Monasteries on the orders of King Henry Vlll. The estate passed through various families until in 1800, Francis Egerton, 3rd Duke of Bridgewater demolished most of the priory, and construction began on the present house in 1808–1814.
A surviving link are the fallow deer that were introduced during the 13th century as a source of food and for the sport of kings, that still roam the vast estate.
People and their holy relics may come and go, but the surrounding woodland is still bursting with life. During summer, it’s just more colourful – pretty butterflies dance around my feet and the shrill whining of crickets in the long grass is the sound of high summer. Death-defying squirrels race through the tree canopy and so many birds, its magical. We pass little cottages dotted throughout the woods, with names like ‘private cul-de-sac’, or ‘no turning private,’ and stop too for the obligatory “is that a corgi?” conversation.
Future business leaders now attend the Ashridge Executive Education, formerly Ashridge Business School, based at the gothic revival Ashridge House who promote their services as;
“An agile business school for the global leader. Because disruption is inevitable:”
That wouldn’t go unrecognised I don’t think, by those former businessmen of the priory and palace, whose global world was turned upside down by European political and religious events far beyond their control.
So the cycle continues.
Read more about some of the structures built to house relics and provide shelter for their pilgrims below;
Once on the Pilgrims trail between St Albans Abbey and the monastery at Ashridge, Piccotts End is a dot on the Chilterns landscape. Yet this tiny settlement has one of the most remarkable and historically important features, tucked away inside a Grade I Listed 15th century cottage at No.132 Piccotts End.
St. Botolph was one of the earliest and most revered of East Anglian saints, and became known as the patron saint of wayfarers. Read of a Journey into a Chilterns desert.
Growing stones, a magical place of mythical puddingstone’s, Totternhoe stone, Repton and an acorn from a queen, read about a tour of the Repton-designed Ashridge House Gardens.
A walk in Ashridge during the quieter winter months is a completely different experience. Do trees fall uphill? Or take your pick from the selection of National Trust walks through the estate.