slow travel Archives - Chiltern Hills

A is for Amersham

All around are signs of past lives; graves in the shape of wool sacks, an 18th water pump (although ale was preferable), window openings at unhelpful heights and a red lion above a lintel where a pub used to be.

16th April 201917th April 2019 Mary TebjeLeave a comment

Amersham is a modern Chilterns market town once again under pressure from the onward march of progress and development.

Renowned for its Christian martyrs burned for their beliefs, successful black lace industry and perhaps on a more frivolous note, a perfumery, this is a town of two halves: the modern town on the hill and its medieval twin in the valley below.

Metroland

The Misbourne Valley in the central Chilterns is a delight. Dotted with woodlands, pretty villages and market towns, this once quiet corner of the Roman Empire is now a busy Metroland corridor, linking London highways with Chilterns byways. A mere 25 minutes from London on the Met line, Amersham offers train-to-trail countryside escapes, and space to breath.

Once the centre for black lace production, 16th century craftswomen specialised in fine silk veils and wide flounces of black lace that were used to decorate white dresses. In fact the industry continued late into the 19th century because almost everyone, from kings to babies at one time, wore lace on their clothing! Another industry synonymous with the town was the Goya perfume factory, that supplied large qualities of fragrances and perfumes to women after the Second World War. I wonder what the town smelt like?

“In the shallow of depression at a spot 100 yards left of this monument, seven Protestants were burned to death at the stake. They died for principles of religious liberty and for the right to worship God according to their consciences.”

Amersham Martyrs memorial — The Amersham Martyrs were called Lollards, who demanded to read the bible in English.

In the face of protest

There are two parts to this pretty town; medieval Amersham with its unusually spacious high street, and the new town and railway station. This came about because the town fathers didn’t want a railway mucking up their medieval streets in the 1890’s, and insisted it be routed 20 minutes away up the hill. And now, 130 years later, the town is once again facing pressure and change from another huge railway project; this time from HS2, that will thunder right through this peaceful valley, changing it in ways we don’t yet know. I have written about it in another article called Evolving Landscapes.

the village of Little Missenden — Little Missenden

On the poor side of the street

Go with a guide! You simply turn up at the museum to join a tour at 2.30pm on a Sunday. As I waited, numbers grew to include a couple from London on a weekend break, the leader of the Amersham Band and a couple who were mysteriously ‘just passing through’. My companions on this town tour with Euan, volunteer guide and purveyor of intriguing Amersham insights and stories.

We began our tour in the museum garden, filled with herbs and plants our medieval ancestors would be familiar with, to help them get through life without a GP, or symptoms to Google. Being on the poor side of the high street, this garden would have been considered small. The houses to the other side of the high street in comparison, still have substantial plots. This garden is bordered on one side by typical knapped Chilterns flint and brick almshouses, and a discreet long-drop privy overhanging the river Misbourne.

Amersham Museum garden — The view from the museum garden

The museum itself is situated within a 15th century structure that has over the centuries, undergone many changes. It charts the towns story through the voices of past residents who lived and worked in the many industries and local trades, the great and the not-so, including those mentioned above. Thanks to a substantial restoration project, the beautiful medieval and Tudor floors and wobbly beams (made from green oak) are revealed. If I’d have had more time, I’d be trying on all those Tudor dresses!

A missing stream

A typical Chilterns chalk stream, the Misbourne (missing stream), meanders through the centre of town, behind houses, through a meadow and under a lot of bridges. The current low water level attests to the temperament of this stream, following as it does, the variations in the annual rainfall. It is still known to flood however, with memories fresh after the last sandbag event, despite the river being confined to a narrow channel.

The River Misbourne flows gently through the town

Open plan living

You may be familiar with the Kings Arms hotel, a former posting inn, made famous by the 1994 British romantic comedy ‘Four Weddings and a Funeral’. The inn served as a place to change the horses on the London to Oxford route, and perhaps give the weary travellers some respite after 25 miles along bumpy roads from London, and quite possibly with another 30 miles onwards to Oxford to endure. It looks quaint and olde-worlde, but the majority of the facade is in fact ‘Brewery Tudor’ that was added by the local brewery about 100 years ago to cover up an unsightly earlier facade. It seems there was a lot of this about with false frontages been added by successive owners to modernise their old fashioned structures. So common was the practice it’s difficult to know where medieval stops and Georgian begins.

It is the equivalent today of stripping out the kitchen to make way for ‘open plan’ living.

There are several notable examples of grand houses built with a former industry in mind, but now repurposed for other lives. Many of them have tell-tale features and locations, and the guess-work is fun.

The houses of the most important people in town: the coopers house, and to the right, the brewery managers house.

Past lives

The Market Hall, a Grade II listed building that was built in 1682 by Sir William Drake as a gift for the town, is not hard to miss. Commanding the most prominent spot on the high street, it was intended for the upper floor to be used for meetings for traders’ guilds, and the ground floor as a market and lock-up for miscreants.

Commit no nuisance — The coldest room in the coldest corner of the market awaited those who fell foul of the law.

All around are signs of past lives; graves in the shape of wool sacks, despite this never being a wool town, St Mary’s resplendent in excavated flints from the new railway, an 18th water pump (although ale was preferable), window openings at varying unhelpful heights in the building that was the water mill, a red lion above a lintel, where a pub used to be, the maltings, a stable for the brewery dray horses and a parapet blocking out light to the servants’ rooms following some fashionable structural updates.

Grave stones — Wool sacks as gravestones in the local church

There is great hope in Amersham for facing down disruption and continued changes to their way of life. A thoroughly modern town doing things their way, which bodes well for residents and businesses to thrive and continue to be an example of how towns adapt, yet still retain their historical roots and proud Chilterns heritage.

Houses off the high street — Through the back gate and over the Misbourne

Further Information

This article doesn’t do the town justice; visit and enjoy the independent shops, restaurants and pubs along the high street with not a chain store in sight. But do start with a browse around the exhibits at the wonderful Amersham Museum, join a town or martyrs walking tour available on Sunday afternoons from April to September.

Amersham has a number of Alms Houses that add to the great variety across the Chilterns. Not least of all the Drake Houses on the high street, originally built to house six local widows.

You will find the martyrs memorial either along a footpath leading from St. Mary’s Church, or from an overgrown footpath from Station Road.

You can explore the Misbourne Valley and the village of Little Missenden.

Discover more about Amersham, the surrounding countryside and other Chilterns market towns, take a look at VisitChilterns.co.uk

Evolving Landscapes

15th January 201916th April 2019 Mary Tebje

No previous Instagram nor Facebook posts have raised as many comments recently following a post that included the countryside around Little Missenden. The comments referred to the impending High Speed 2 (HS2) rail project will rip through this pretty Chilterns valley.

Evolving landscapes

We tend to look at a landscape and imagine how things were, or to enjoy the temporary transformation through the year (the focus of this blog); less so perhaps on how things might be. The Chilterns are a living, evolving landscape, shaped by its people, industries and natural resources. After all, nothing stands still, or is set is aspic.

It is a moment for me to recognise the importance of capturing some of this huge change.

HS2 is something I have ignored.

This vast, expensive and disruptive engineering project is the brainchild of our government who think that spending upwards of £56b is worth the minutes shaved off the London to Birmingham rail journey is well worth it. Perhaps that should be the national priority, but it is above my pay grade to know for sure. There has been much written, much revised and many cross words exchanged however, but for me, HS2 is something I have ignored, until I walked in the Misbourne valley and appreciated the scale of what is about to happen.

The route through the Chilterns

I have included a web link below, but to briefly summarise the route through the Chilterns; from London Euston, the route will enter a tunnel until West Ruislip, where trains emerge to run on the surface. From here the line crosses the Colne Valley on a major viaduct, and passes through a 9.8-mile (15.8 km) tunnel under the Chiltern Hills to emerge near South Heath, north-west of Amersham. The route will run roughly parallel to the existing A413 (through the Misbourne Valley), passing to the west of Wendover in what HS2 call a ‘green cut-and-cover tunnel’. After passing west of Aylesbury, the route will run north westwards through North Buckinghamshire and Oxfordshire, South Northamptonshire and Warwickshire and into the West Midlands.

Misbourne Valley

The River Misbourne rises above the lovely market town of Great Missenden and flows south east for 17 miles (27km) through the village of Little Missenden, onto Amersham and the Chalfonts to Denham, where it meets the River Colne.

St John the Baptist
Cottages in the Chilterns vernacular
The Manor House

This valley and its river are no stranger to controversy and has suffered damage to its natural and built resources; most recently the natural chalk stream was rescued by a successful campaign to stop the abstraction of valuable drinking water and further down the valley, Shardeloes mansion, ancestral home of the Tyrwhitt-Drake family was saved from demolition by the formidable Amersham Society.

I was drawn to the valley when I read a piece about rare medieval wall paintings uncovered by accident (aren’t all the best things?), in 1931 that had been hidden behind lime wash and plaster and are now restored inside this wonderful 1,000 year-old church. Still a valuable community hub inside a building designed, built and tinkered with by the Romans, Saxons, Normans and Tudors. I expect the Victorians had a hand in there too.

It could almost be Roman
St John the Baptist
Along the walls, the paintings reveal a different view of the world

My walk took me from the parish church, through the village, up the hill to Mop End and down through the woods to Shardeloes, just outside Amersham and back to Little Missenden along the South Bucks Way. Details and maps are below.

Views back towards Little Missenden — A break in the boundary

Fighter-pilot blackbirds, skilfully navigated the twists and high speed turns

It was a beautiful still January morning, relatively quiet, with only bird chatter in the hedgerows for company. Leo and I crossed the field behind the village and joined the leaf-strewn sunken path, with helpful winter breaks along a familiar tree-lined boundary to enjoy far-reaching views back across the valley towards Great Missenden. Our guides, a couple of fighter-pilot blackbirds, skilfully navigating the twists and high speed turns upwards along the path. We passed an enormous pile of gently smoking, freshly dumped manure, ready to spread across these busy fields. There are a few isolated cottages with their lovely gardens, views and one sporting a tennis court! Not too many ‘gerroff my land” signs tacked to the trees either, which is always reassuring.

Our way downhill towards Amersham is cleared by the squirrels, their grey tails catching the sunlight as they race across the woodland floor, over logs, along a decaying fence and up the nearest tree, as fast as their little legs will take them. The vista then opens up and you can appreciate the sense of space and place as the landscape turns from natural, to managed and designed.

Shardeloes equine centre — Horses are king in this meadow

Enter landscape designer, Humphry Repton who was commissioned to lay out the grounds in the classical English landscape fashion, in the lee of the hill upon which the Shardeloes mansion stands, damming the River Misbourne to form a pretty lake.

Shardeloes is the ancestral home to the Tyrwhitt-Drake family until the Second World War, when the house was requisitioned as a maternity hospital for pregnant women from London — Shardeloes is a sprawling 18th century country house, the current structure replacing an earlier building

Shardeloes was the ancestral home to the Tyrwhitt-Drake family until the Second World War, when the house was requisitioned as a maternity hospital for pregnant women from London, saw some 3,000 children born there. Amazing! Following the War the house seemed destined to become one of the thousands of country houses being demolished, until the formidable Amersham Society, assisted by the Council for the Protection of Rural England fought a prolonged battle to save the house. Subsequently purchased in the early 1970’s by a local property developer who converted the house and outbuildings into a complex of private flats, with nearby equine centre and cricket club.

One of the two Shardeloes gatehouses — Shardeloes gatehouse

Expectations

I am reminded of another great regional railway project that saw Victorian railway designers, who sought to build the London to Birmingham Railway directly through the Norman Berkhamsted castle, but was saved by strong local opposition. The Act of Parliament that authorised the construction of the railway also protected the castle, making it the first such property to be protected by law.

There is an expectation that the HS2 archaeology will be rich and varied; grasping at straws perhaps, but I am hoping there will be access and tours available so we can see for ourselves what is happening. From the conversations I have had, both professionally and in my personal capacity, the locals are now resigned to the railway, and will make every effort to minimise disruption to their businesses and lives.

What is the Misbourne Valley going to look and sound like in the next decades? I will be back to find out as I will seek to harness and record the passions that these projects evoke with many more Instagram, Facebook and blog posts that encourage discussions and comments. You are welcome to comment below.

Further information

This website has interesting plans and maps so you can see where the route is and where the tunnels are – not too technical either.

There are three lovely walks to be enjoyed along the Misbourne valley, information can be downloaded here.

“The best church I have ever seen (and I’ve seen a few!)” enthuses A Simms, from Paris who visited the lovely church of St John the Baptist Little Missenden. Their website and visitor interpretation are excellent, the wall paintings astonishing and is well worth your support. I believe they serve a mean cream tea in the summer!

Explore the neighbouring market town of Amersham, with its enviable history of black lace, perfume and beer.

Read about another fine Chilterns Doom painting that was saved by the Chilterns summer rain.

The local market towns of Great Missenden and Amersham are worth a visit, not least of all to see the Roald Dahl Museum and Story Centre and the Amersham museum.

George Alexander Gratton

This tale is full of contradiction, cruelty and the absurd; of a young ‘fanciful child of nature’ bought by a showman to exhibit to the public until his death and lavish funeral in a shared vault in a church in Marlow.

18th December 201820th December 2018 Mary Tebje2 Comments

Two weathered headstones bolted together in the All Saints Church cemetery in Marlow, are poignant evidence of a tragic tale of a mysterious so-called ‘Spotted Boy’ sold to be put on show for the paying public to gawp at.

Intrigued to hear of the “Beautiful Spotted Boy of Marlow”, I arranged to meet Mike Hyde, volunteer and chair of the Marlow Museum. This is the place to go for all things Marlow, and their current Travellers’ Tales exhibition includes the fascinating stories of four historical people with local connections; Kate Marsden, explorer, writer and nursing heroine, Sir Robert Hart, British diplomat and official in the Qing Chinese government, King Zog, exiled King of Albania and George Alexander Gratton, aka “the spotted boy”. It is the last on this list that I am writing about, the others are no less interesting, but for very different reasons.

Kite theft
Marlow Rowing Club
The Bridge overlooked

The spiritual home of rowing, Marlow is a well-heeled market town straddling the River Thames, east of Henley-upon-Thames and west of Cookham in the central Chilterns. Once a centre for lace making and timber, renowned these days for the many excellent restaurants and places to while away a few hours along the graceful Georgian high street, it is perhaps the combination of All Saints church spire and the William Tierney Clark-designed bridge that Marlow is most remembered. Modelled on similar designs to both the Hammersmith Bridge in London and the Széchenyi Chain Bridge spanning the Danube, this is its statement feature.

Marlow is a town that keeps its stories close

This is the tragic story of a young boy born on July 24th 1808 on a sugarcane plantation on the island of St Vincent and the Grenadines, where it was customary for slaves to be given the family name of their owner or overseer: in this case, Mr Gratton was the overseer and the plantation owner was a Mr Alexander. King George lll was on the throne, so it’s my guess that would account for the boy’s first name. According to an 1819 edition of the Literary Journal, as a baby, George was shown in the capital Kingstown “at the price a dollar each person” before he was sent to Bristol. At the tender age of 15 months. Facts are hard to verify as it’s not known if he was accompanied by his parents, the circumstances of his sale and passage abroad the ship ‘Friends of Emma’ to England, and who in fact benefited from the 1,000 guineas that John Richardson, showman, paid for the boy. Richardson, formerly a farm labourer from Marlow, had left town to make his fortune running fairs and sideshows, typically earning as much as £1,200 in just three days.

George Alexander coloured aquatint after Daniel Orme 1809. Subtitled: “An Extraordinary Spotted Boy” this engraving was often sold as a souvenir. Credit: Marlow Museum

The reason the toddler was of interest to the showman? George suffered from a condition known today as Vitiligo. This a long-term skin condition is characterised by patches of the skin losing their pigment and becoming white. It is more noticeable in people of colour.

Three murders and a ghost

One such fair is described so vividly by Charles Dickens in his ‘Sketches by Boz’ published in 1836: ‘Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.

This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes. The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. ”

Bartholomew Fair, Smithfield London. Credit: Marlow Museum

Richardson bought the boy to add to this travelling horror show, where he was advertised as ‘a fanciful child of nature, formed in her most playful mood’. He was exhibited during the intervals of plays and other entertainments, sometimes for upwards of 12 hours a day. Venues included the famous Bartholomew’s Fair in Smithfield, London.

Contradiction and the absurd

Two weathered headstones bolted together in the cemetery of All Saints Church in Marlow are poignant evidence of a tragic tale of a young boy purchased for 1,000 guineas to be put on show.

This tale is full of contradiction, cruelty and the absurd as it is said that the childless Richardson formed a bond with the boy, he even had him baptised George Alexander Gratton and brought to Marlow where he lived as his son. Around five years of age, on February 3rd 1813, his brief life came to an end, with all manner of speculation to the cause of death. Richardson was alleged to have kept the body for fear it would be stolen, until he could be interred in a brick vault in the cemetery at All Saints with a funeral it is said, full of pomp and circumstance. Before Richardson died in 1837, he requested he be buried in the same vault, with the two back-to-back headstones bolted together.

Mike Hyde shared this verse from the now weathered epitaph:

“Should this plain simple tomb attract thine eye

Stranger, as thoughtfully thou passest by,

Know that there lies beneath this humble stone

A child of colour, haply not thine own,

His parents, born of Afric’s sunburnt race,

Tho’ white and black where blended in his face,

To Britain brought, which made his parents free,

And showed the world great nature’s prodigy.”

Upon entering the impressive church, filled with winter sunshine, the experience was marred by a loud mobile conversation on an iPhone from a visitor doing a sweep of the church. Had to tick this sight off the bucket list, and was oblivious to the oil painting that Richardson had donated to the church. Over time, it fell into a state of disrepair and was restored about 10 years ago. It now hangs near a small display at the back of the church. Above the toilet door. Unnoticed.

George Gratton, painted by the artist Coventry that still hangs in All Saints Church.

I think it only right we show George the dignity he deserves and identify him by his given name, not his ‘circus name.’ We don’t after all know his birth name, nor who his parents where. We know very little about him. It is a difficult tale to digest and tell here, not least of all with the grotesque and offensive 19th century attitudes and some insensitive use of contemporary language. I am of course viewing this sorry tale through the prism of 2018 enlightenment and my experience as a mother; I can’t help but not feel the tremendous sadness and subsequent loss at their parting – did she know what happened to her son? His agony at not being with his parents. So far from home, paraded around town with Richardson, put on display for upwards of 12 hours at a time, what life was this for any child to have to endure? Perhaps his early passing was a blessing and a relief for him to find some peace.

Sadly, there is no indication of where these graves are. I wondered if we, the community, can begin to afford George the dignity in his memory, that he did not have during his brief, tragic life and place flowers on his grave, as is still done for another of the Chilterns prodigal son’s – on Peter the Wild Boy’s grave in Northchurch, near Berkhamsted.

Somewhere amongst these headstones is the grave

How wonderful then that the Marlow Museum has included George’s forgotten story in the Travellers’ Tales exhibition, I recommend you visit and find out more. They are also working with the Saint Vincent & The Grenadines 2nd Generation (SV2G) on a Heritage Lottery-funded project that seeks to uncover connections between Marlow and High Wycombe to deliver a new programme of Vincentian heritage events to commemorate the tragic life of this young boy, believed to be one of the earliest (if not the first) recored Vincentian’s in Britain. I am looking forward to finding out more about these links and the communities that have made their home in the Chilterns.

Further information

Travellers’ Tales with Marlow connections is on at the Marlow Museum. Find out more about All Saints Church and perhaps if you visit, ask where the grave is, as I couldn’t find it.

Read the wonderful story of Peter the Wild Boy part one and part two

Explore the naturally outstanding Chilterns and the market town of Marlow or take a walking tour of the historic town centre.

Discover more Chilterns Churches, ideas for winter wanderings and for the spring, the unique and bonkers Swan Upping ceremony that is best enjoyed from the riverside at Marlow.

A reason to love the rain

In which a rain storm saved from destruction, a rare 15th century ‘doom’ painting that was left out in the rain. #Chilterns

4th July 20186th July 2018 Mary Tebje1 Comment

In which a ‘doomed’ 15th century painting is saved by the rain.

On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties. I was content however, to nose around indoors, on the lookout for the famous ‘doom’ painting; the main reason this church is of such cultural and historical significance.

Nothing beats local knowledge

The Doom painting is placed high above the alter — Look up!

I got the strong impression this church is still a vital community hub, with feverish wedding preparations underway and so tried not to get in the way of the florist and a busy vacuum cleaner. In the capable hands of local guide Helen, who modestly professed to not knowing much about the history of the building, then proceeded to dazzle with her huge knowledge; brass rubbings, the Penn family crypt, lozenges adorning the walls, medieval Penn tiles in the lady chapel, the doom painting of course, church extensions and renovations and not forgetting those buried in the graveyard.

14th century Penn floor tiles in the Lady Chapel

Dooms Day

Now set high on the east wall, the 15th century ‘doom’ painting is still looking as bright and fresh as the day it was painted. One of only five surviving wooden tympanums in the country, it would have been purposefully positioned for worshippers as they faced the alter. A “dooms day painting” is a traditional English term for an image of the Last Judgment when Christ judges souls to send them to either Heaven or Hell. A crude but effective part of the eclesastical warning system to illiterate congregations, to toe the line or face judgement on the day. This one not only survived the English Reformation, it survived being tossed into the skip!

The doom painting saved from the rain — Looking as bright as the day it was painted over 500 years ago

During renovations in the 1930’s, the now whitewashed wooden panels, were stripped and placed outside, destined for the bin. By good fortune it rained overnight and when the vicar returned the next morning, he saw faces peering out at him through the whitewash. Their cry for help answered? That is surely a reason to love the rain! Now safely re-instated inside the church, looking as bright as the day it was painted 500 years ago.

Memorials and brass rubbings

At the entrance, there is an inscribed vault stone to mark where Thomas Penn, one of William Penn’s sons, who was allowed to build a large vault beneath the church nave for himself, his brother and four of his children who were interred between 1753 and 1766. The Quaker and founder of Pennsylvania however, is buried at the nearby Jordans Quaker Meeting House with his first wife, Guilielma, his second wife, Hannah, and nine of his children. Despite the many offers to have him moved to Pennsylvania, he remains in the quiet Chilterns churchyard.

As Helen waved goodbye, she pointed to the one hand on the clock tower and told me that during the 17th century a one-handed clock was all a villager needed, minutes where simply too much information! On a dry day from the bell tower of Holy Trinity Penn, it is possible to see the seven neighbouring counties including; Hertfordshire, Oxfordshire, Berkshire, Greater London, Bedfordshire, Northants and Surrey. I’ll have to return to see the view for myself.

This is what I love about parish churches, they are an essential part of not only our local Chilterns story, but the nation’s story too. Unlike a museum, they are stuffed full of treasures, but none kept behind glass, or in spaces filled with tour groups, these are a snapshot of history, watched over by individuals keen to generously share.

Further Information:

I recommend that during the Heritage Open Days event in September, to visit the nearby Penn House which is the other half of the Holy Trinity story in the Chilterns.

There are plenty more to explore, and do please let me know if you have other Chilterns churches to recommend.

For further inspiration on what to see and do in the naturally outstanding Chilterns

A Runway Runs Through It

This place is a time capsule, overlapping function and forms across seven or more centuries – from the 14th century to the present day. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

12th June 201820th June 2018 Mary Tebje

Sir John Wenlock could never have imagined 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

fullsizeoutput_2b5d — The planes at the bottom of the garden

The lanes in Bedfordshire are terrible; even the potholes have potholes, fly-tipping and dangerous driving made for a slow journey down ever smaller lanes. Carefully following dusty brown signs to the scheduled ancient monument, my lunch flew across the front seat and splattered on the floor as I braked to avoid a collision with a speeding white van, summer hedgerow too high to see more than 10 yards ahead. Why am I here, at the end of dusty lane on the edge of a runway? To look at a mystery wrapped up within an enigma: the scheduled ancient monument Someries Castle, which is not in fact a castle, but a fortified Manor House. But I’m not fussy!

I had no idea where I was until a control tower came into view amongst a row of oak trees quickly followed by the whine of an aircraft engine and an orange tail fin moving rapidly across the edge of a wheat field.

Luton Airport

Luton airport occupies an enviable hill-top location, with roughly a 130 ft drop at the western end of the runway. Following the end of WW2, when it was used as a base for the RAF fighters the land was returned to the local council, which continued activity at the airport as a commercial operation. Now a busy international airport, it is hard to imagine the impact this had when it opened in 1938. Mind you, there was no EasyJet or Whizz Air flights taking off and landing every few minutes.

Someries Castle was built in the 15th century by Sir John Wenlock, soldier, local MP, diplomat, statesman and one time High Sheriff of Bedfordshire and Buckinghamshire, this unremarkable structure’s claim to fame is as one of the first brick buildings in England. The house was never completed by Wenlock, and was partly demolished in the 18th century leaving the remains of the gatehouse that incorporates the lodge and a chapel too. The original manor house and/or the earlier Norman Castle are now visible only as earthworks that outline the plot where the house originally stood, but not accessible as the site is tightly enclosed by 6 foot railings that are either designed to keep the locals out or visitors in. The palace was never completed, although an inventory of 1606 lists 20 rooms in use. Much of the building was pulled down in 1742 and subsequent 18th-century prints show the ruins largely in their present condition.

Historic England refers to this structure as a palace, that would have functioned as luxury residences for the elite and their large retinues, and provided an opportunity to display wealth in the form of elaborate architecture and lavish decoration. These palaces formed an impressive setting for audiences with royalty, foreign ambassadors and other lords and bishops and it’s not unusual to find them in remote rural settings.

Sir John Wenlock – did he or didn’t he?

The site and builder are a mystery. There are survival theories aplenty; that he did not die in the field at Tewkesbury, but faked his own death (and with the help of his wife, buried another corpse in his place), that his ghost still lurks around the gatehouse, that he was a consummate fence-sitter and switched allegiance many times during the War of the Roses, that he built a system of tunnels beneath this structure, that he left a cup of gold and a chest stuffed with jewels under the care of the abbot of Glastonbury, and so it goes on.

fullsizeoutput_2b5f — A veritable feast for the senses

Some of the brickwork is damaged, and there is extensive graffiti on the interior walls, but the poppies and dog roses growing wild are lovely. Someone had been in to cut the grass, and the longer I looked, and looked past the obvious damage, there are many delightful details, not least of all the remains of a splendid 15th brick-built newel staircase leading your eyes up the ruined steps that once supported a spiralling barrel-vault.

I don’t like aspic. It impairs flavours, encases and suspends the contents so it’s difficult to get a good look at what’s inside. So it can be with the English countryside: often described as ‘chocolate box’ which to me says ‘sentimental and twee’, and doesn’t represent anything that resembles reality after the 1930’s.

This place is a time capsule, overlapping function and forms across seven or more centuries, from the 14th century to the present day shows the many uses of the land. Past, present and future. Sir John could never have imaged 600 years ago what would be at the bottom of his formal garden, no more than we can imagine what will be at the end of Luton Airport runway in another 600 years.

This working landscape doesn’t appear to have the time nor space for leisure visitors, surrounding fields and farmhouses, airport, railway and motorways all press in on this space. I’m surprised Someries Castle has survived as long as it has. This pressure between agriculture, an expanding aviation industry and Chilterns heritage is quite stark. It is not conventionally pretty, unlike the space surrounding the market town of Marlow where I was the day before, yet to have such a cross section within our region is refreshing.

I am no plane-spotter, but stood awhile watching the aircraft taking off from Luton Airport, oblivious I expect to their immediate surroundings and Chilterns heritage and wider story, focused instead on their destination.

I like a busy landscape, with butterflies and bugs, locals and visitors, and agriculture and hard-edges of industry. It means the landscape is alive and the story of the Chilterns is still unfolding.

Further Information:

Joseph Conrad lived from 1907 – 09 in the neighbouring farmhouse whilst writing his bestselling novel Under Western Eyes.

Someries Castle is located at the end of a potholed lane in the parish of Hyde, Bedfordshire LU2 9PL

Another neglected scheduled ancient Chilterns monument is Berkhamsted Castle.

For further Chilterns inspiration and ideas VisitChilterns.co.uk

One Master, Three Books & 300 Boys

Low-tech, quirky museums, often in intriguing buildings with windy stairs, dust and dated interior design, are to be treasured. The Chilterns has its fair share, most under the radar, unless you live on the same street, that is where they will probably remain.

3rd January 201814th June 2018 Mary Tebje

One master, three books, 300 boys and 30 monitors. This is the inspirational story of one man’s vision to provide basic education for the children of Hitchin.

Low-tech, quirky museums, often in intriguing buildings with windy stairs, dust and dated interior design, are to be treasured. The Chilterns has its fair share, most under the radar and unless you live on the same street, that is where they will probably remain.

Blissfully unaware of its existence until recently, the British Schools Museum in Hitchin is one such place; the last surviving example in the world, packed with wonderful stories and eye-popping facts about English education.

This, the northernmost town in the Chilterns, is probably the least well known of our market towns, and was once a national centre for lavender-production having grown and successfully exploited the crop since the 15th century. Now only one business, Cadwell farm is still producing and selling lavender products.

Hitchin Town Centre — Hitchin market place with St Mary’s

The British Schools Museum is located on Queen street in the town centre, within the former Edwardian and Victorian school premises, in a number of buildings set close together. Near the site of former slums, whose young occupants would surely have attended the school, their dwellings in stark contrast with the outsized St Mary’s church, on the opposite banks of the river Hicca – a bold statement from a town doing well on wool. The pretty cobbled marketplace is surrounded by a mix of more traditional buildings, some medieval, jostling for prominence now amongst more forceful contemporary chain stores. Slightly further out of town however, Tudor and Georgian buildings that surround the town go some way in redeeming the local vernacular.

The ‘font of Hitchin information’ Andy Gibbs, was our guide through the history of British schools, delighting in our discovery of many lovely stories and a museum collection made up of personal memories of former pupils or those who worked here and include incredible feats to trace former pupils: Andy showed us a plaque commemorating a soldier who died during WW1 that was heading for the dump following a house clearance, but it was sent to the school by someone who thought there was a connection. There was; the soldier was a former pupil!

fullsizeoutput_3c2f — Don’t break the rules!

The founder of the school, Joseph Lancaster was a Quaker and a maverick at odds with his peers about how children could be educated. In a time when universal education did not exist, but a belief that education could damage the ‘natural social order’ did, children as young as six were sent to factories, workshops or into domestic service in the vague hope that they would one day be able to support themselves and future dependents. In 1837 Joseph Lancaster introduced a system that meant cheap, basic education could be delivered to large numbers of children, describing his system as to produce a “Christian Education” and “train children in the practice of such moral habits as are conducive to the welfare of society.”

fullsizeoutput_3c2d — Excerpt from Moral Songs –
`But thanks to my friends for their care in my breeding, who taught me betimes to love working and reading.’

The Monitorial schoolroom was built in 1837 and though only partly restored, has both preserved and presented this forgotten world very well. I had never seen anything like it. The masters desk is the focal point with the sand tray where students would be practising and learning their handwriting, right under his nose. The three books were dispersed and their pages shared at the monitorial teaching stations around the room.

One master to teach 300 boys assisted by 30 monitors by the Lancasterian method in the only known complete example of a monitorial classroom to survive in the world. The boys sat facing the master on benches at narrow desks and were taught by the monitors at semi-circular teaching stations around the walls. The room looks as it was in 1837, minus the radiators! Built to Lancaster’s specifications with clerestory windows and pillared side aisles. The floor originally sloped to give the master a good view of all his pupils – essential in such an enormous schoolroom full of children to maintain discipline.

Pages from the three books

Rewards and punishments

Illustration of what the space would have looked like

By 1900, 700 children were packed into the school, and three more classrooms were added. The desks, displays and teaching implements vaguely familiar to me from a time before wipe boards and Chromebook’s. Sitting at the now tight-fitting wooden desks brought much mirth to our group who recalled days sat in similar rooms trying to master mathematical theorems or the anatomy of a frog! Inside each desk are thoughtful displays of reading books, drawings, photographs and games from the Edwardian era.

fullsizeoutput_3c32 — Andy Gibbs in the Edwardian classroom

The school closed it’s doors in 1969, and the period between its closing and the opening of the museum was not without drama too, Andy told us it almost didn’t happen. But that’s a story for another day!

There is nothing manufactured about this place, it’s genuine, a gem in fact, rooted in the local area, but so important to our collective national memories. But don’t take my word for it, experience this amazing space for yourself. Take your children, they’ll be as amazed as you.

Further Information:

The museum is open at the following times:
Fridays 10am – 4pm
Saturdays 10am – 1pm
During July, August and September open 10 am – 4pm, Saturdays and Sundays 2pm – 5pm

For further information on another delightful and unique Chilterns museum, the Natural History Museum in Tring is just how museums used to be, dressed fleas included.

Further Chilterns inspiration here

The Wormsley Library

On a private tour of the Wormsley Library, we had 15 minutes. Never enough time in any library in my view, so taking a deep breath, I had to be on my toes to ensure I at least covered off the key contents

4th December 201714th June 2018 Mary Tebje

In spite of an abundance of things to be showy about, you will find the Chilterns one of the least-showy places in England. You have to know where to look and whom to ask. Discretion is the watchword

I have previously written about the Wormsley Estate, so typical of the Chilterns: slightly bonkers, intriguing and tucked away in a beautiful place you have probably unknowingly walked past many times. All 2,500 acres flow between a deer park, ornamental lakes, the “Sir Paul Getty’s cricket Ground” and mock Tudor pavillion, an opera house, Wormsley Library and private castle; each notable in their own right, but all together on one estate? I am not worthy.

The late Sir Paul Getty’s first love was cricket, but high up on his list must surely have been rare books and manuscripts as he filled his Wormsley library with amongst many others: 12 – 15th century illuminated medieval manuscripts, the first edition of Caxton’s Canterbury Tales, Anne Boleyn’s Psalter and the first folio of Shakespeare’s Comedies, Histories and Tragedies, no less. I really like the library, as it has a lived-in, welcoming feel, which is unexpected for somewhere that houses a collection of this importance. The chairs around the fire have the previous occupants’ impressions left behind and I wondered if they had sat fireside, and leafed through a precious volume with a familiar title, but we would most likely never see an original copy?

Invited on a private tour, with a robust schedule, we were ushered past the opera house with instructions not to photograph the private residence, nor further aggravate the already aggravated dogs who were going mad on the other side of the fence, so we tiptoed along roped-off pathways, stealing sideways glances whenever we could.

We had 15 minutes in the library. Never enough time in any library in my view, so taking a deep breath, I had to be on my toes to ensure I at least covered off the key contents.

Why is it that some books of such staggering historical and cultural significance can sometimes look like something picked up for a tenner at a car boot sale? The only indication they are rare is that they are in fact included on the bookshelves with this collection, and those with their pages open, delicate gold-flecked images and painful writing on display that the saying ‘you can’t judge a book by its cover’ really starts to take on meaning.

You can see images of Anne Boleyn’s beautiful Psalter at the Morgan Library & Museum New York. This tiny book measures a mere 5-by-3 1/2 inches and bears Anne’s coat of arms and monogram combined with that of Henry Vlll. The 275 vellum leaves were written and illustrated in France between 1529 and 1532, and this is a French translation from Hebrew of the biblical Psalms. Takes your breath away.

Another gem is the first edition of the Canterbury Tales, the greatest work in Middle England printed by William Caxton in Westminster between 1476-77 is only one of seven complete or substantially complete copies, and the only one if private hands. Would you take that out and read by the fire? Perhaps not.

A Map of the Estate

Which rare to choose?

Located between Stokenchurch and Watlington, Wormsley Park operates as an organic farm and many red kites can be seen in the vicinity. Once extinct in England and Scotland, the birds were reintroduced into England in 1989 with Windsor Great Park being the release site. All did not go to plan and without the intervention of Sir Paul, who offered Wormsley Park instead, the project would have been lost, and along with it, what is now considered to be the icon of the Chilterns – the magnificent red kite.

In spite of an abundance of things to be showy about, you will find the Chilterns one of the least-showy places in England. You have to know where to look and whom to ask. I recommend signing up for a twitter account if you don’t already have one, that way you are bound to be in the know.

The Library is only available for a limited number of dates each year, as it is part of the family’s home. Wormsley’s knowledgeable librarians can host up to 25 guests at a time for tours of the collection. More information here,

Further Information:

Another local library that will knock your socks off, is the Rothschild Foundation at Windmill Hill, Waddesdon.

For more Chilterns ideas and inspiration.

The Sweetest Stretch of the River

..”unbroken lovelines, this is, perhaps the sweetest stretch of all the river.” Three Men in a Boat, Jerome K. Jerome.

17th November 201713th July 2018 Mary Tebje1 Comment

Itching to get away from my desk and take a walk to enjoy a warm autumnal afternoon, it was a tweet that spurred me into action to head over to Cliveden Reach, between Cookham and Boulter’s locks, the fabled stretch along the River Thames.

I have visited the formal gardens at Cliveden, but that is only a small part of the vast 375-acre estate on the banks of the River Thames. I struck out from the Woodland car park and was soon enjoying the magnificent lime-treed avenue that leads to Cliveden House, an ornate mansion that crowns an outlying Chilterns ridge by the hilltop village of Taplow, near the busy market town of Marlow. 40 metres above the river, Cliveden means “valley among cliffs” and refers to the dene (valley) which cuts through part of the estate, east of the house. The site has been home to an earl, three countesses, two dukes, a Prince of Wales and the Viscounts Astor. And a particular scandal.

The woodlands were first laid out by Lord Orkney in the eighteenth century on what had been barren cliff-top; they were later much restocked by Bill Astor but suffered badly in the Great Storm of 1987, the same year a section of a California redwood was installed in the woods. At a modest 5.03 m across, it is the largest section of a Sequoia gigantea in the country.

The woodland is quiet, with paths leading off into the trees so I headed downhill towards the river along a steep footpath that had seen much use and repair over the years. I had to stop to enjoy the expansive views across the river to Berkshire, opening up each week as the leaf cover falls away.

fullsizeoutput_3941 — Looking west towards Berkshire

The river is busy with geese, swans, ducks and all manner of little birds, darting about in the foliage, the riverside path shady with overhanging trees, leaves drifting into the soft river mud.

..”unbroken lovelines, this is, perhaps the sweetest stretch of all the river Thames.” Three Men in a Boat, Jerome K. Jerome.

I passed the infamous Spring cottage, awarded Grade ll listed status in 1986 and in 1997 the hotel company which leased Cliveden House from the National Trust also acquired the lease to the cottage. A small fortune was spent restoring and refurbishing the dilapidated building before it reopened in 1998 as a self-contained luxury let. Luxurious it may be, but it is hardly private with the path passing within feet of the building, hampers and cottage life visible through the windows. One of four structures that was built in 1813, it saw many uses by the family and their guests, until in 1957, the cottage was leased by Stephen Ward for use as a weekend retreat and party house. Christine Keeler and Mandy Rice-Davis stayed here, with a chance encounter in 1961 between Christine Keeler and John Profumo at the now infamous Cliveden swimming pool, led to the so-called Profumo Affair that almost brought down a government.

The path then opens up onto a sunny riverside lawn, with another cottage, boathouse, small jetty and 171 steps up to the Parterre in front of the house. No dogs allowed! I don’t mind, it’s more informal here, in fact a good place to spread out and relax on the lawn. The Victorian boathouse has undergone extensive repairs, and you can see recorded on the brick wall a the entrance, historical flood levels. Choose to cool off in the river, on the Thames or alongside.

If it hadn’t been for this couple quietly enjoying the sweetest Thames view from their bench, I would have missed the best view of all!

Further Information

Further Information:

Visit the beautiful Rose Garden at Cliveden, although I expect it’s much changed from when I visited.

Autumn is my favourite time in the Chilterns, here are my suggestions for other places to explore in the Chilterns

For further information on what to see and do in the lovely Chilterns VisitChilterns.co.uk or to spend time on the water at Cliveden.

Short break escapes: relax and stay by the river at Ferry Cottage.